He is the opposite of cancel culture, and he deserved everything he got.
A lot of people forget, but during the 360 / PS3 generation, Japanese games almost got pushed out. The whole media was working together with large western developers to put down Japanese games, to minimize anything they did right, and to push them out of the industry for being archaic and inferior. If anything, Japanese games were at risk of being canceled. Fish not only didn't get canceled, but got hugely elevated far beyond his ability or standing in the industry by a media machine obsessed with western indie developers that dress like them and can be friends with journalists. Consumers of Japanese games were just disgusted by his behavior and didn't want to continue to support a giant asshole and bully. Fish later went on to try and push other people out of the industry for criticizing Zoe Quinn and pointing out that she was abusive. The guy partially made one NES game and acted like he could put down all Japanese games, and like a lot of elements of gaming culture at that time that were explicitly anti-Japanese, I think his actions and generalizations were almost racist. I think the year he was saying all Japanese games suck, Mario Galaxy came out.
No he wasn'tNah he wasn't canceled he threw a fit and quit over getting himself doxxed. He was pretty spot on in his japanese comment at the time.
That's just stupid. Fez was a fantastic game, no question. Ignore twitter and seperate the art from the artist or you'll never enjoy anything.Glad I never played his game(s).
He is the opposite of cancel culture, and he deserved everything he got.
A lot of people forget, but during the 360 / PS3 generation, Japanese games almost got pushed out. The whole media was working together with large western developers to put down Japanese games, to minimize anything they did right, and to push them out of the industry for being archaic and inferior. If anything, Japanese games were at risk of being canceled. Fish not only didn't get canceled, but got hugely elevated far beyond his ability or standing in the industry by a media machine obsessed with western indie developers that dress like them and can be friends with journalists. Consumers of Japanese games were just disgusted by his behavior and didn't want to continue to support a giant asshole and bully. Fish later went on to try and push other people out of the industry for criticizing Zoe Quinn and pointing out that she was abusive. The guy partially made one NES game and acted like he could put down all Japanese games, and like a lot of elements of gaming culture at that time that were explicitly anti-Japanese, I think his actions and generalizations were almost racist. I think the year he was saying all Japanese games suck, Mario Galaxy came out.
He was 100% correct if you placed his statements in the context of the time (2012). The Japanese output was terrible last gen:
- many beloved series and developers jumped onto the mobile/gacha bandwagon (and many still haven't jumped off).
- Konami are basically dead as a result of said decisions
- several top JP franchises either disappointed or went to shit: Silent Hill, Gran Turismo 5, Resident Evil 6, Metal Gear Solid 4 (in retrospect), Final Fantasy XIII and XIV (at launch).
- some tried to ape Western games with disastrous results (Koei Tecmo's Quantum Theory), or even outsourced beloved games to Western studios (Capcom - Bionic Commando, Lost Planet 3, DmC)
- Nintendo were having a creativity crisis following DS and Wii. Everyone forgets 3DS seriously struggled in its first year (2011-12), while the Wii U was by most accounts a complete failure
- even the good ones like Capcom, who released many good games at the start of the generation, got progressively worse by 2012
- just look at the lists of games released in the early 2010s and try to count the anemic number of JP games in the top 20 lists
Fast forward to 2020 and things have flipped. Most of the good stuff is coming out of Japan now.
1 - the guy clearly has issues, he is some kind of crazy genius guy
2 - he definitely was cancelled for his take on the stare of japanese games development (if I. Remember well), he obviously made his comments from a good place, and the backlash felt forced back then
So, I think you're right about that .
Title.
Phil Fish ain't the most polite character, but I enjoyed the two games he made, Fez and Super Hyper Cube. He did have a Cliffy B-esque habit of threatening to leave gaming and to never release his projects, a promise he appears to be keeping for now.
Not sure what people think of the guy. My interest is whether he was an early example of "cancel culture" mob going after someone because of something they said. He wasn't cancelled for making a bad videogame, but for his comments and behavior elsewhere.
He can be right but it still wasn't the appropriate time or place for the diatribe. Expecting tact from Phil is a fools errand though. He certainly never enjoyed the taste of his own medicine.
Title.
Phil Fish ain't the most polite character, but I enjoyed the two games he made, Fez and Super Hyper Cube. He did have a Cliffy B-esque habit of threatening to leave gaming and to never release his projects, a promise he appears to be keeping for now.
Not sure what people think of the guy. My interest is whether he was an early example of "cancel culture" mob going after someone because of something they said. He wasn't cancelled for making a bad videogame, but for his comments and behavior elsewhere.
Tact has been dead since about 2015. His comments might have been offensive by 2012 standards, but by today's standards set by Twitter, Trump, 4chan etc, it's incredibly tame looking back.
Once you get over the zinger of "you're games just suck", all of the subsequent feedback given by the panel are exactly the things Japanese developers ended up listening to. Breath of the Wild is almost exactly what they said should have been done with Zelda.
Now, I very much doubt that Japan only got its shit together this gen because a pretentious leaf told them what's what. Fish and Blow aren't gods, even if they think themselves that. Rather, the writing was on the wall for Japan to such a degree that even this random panel of indies could pinpoint all it's problems.
It’s been a long time since I have, but if I remember correctly it was him having a mental breakdown because he was getting harassed by losers on the internet.Have you actually seen the video of it?
It wasn't that hard. I've never been at a public work conference and gone out of my way to humiliate and insult someone complimenting my work. Any normal human could have answered normally, and they do that at work all the time.He just had strong opinions, which you are not supposed to have the more famous you get.
Most people here on this forum would crash and burn the same way Phil did if they spoke out loudly what they write here every day.
Just ask yourself how easy it is online to say "FUCK YOU" somebody who is famous.
Now, can that famous person say "FUCK YOU TOO" to you in reply?
No, they always have to stay polite and non controversial, or they are perceived as "dick heads" and "arrogant".
I can really only remember him from Indie Game: The Movie. They featured a handful of indie devs that blew up during the XBLA era. They covered Super Meat Boy, Fez, and Braid. My impression was that Phil was spastic and angry-autistic. I don't think he was well-equipped to deal with the public relations, or any relations, side of things.
Do you have any examples of this other than the obvious DKC:TF Gamespot outlier?It's so strange seeing press outlets giving Switch games higher scores than they initially did to the same titles on Wii U, because Japan (and Nintendo) is in vogue again.