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Fucking Fucking episode.
anaron said:There needs to be a title change along the lines of "watch the best new show ASSHOLES."![]()
DevelopmentArrested said:looking back now.. yeah the title sucks. but a lot of tv shows have bad names. i just think it's just shitty rotten luck that this show doesn't have an audience. also, i agree that while the title music is great - it simply doesn't fit the show. especially given how dark the show has gotten over the last few episodes. but I love the vibe of the show now.
I couldn't disagree more: the theme music is perfect.DevelopmentArrested said:looking back now.. yeah the title sucks. but a lot of tv shows have bad names. i just think it's just shitty rotten luck that this show doesn't have an audience. also, i agree that while the title music is great - it simply doesn't fit the show. especially given how dark the show has gotten over the last few episodes. but I love the vibe of the show now.
This.big ander said:Seriously, could a mod maybe edit the title to something like "Terriers - Best New Show of the Year - NOT ABOUT DOGS"
This please.big ander said:Seriously, could a mod maybe edit the title to something like "Terriers - Best New Show of the Year - NOT ABOUT DOGS"
I think he's way off base with the "Murder She Wrote" comment - the show is incredibly bleak at times and they address some very adult subject matter. Still, it's good that he likes the show and gives it some press here.FXs "Terriers" is the latest example of what happens when even good shows dont conform to a channels clear identity.
It might not take a miracle, but it will definitely take a last-minute reprieve if FXs superb but barely seen Terriers gets renewed for a second season. There are fans who have held on from the start and now are praying for renewal, and there are critics who liked the show at the start who now love it and are beating the drums to draw in a bigger audience.
Good luck with that.
The series is averaging roughly 500,000 viewers each episode, and FX just doesnt have the kind of largesse to let that stand. The basic-cable channel has one of the industrys most impressive track records for launching quality shows, but it doesnt have the budget to be patient with a series that might be blooming too late. And so the question is, what happened? Why hasnt Terriers captured the imagination of viewers?
Sure, you can blame the name, which didnt help sell the concept of two low-rent private investigators catching the case of a lifetime and redefining buddy series along the way. And the show didnt exactly come out of the gate with guns blazing like FXs Sons of Anarchy.
But there is a lot there to love. The acting from leads Donal Logue and Michael Raymond-James is impressive, particularly how they spin the witty banter from creator Ted Griffin (Oceans Eleven, Matchstick Men) and the shows writers. And despite the sluggish start, subsequent episodes began to flesh out the intent of the series, making it part drama, part comedy, heavy on the buddy element but also surprisingly deep and soulful as the characters took root.
No, the real problem with Terriers is that it doesnt reflect the FX brand. More accurately, it took way too long to reflect that brand. When you think FX, you think The Shield and Rescue Me. You think Its Always Sunny in Philadelphia and even the animated Archer. Series on FX have balls, no question about it. They are aggro, not Zen. The shows on that channel are rated MA for a reason. Although an argument could be made that the engaging and captivating Justified, with a few tweaks, also might be a network series, theres a notable difference. In the pilot, blood was spilled, a rocket launcher went off, and Timothy Olyphant inhabited his character with such distinction that you knew he was a badass with a badge and no hesitation on the trigger.
In short, an FX series.
In Terriers, no amount of clever riffing can mask that its about as edgy as Murder, She Wrote. Executive producer Shawn Ryan made it clear he didnt want to do another show as savagely bleak as Shield, and credit him with steering Griffins vision to stellar heights. The show just always has felt out of place.
And that certainly speaks to the power of a brand. Its less of an indictment of Terriers and more affirmation that FX has almost always been on point.
Yeah, I think the show can be very dark at points, especially in the later episodes. But it certainly doesn't have the omnipresent bleakness of something like the Shield or the constant in-your-face machismo of Sons, but that's part of the appeal I think. Anyway, looking forward to the finale on Wednesday, and I hope (although it's really unlikely) that this is released on Blu-ray down the road (most less popular TV shows just get the DVD release it seems)Cornballer said:I think he's way off base with the "Murder She Wrote" comment - the show is incredibly bleak at times and they address some very adult subject matter. Still, it's good that he likes the show and gives it some press here.
More on branding and network identity via the link.
That makes sense - I can see what you and Goodman are saying. I guess my complaint towards FX is that they marketed it as something light and fluffy when they could've put together a more dark and edgy campaign to attract the typical FX viewers. There's certainly enough material in the show to do something like that, even if it would be misrepresenting the series to some extent.GitarooMan said:Yeah, I think the show can be very dark at points, especially in the later episodes. But it certainly doesn't have the omnipresent bleakness of something like the Shield or the constant in-your-face machismo of Sons, but that's part of the appeal I think.
Would be great to get a copy of the BRD down the road if we can.Anyway, looking forward to the finale on Wednesday, and I hope (although it's really unlikely) that this is released on Blu-ray down the road (most less popular TV shows just get the DVD release it seems)
I don't know, I could see it fitting in on AMC. Walking Dead might look professional, but its writing and acting don't match up. I guess it does fit FX, but there's just something about it that FX viewers obviously didn't warm up to. I really do think there's something to the thought that it's not "badass" or irreverent enough. The premiere actually had 1.5 mil viewers.SpeedinUptoStop said:Never really struck me as a non-FX show. I don't see it fitting anywhere else, really. Not professional looking enoguh for AMC, not light hearted enough for USA, not extreme enough for the pay channels, not generic enoguh for anything else....seems to fit the FX bill imo.
It's funny because David Chen of /Filmcast wrote a blog post saying that they are non-heroes, or at least terrible people.mamacint said:The characters inhabit a pretty bleak world and are pretty somewhat flawed - but just because they are actually likeable and not asshole protagonists we somehow root for in spite of ourselves doesn't mean the show is shallow tripe. He's mistaking the show lacking the now common trope of the protagonist being a non-hero into the show lacking depth. What a tool.
The first comment on that article basically invalidates it:CajoleJuice said:I don't know, I could see it fitting in on AMC. Walking Dead might look professional, but its writing and acting don't match up. I guess it does fit FX, but there's just something about it that FX viewers obviously didn't warm up to. I really do think there's something to the thought that it's not "badass" or irreverent enough. The premiere actually had 1.5 mil viewers.
It's funny because David Chen of /Filmcast wrote a blog post saying that they are non-heroes, or at least terrible people.
http://www.davechen.net/2010/11/guys-in-terriers-are-terrible-people.html
So he definitely wouldn't agree with Goodman.
To write that Chen way overstated the evils in their actions and way understated the good that came out of them. Sure, those actions allowed Hank to buy his old house. But they also tripped up a greedy conspiring man who's trying to buy Ocean Beach and put away murderers.The planting of the gun can be construed as moral.
The suicide of the bank manager was not direct, it was indirect. How would Hank have known he would respond that way? In fact, his response was quite bizarre.
They smashed some bongs and ended up catching a murderer.
I think there's an "end justifies the means" discrepancy going on here. The stolen money would grant them info on Hank's friends killer. Also, Lindus was stealing it from himself.
They did chase him but they didn't kill him. That was an accident.
The cover up was immoral.
Oh yeah, I agree with you and the commenter. I just wanted to highlight a person that definitely sees the show as edgier than Murder, She Wrote. :lolbig ander said:To write that Chen way overstated the evils in their actions and way understated the good that came out of them. Sure, those actions allowed Hank to buy his old house. But they also tripped up a greedy conspiring man who's trying to buy Ocean Beach and put away murderers.
Yeah, the Murder, She Wrote comment is plain stupid. :lolCajoleJuice said:Oh yeah, I agree with you and the commenter. I just wanted to highlight a person that definitely sees the show as edgier than Murder, She Wrote. :lol
Actually makes me wonder if Chen has watched other FX series.
big ander said:Yeah, the Murder, She Wrote comment is plain stupid. :lol
This is some wack ramblings. If I'm feeling generous I would only question Chen's viewing literacy after reading that, but maybe he's also got a really screwed up perspective on life to reach some of those conclusions.CajoleJuice said:It's funny because David Chen of /Filmcast wrote a blog post saying that they are non-heroes, or at least terrible people.
http://www.davechen.net/2010/11/guys-in-terriers-are-terrible-people.html
So he definitely wouldn't agree with Goodman.
He'd probably scream and stop watching after the pilot.Spire said:Boy I'd hate to see Chen's reaction if he ever watched The Shield.
(The "Terriers" audience is comically small but fierce in its loyalty; if you want to show that loyalty, Ryan is suggesting people e-mail user@fxnetworks.com and/or try to download episodes from iTunes, as FX is said to be tracking both.)
More via the link.Does Branding Really Matter?
Tim Goodman of the Hollywood Reporter has his own theory of what ails Terriers (approaching the last episode of its first-maybe-but-hopefully-not-last season): its a branding problem. The show just doesnt fit what viewers consciously or subconsciously expect from the network.
I dont know. I have an ambiguous relationship to the concept of branding. On the one hand, I know its real, and have talked about it as real. A network, especially an ad-supported cable network, has to deliver certain things that its viewers and advertisers expect. Especially the advertisers; the average viewer might not have expectations of a network, but an advertiser certainly does have expectations of the kind of viewers their commercials are going to reach. (HBO also has a brand but defines it more eclectically, in terms of shows that have the feel of being stuff the other networks wont do. Thats because theyre selling their service to the viewers, rather than to advertisers.) Thats probably the biggest factor in creating the existence and importance of a brand, since the average viewer does not and shouldnt care what channel something is on as long as its entertaining.
But Im sure the brand does influence the way viewers choose their shows, if only because a networks brand is defined in opposition to whatever else is on television. If FX or AMC has shows that are off-brand then they might be too close to something else thats on at 10 oclock. In the case of Terriers its up against The Defenders on CBS and Psych on USA, two mystery dramas with a lot of humour. Its darker than those shows, but still might bleed more viewers to the competition than a completely different, alternative kind of show might. Thats part of the point of original cable programming, to provide alternatives for people who dont find that the other stuff is quite right for them.
My problem with jumping from that to saying that a network needs a brand, all the time, is that, first of all, its not really borne out by the evidence. Goodman has to bring up and explain away a lot of exceptions to the rule, and its hard to explain all of them away before the idea of branding starts to seem extremely nebulous. So for example, he talks about Foxs comedy brand, yet their most successful half-hour live action comedy of recent years (not that thats saying much) was Til Death, which was certainly going against their brand. Over on FX, Justified just isnt that different from Terriers, and its greater popularity can be explained more in terms of its greater bad-assedness than any extra edge that it possesses. In other words, never use branding to explain what can be more plausibly explained by pointing out that a show has more action and a cooler hero.
...
Watch it. Now.d58e7 said:I've never watched this show, nor heard of it, guess that shows how good FX is advertising it. Also the name definately doesn't help. Has there been any attempt to raise intrest in this show by trying to make it a trending topic on twitter?
Exclusive: A message from the 'Terriers' creative team
By Alan Sepinwall - A thank you from the writers, as well as suggestions on how to help the finale do well
The "Terriers" finale airs tomorrow night at 10 on FX. I've already sung the praises of this great, terribly underrated (in the literal sense) show, and before the finale airs, the show's three main creative voices - Ted Griffin, Shawn Ryan and Tim Minear - wanted to say a few words of thanks to the audience, as well as offer some suggestions (beyond e-mailing your praise to user@fxnetworks.com) for making the show look good to FX:
Dear "Terriers" watchers,
On the eve of our season finale -- and, as far as we know, it is a season finale -- we wanted to thank you for tuning in and supporting the show and, most of all, for embracing Hank and Britt with such enthusiasm and devotion. We're very proud of "Terriers" and are grateful/gratified it found an audience as intelligent, discerning and handsome as you. So, on behalf of all the actors and writers and directors and crew members and everyone who worked on the show, thanks. And we hope to do it again next year.
Ted Griffin & Shawn Ryan & Tim Minear
P.S. If you think of it, you might watch tomorrow's episode LIVE if you can; it's called (for no particular reason) "Hail Mary" and we hope you enjoy it. Also, if you happen to know a Nielsen family, this could be a great opportunity to reconnect by inviting yourself over to watch it at their place. Super too would be if when you got home after, you Hulu'd the show. Then gifted it via iTunes to everyone you love/can barely stand. Just a thought. It's what our mothers are doing.
I've seen the finale. It's great, and my review will be up moments after it finishes airing on the East Coast. Enjoy.
Cornballer said: