Macbeth (1948)
Oh God he's doing another accent. His Scotsman is better than his Irishman tho. And his Macbeth better than his Othello. But not the movie. Scene where he sees Banquo's ghost is amazing. Not a hint of Welles remains, just madness. Photography is great, very shadowy and spooky. Oh I saw Citizen Kane again. Some scenes have these neat little rhymes or echoes in them. When he says "I intend to keep that promise" and then later (about something else but still) "You don't expect me to keep that promise?" Some other stuff, but I forgot already. And I'm a slobbering moron because only now did I realize how poignant the scene is where his son is driven away in a taxi. Pretty good movie IMO.
Boudu Saved from Drowning (1932)
Really enjoy Michel Simon's acting. From La Chienne to this within a year is very impressive. It's a funny movie. This untamed soul with no regard for anything coming and going as he pleases and floating down a river which I'm told is the ultimate Renoirism. He's at once fascinating and off-putting.
Underground (1995)
Didn't like it as much as Time of the Gypsies but it's still great. Love this guy's wild funny Big Movie Emotions style, though he sometimes goes way overboard. Don't put an upside-down crucifix and a white horse in the same frame (again??) man. But then again if he did have any self-restraint I probably wouldn't like his movies so much. I see where Zizek is coming from tho.
White Heat (1949)
Only other movie I've seen by Walsh is Pursued, which is a bit darker but strangely enough also has a protagonist who has a weird relationship with a female family member??? Anyway from what I've seen this guy kinda defined Hollywood Craftsmanship. And I don't mean that in a backhanded way. Cagney is a joy to watch.
Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975)
Someone somewhere must have written something explaining how 3+ hours of daily chores can be so entrancing. Has a weird vibe, lulls you and then startles you, very rhythmic. Jeanne is tragic from the first moment. The OCD way she flicks the light switches every time, some nervous kind of prisoner. When she tells this storekeep she wouldn't know what to do without her son it's all

. Ending is wow. I sensed there was something coming by how agitated she became during the third day but in no way was I expecting that. Made a hell of an impression.
Mary and Max (2009)
A cute movie. Comes too close to Tim Burton territory and the visual style unnerved me a bit, but it's sincere, nothing false or too mawkish about it. Feels almost like a very stylized documentary more than based-on-a-true-story fiction.
The Fly (1986)
Man, this goes all out. I was expecting (hoping for) something more like his later movies with that kind of anxiously sedate pacing and steady descent into hell, but this is still very 80s Cronenberg with the mad science and "synthetic" dialogue, which kinda fits his movies anyway. But yeah, some (monster) movie cliches notwithstanding this is of course great stuff. Goldblum is fantastic.