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Guitar players of GAF- Post pics of your guitars and gear

blackjaw

Member
I must have missed that on Fender's page— I saw only a coil tap/split for the humbucker.

Yeah it would be really interesting to figure out how to get all of the pickups in parallel though!! I'm sure it's possible but might just not sound all that good haha.

On a side note I have my Montreal Assembly Count to 5 and a Caroline Guitar Company Meteore coming on Saturday...pretty stoked!
 
On a telecaster you can use the neck and bridge together in series, it's the middle position in a 3 switch. On a four way switch you can also run the neck and bridge in parallel.
The standard Tele middle position is bridge and neck in parallel. In-series is a fatter humbucker sound.
Yeah it would be really interesting to figure out how to get all of the pickups in parallel though!! I'm sure it's possible but might just not sound all that good haha.
3pINS3T.jpg
I added a Deaf Eddie Chromacaster pot to a Strat to get 11 extra pickup combos. It replaces one of the tone knobs. All three pickups together is kind of underwhelming, as are the out-of-phase.
Why doesn't it let you put the neck and bridge pickups together!? Fender!
Any guitar tech can rewire your controls. In addition to the Deaf Eddie knob, I have a Strat with an S-1 switch for 13 pickup combinations.
I had the volume knob moved and a switch installed to get neck+bridge. All my tone knobs are master tones. The various extra sounds are interesting, but the only essential one is neck+bridge.
 
Yeah, I know it can be modded; original version of my post suggested swapping the middle pickup lead with the neck or bridge on the 5-way to get more useful sounds at the cost of the switch not being intuitive.

Decided I was being too nerdy. Apparently not.
 

blackjaw

Member
The standard Tele middle position is bridge and neck in parallel. In-series is a fatter humbucker sound.


I added a Deaf Eddie Chromacaster pot to a Strat to get 11 extra pickup combos. It replaces one of the tone knobs. All three pickups together is kind of underwhelming, as are the out-of-phase.

Any guitar tech can rewire your controls. In addition to the Deaf Eddie knob, I have a Strat with an S-1 switch for 13 pickup combinations.

I had the volume knob moved and a switch installed to get neck+bridge. All my tone knobs are master tones. The various extra sounds are interesting, but the only essential one is neck+bridge.

Yeah sorry, I've had my tele wired to a 4-way switch too long and forgot the middle ok a 3 is parallel not series :p
 

blackjaw

Member
Always a good day when it's NPD!

Montreal Assembly Count to Five: preordered in February and just got the pedal yesterday. Mode 1 is fantastically weird and I have no idea how to use/work Mode 2 and 3. This pedal is an instrument in itself so it's going to take a while to figure out and learn!

Caroline Guitar Company Meteore: beautiful reverb and it has a fun little "havok" button that holds the last note. Very ambient.

aUjPYjI.jpg
 

Scottify

Member
New pedal day for me today. These just arrived. I've never owned a delay pedal before and I'm excited to mess around with it. The TonePrint function really interests me. Should be a lot of fun.

DDJruX3.jpg
 

blackjaw

Member
New pedal day for me today. These just arrived. I've never owned a delay pedal before and I'm excited to mess around with it. The TonePrint function really interests me. Should be a lot of fun.

DDJruX3.jpg

I haven't owned a flashback in a long time, but the 2290 and tape settings are glorious. Those settings are actually what got me into tape delays which got me into lofi delays which got me into oil can delays....it was quite the spiral.
 
I have been seriously neglecting my guitar practice since starting a new job back in August. Decided it was time to get back on it. Figured a new toy would help inspire me:

2002 PRS Singlecut. Absolute beauty. Feels and sounds so good. Previous owner had replaced the pickups with newer PRS ones. They also included the originals, and I like Seymour Duncans. So, I installed the duncans (alnico 2 in neck and a custom 5 in bridge), will sell the replacements, and keep the originals around just in case. Nice little bonus, as the listing didn't mention anything about the pickups being replaced.
 

sgjackson

Member
so i've been neglecting guitar for the last month or so because i pulled a jaw muscle while sleeping and playing it actively made my jaw hurt. this is a super weird problem to have but it's gone now so i've picked it back up again. i was actively working on metal riff speed when i quit and most of those gains are gone now, but i kept most of my chord and strumming muscle memory.

i've moved onto justinguitar's intermediate method and i'm working on learning barre chords and the major scale right now. i feel like i'm doing something wrong with the e minor barre chord because i can't get the third string to ring out cleanly unless i'm totally choking the neck with my left hand. i'm assuming it's just a function of building strength in your hand, but i'm wondering if there's any key technical stuff i'm missing other than putting your index finger at an angle and squeezing. the e-major barre isn't an issue as i learned that by playing a bunch of songs with an f chord using it. any useful advice other than the obvious "keep at it"?
 

Angry Grimace

Two cannibals are eating a clown. One turns to the other and says "does something taste funny to you?"
I have been seriously neglecting my guitar practice since starting a new job back in August. Decided it was time to get back on it. Figured a new toy would help inspire me:


2002 PRS Singlecut. Absolute beauty. Feels and sounds so good. Previous owner had replaced the pickups with newer PRS ones. They also included the originals, and I like Seymour Duncans. So, I installed the duncans (alnico 2 in neck and a custom 5 in bridge), will sell the replacements, and keep the originals around just in case. Nice little bonus, as the listing didn't mention anything about the pickups being replaced.

Nice guitar!

Honestly think PRSes are a step above the competition; like the quality of a US-made one is just obviously higher than a Fender or Gibson (and I've owned several Fenders and still have a Gibson).
 
Nice guitar!

Honestly think PRSes are a step above the competition; like the quality of a US-made one is just obviously higher than a Fender or Gibson (and I've owned several Fenders and still have a Gibson).

They are my preference, that's for sure. I think they are the most consistent brand, with Fender a close second. I've never picked up a PRS that didn't feel great. Even their korean line seems a step above other brands lower ends, in my limited experience with them. It's rare to pick up a Fender that feels fucked. But, I've played plenty of Gibsons I've thought felt just terrible. A Les Paul was actually my dream guitar growing up, until I played a PRS.

That said. I've certainly played some amazing Gibsons. I would actually say the best guitar I've ever held was a black Les Paul Custom. It was perfection in my hands. Felt and sounded just amazing. And I have zero interest in ever owning an acoustic that isn't Gibson. My J45 sounds better and better as time goes by, and it sounded great to begin with. Like I said, I just think Gibson is the least consistent when it comes to quality of the three.

My Singlecut and J45:

They make a beautiful team.
 

Angry Grimace

Two cannibals are eating a clown. One turns to the other and says "does something taste funny to you?"
Ironically the big knock on PRSes isn't quality, its that they're "soul-less" precisely because Paul is a stickler for consistency.

I remember a years ago there used to be a big knock against the newer (post-1994 or so) CE-24 bolt-on guitars because Paul had increased the mass of the neck heel and a bunch of people insisted it was a huge travesty that "ruined" the neck. The reality is that the old CE-24s consistently had a deadspot at the 12th fret of the G string and Paul had figured out that increasing the mass of the neck to match the 22 fret models eliminated the dead spots.
 
Always a good day when it's NPD!

Montreal Assembly Count to Five: preordered in February and just got the pedal yesterday. Mode 1 is fantastically weird and I have no idea how to use/work Mode 2 and 3. This pedal is an instrument in itself so it's going to take a while to figure out and learn!

Caroline Guitar Company Meteore: beautiful reverb and it has a fun little "havok" button that holds the last note. Very ambient.
Very, VERY jealous of both of those. Bet you're having a ton of fun.
 

blackjaw

Member
Very, VERY jealous of both of those. Bet you're having a ton of fun.

They are so much fun combined. Using the Meteore havok into the CT5 just makes these glitchy drones that go forever. Meteore in itself is a beautiful ambient reverb but with CT5 it just gets wild.

I finally figured Mode 2 out and fiddled with a short clip for almost an hour....like played my 4 seconds then knob turned just making unconventional music...very inspiring
 
Ironically the big knock on PRSes isn't quality, its that they're "soul-less" precisely because Paul is a stickler for consistency.

Have only played one, but the SC245 I played in a store a few years ago was just amazing. Still annoyed I didn't come up with some way of buying it. That they all might be that good seems great to me.

I need another Les Paul-type like another hole in my head, though.
 
Taylor's are nice! That's a great price, too. I have a 110e, for which I traded a Strat-style electric to a friend. I think that's the same as your's, just a different shape (I like your's better, a little narrower at the top).

This Marshall CODE 25W modeling amp arrived today, though I thought it wasn't being released until July. It's fun! It's my only Marshall amp. I can only compare it to my Fender G-DEC 3-30, but the CODE has a better layout and is easier to use. I'm not sure about sound comparisons as I haven't been able to crank it yet. At low volumes, so far I still prefer the Yamaha THR10 or Vox DA5.

7r0vDlH.jpg
 

Scottify

Member
I had seriously been considering a Marshall CODE as well. I'd be interested to hear your thoughts after you've been able to put it through its paces.
 

NEO0MJ

Member
So I plan on fixing up my old Squier Strato and one of the things I want to replace is the Tremolo. It's made in Indonesia so I was wondering if this will fit or if I have to buy the Mexican version.

I also feel spoiled for choice regarding pick ups. No idea what I want. Can I make due with just one new pickup or should I replace them all? If I buy more than one are there any benefits for mixing or should I get a set?
 

Scottify

Member
My first ever tube amp just arrived today. A Blackstar HTC-40. I gotta tell you, the tone is ridiculous. Incredibly versatile and incredibly loud. I may have bought too much amp but for now I am just loving it.

 
Blackstars are nice. Their little Fly 3 amp is cool. And that PRS! *drool*

I had seriously been considering a Marshall CODE as well. I'd be interested to hear your thoughts after you've been able to put it through its paces.

This is a modeling amp. If you like a convenient combo with a lot of different tones, there's little to complain about here. I have a few modeling amps and simulators, and the CODE sounds great, possibly the best of them. I really should get an A/B pedal. I don't have a real Marshall tube amp to compare it to, but I like what I hear. At low volume, I do prefer the THR-10 or VOX DA5, but you don't buy an amp because it sounds good quiet! The 25 watts is more than enough amp for me right now. If I ever need a gigging amp, I intend to get a VOX AV-30. Of the 100 tones, I'd say there are only 5 or so that are obviously bad enough that you'll overwrite them immediately. The controls are on top of the amp and are easy to use and self-explanatory. The screen on the 25 is a little small. I like that you can turn off the effects with a button press, though this makes all the individual entries that are just the standard patch each with a different effect dialed in kind of superfluous. They should have just included one basic amp entry that you could augment and made more unique tones (you can do that yourself, though). I haven't played any pedals through it. The Bluetooth has been wonky, which is a shame, as controlling the amp through a phone app is one of the better things about it. You can stream music to it, but I prefer to jam to tracks through a separate amp. I'm assuming the BT/app issues will be worked out. The footswitch doesn't come out until Fall. There are 9 Marshall amps, 1 "British" (Vox), and 3 "American" (Fender) in clean, crunch and hi-gain, 2 Marshall power amps and 1 each of British and American, and 8 Marshall cabinet types. I hate the headphone out sound, but I'm not sure if my headphones/ears aren't to blame. I think for $200, the CODE 25 is a good-looking, great-sounding, convenient package.

So I plan on fixing up my old Squier Strato and one of the things I want to replace is the Tremolo. It's made in Indonesia so I was wondering if this will fit or if I have to buy the Mexican version.

I also feel spoiled for choice regarding pick ups. No idea what I want. Can I make due with just one new pickup or should I replace them all? If I buy more than one are there any benefits for mixing or should I get a set?
The USA bridge won't fit. The import version should. Measure in mm and check.

I would go for a full replacement set of Strat pickups. I have a wonderful set of Bill Lawrence Keystones. Unfortunately, with Bill's recent death, they stopped making the Keystones. I've heard great things about their Microcoils. I have a set of Ken Rose pickups for another Strat, the "Morticia" S-90s. They sound great. These are both small boutique pickup makers, so there's a little bit of wait (there's actually a LOT of wait for the Bill Lawrence pickups, but worth it; don't order them if you want an immediate replacement). If you're already shopping at Guitar Fetish, their pickups seem fine. I have a GFS Gold Foil pickup I like. A full set costs about the same as the much better pickups above, though. If I was going to mix-and-match, I'd go with Seymour Duncan, though that will cost a lot more, and I'd wait until your sure what "Strat sound" you like. A full set is easier to re-sell, also.
 

NEO0MJ

Member
The USA bridge won't fit. The import version should. Measure in mm and check.

I would go for a full replacement set of Strat pickups. I have a wonderful set of Bill Lawrence Keystones. Unfortunately, with Bill's recent death, they stopped making the Keystones. I've heard great things about their Microcoils. I have a set of Ken Rose pickups for another Strat, the "Morticia" S-90s. They sound great. These are both small boutique pickup makers, so there's a little bit of wait (there's actually a LOT of wait for the Bill Lawrence pickups, but worth it; don't order them if you want an immediate replacement). If you're already shopping at Guitar Fetish, their pickups seem fine. I have a GFS Gold Foil pickup I like. A full set costs about the same as the much better pickups above, though. If I was going to mix-and-match, I'd go with Seymour Duncan, though that will cost a lot more, and I'd wait until your sure what "Strat sound" you like. A full set is easier to re-sell, also.

I was considering the Lace Chrome Dome set. I want something with a bit more punch than the standard Strat sound while at the same time maybe not going too much into heavy metal territory. I took a peek at Seymour Duncan's Hot Strat and Hot Rails but they're a bit much for me, though it seems like only two Hot Rails are enough so that's an option, even if they're humbuckers (only took a peek at them cause Iron Miaden use them now). I even took a look at Bare Knuckle's Trilogy Suite and while the price of a set is just barely over my budget (I was hoping to pay no more than $200 for a set) I wonder if they're really worth it. Plus with the extra options it jumps higher.

Edit: I'm also considering buying Tuners but man they're expensive. Cost as much as a pickup set.
 
Greetings, fellow guitar players of NeoGAF.

I am in search of a new guitar. I've been playing for a good twenty years (and no, the years sadly do not reflect my playing ability) and am now looking to trim my, admittedly rather meagre, guitar collection. What I'm looking for is a real meat and potatoes-guitar, if that makes any sort of sense. Let me explain in short what I mean:

I want a work horse of a guitar. I.e. no bells and whistles, just pure unadulterated ease of playing and maintenance. So, let me be emphatic when I say: no fucking Floyd Rose bullshit. No string locking mechanism. Tremolo is not important to me - if the guitar has it, fine, if it doesn't, also fine - I don't care. Basically, I want to eliminate the amount of annoyance and aggrevation brought forth by unnecessary stuff I don't even use and that my or may not include tons of knobs.

I mainly play metal, and also some slightly-distorted rock. I've been eyeing Gibson (Les Pauls mainly) and Heritage guitars (which are somewhat more expensive than Gibson). I have also come across a new-ish guitar manufacturer called J. Joye guitars and while I dig the aesthetic, I really can't find any reviews of them.

Any help or advice appreciated!
 

Scottify

Member
For a workhouse guitar and being into metal, without knowing your budget, I'd recommend a PRS SE singlecut or custom 24. I have a custom 24 myself and I can use it to play everything from Maiden, Metallica & Slayer to Jerry Reed, Pink Floyd & AC/DC. I think they're very versatile and pretty bulletproof too.

After having my new amp for a week I thought I'd post a quick impression. In short, I love it! It is incredibly versatile, even moreso than I thought. The tones are very full and deep sounding and it can get really really clean. The overdrive channel is ridiculous. Keep the gain at around 2-3 and I can get a good classic rock/blues type crunch sound. Turn the gain up to 7 or 8 and I can get a great high gain metal sound. Fantastic. It's obviously ridiculously loud, I haven't got the master volume up past 3 yet, but I have a jam tonight and should be able to crank it up a bit more.
 
A setup and a change of strings does wonders for a guitar. Long and McQuade did a setup on my guitar for free as part of a promotion of theirs... legitimately, plays 20 times better. Dunno what wizardry they did.
 

sgjackson

Member
I'm starting to learn some songs (Creep, Black Hole Sun) that have both a clean and distorted tone. The footswitch for my practice amp (Peavey Vypyr) is 120 bucks, and I think I'd rather spend less money to get a decent distortion/overdrive/fuzz. In the future I'd also like something that could get a decent stoner metal/stoner doom tone also, so I was leaning toward getting a fuzz and just making it work for grunge/alternative since I care less about that sounding great and more about just adding some grit to it. I don't mind paying for a pedal that will last but I'd rather not drop 200 bucks on a boutique pedal or something. Any suggestions?
 

rObit

Banned
Mmmmm look what arrived in the mail. It's gonna take me a week just to figure out how everything works on this guy.


A setup and a change of strings does wonders for a guitar. Long and McQuade did a setup on my guitar for free as part of a promotion of theirs... legitimately, plays 20 times better. Dunno what wizardry they did.

Good to know, I've been meaning to get one of my guitars set up for a long time but for some reason I never pull the trigger on it. I think part of me feels like I should be able to just do it myself, which of course I can't because that's why it's all messed up in the first place.
 

Pinewood

Member
So I want to get a looper for playing around, anyone here use the Ditto? Seems like the no-brainer choice for a first looper.

Id love something that allows dual loops, but those are more than twice the price :(
 

blackjaw

Member
So I want to get a looper for playing around, anyone here use the Ditto? Seems like the no-brainer choice for a first looper.

Id love something that allows dual loops, but those are more than twice the price :(

I'd recommend an EHX 720. I've had a ditto and ditto x2 and while the ditto is super easy to use the 720 has more features, a dedicated start/stop with memory banks and is around the same cost. If you just want something simple and can get it around $70 used just go for a regular ditto

I'm in the market for the Ditto x4 for the dual loops ;)
 

NEO0MJ

Member
A setup and a change of strings does wonders for a guitar. Long and McQuade did a setup on my guitar for free as part of a promotion of theirs... legitimately, plays 20 times better. Dunno what wizardry they did.

What do you mean by setup? Amp/pedals/etc and how they're connected or something else?
 

blackjaw

Member
What do you mean by setup? Amp/pedals/etc and how they're connected or something else?

Luthier or guitar tech basically takes your guitar apart and puts it back together using precise measurements. They set up your neck, polish frets, raise/lower pickups, change strings, intonate, etc

I have a guitar setup at least once or twice a year. It just feels good and gets rid of wierd buzzing or noises that happen from the slightest movement of the neck/pickups/bridge.

Ive paid anywhere from $50-$100 depending on what I have them do and it's totally worth it.
 

NEO0MJ

Member
Hmm. I'm taking my guitar to a shop to install my pickups anyway so I'll ask them how much they'd charge for such a service.

And it looks like I'll go with the Bare Knuckle Trilogy Suit. They seem to be what I'm looking for.
 

Scottify

Member
I'm starting to learn some songs (Creep, Black Hole Sun) that have both a clean and distorted tone. The footswitch for my practice amp (Peavey Vypyr) is 120 bucks, and I think I'd rather spend less money to get a decent distortion/overdrive/fuzz. In the future I'd also like something that could get a decent stoner metal/stoner doom tone also, so I was leaning toward getting a fuzz and just making it work for grunge/alternative since I care less about that sounding great and more about just adding some grit to it. I don't mind paying for a pedal that will last but I'd rather not drop 200 bucks on a boutique pedal or something. Any suggestions?

I'm a big fan of TC Electronic pedals. Take a look at their Mojo Mojo overdrive and/or their Dark Matter distortion. Both are very adjustable to get some different sounds and I think maybe an overdrive or fuzz pedal may be up your alley.

http://www.tcelectronic.com/analog-drive-pedals/
 
I'm starting to learn some songs (Creep, Black Hole Sun) that have both a clean and distorted tone. The footswitch for my practice amp (Peavey Vypyr) is 120 bucks, and I think I'd rather spend less money to get a decent distortion/overdrive/fuzz. In the future I'd also like something that could get a decent stoner metal/stoner doom tone also, so I was leaning toward getting a fuzz and just making it work for grunge/alternative since I care less about that sounding great and more about just adding some grit to it. I don't mind paying for a pedal that will last but I'd rather not drop 200 bucks on a boutique pedal or something. Any suggestions?

way huge swollen pickle
 

NEO0MJ

Member
So a friend of mine is saying that I don't need the high output of the Trilogy Suite if I plan to mostly use it at home in low volume and that I should instead go for the Slowhand.
Thoughts?
 
So a friend of mine is saying that I don't need the high output of the Trilogy Suite if I plan to mostly use it at home in low volume and that I should instead go for the Slowhand.
Thoughts?

?!

Get pickups with the right output that will drive your amp/pedals for the sound you want— if your amplifier is too loud, turn it down.
 

Scottify

Member
So a friend of mine is saying that I don't need the high output of the Trilogy Suite if I plan to mostly use it at home in low volume and that I should instead go for the Slowhand.
Thoughts?

I don't agree with that logic. If you're typically playing at lower volumes I'd think you would want higher output pickups that could drive your amp harder to get a great tone without having to crank the volume up even more.

Also, if you like the sound of the Trilogy Suite pickups over the Slowhand, go with the tone you like, you can always adjust volume as you're playing.
 

NEO0MJ

Member
?!

Get pickups with the right output that will drive your amp/pedals for the sound you want— if your amplifier is too loud, turn it down.

I have an old Yamaha amp that came with a starter set a friend had that he gave to me after he bought a higher quality one.

What's wrong with your current pups?

Just that they're cheap Squier ones that I want to replace for a different and better sound.

I don't agree with that logic. If you're typically playing at lower volumes I'd think you would want higher output pickups that could drive your amp harder to get a great tone without having to crank the volume up even more.

Also, if you like the sound of the Trilogy Suite pickups over the Slowhand, go with the tone you like, you can always adjust volume as you're playing.

His basic argument is that output is only needed for stage performers and that they're always loud and that low output/vintage pups give you more control and clarity.
I based tone mostly on youtube and the sound clip at BK's site (though they sound kinda similar clean) and these things can be effected by amps and other tools so i started to doubt if that's what I want.
 
"His basic argument is that output is only needed for stage performers and that they're always loud and that low output/vintage pups give you more control and clarity.
I based tone mostly on youtube and the sound clip at BK's site (though they sound kinda similar clean) and these things can be effected by amps and other tools so i started to doubt if that's what I want."

He's wrong and has a fundamental misunderstanding of how pickups interact with amps. That said, you're not wrong in that the end result might not be quite the same as listening to a video/sound clip of the pickups in another guitar played through a different amp. But that's going to be the case for anything.
 

Scottify

Member
His basic argument is that output is only needed for stage performers and that they're always loud and that low output/vintage pups give you more control and clarity.
I based tone mostly on youtube and the sound clip at BK's site (though they sound kinda similar clean) and these things can be effected by amps and other tools so i started to doubt if that's what I want.

Here's a great article from Seymour Duncan specifically discussing the differences in pickup output levels.

Some snippets

A high-output pickup sends a stronger signal to the amp, which means the amp distorts more readily.

Sometimes, though it can be too much of a good thing for certain styles of music. Also, greater output often translates into darker tones, though some ingenious high-output pickup models are designed to counteract this tendency. For example, our Dimebucker and Duncan Distortion humbuckers have clear top end and tight bottom response thanks to carefully designed ceramic magnets.

Generally speaking, if your guitar tone feels weak, you’ll probably want a higher output replacement pickup. If your tone strikes you as too muddy or distorted, try pickups with less output.
 
What's wrong with your current pups?

Hahaha, I was going to ask the same thing when the question was first asked since it seemed like the usual "I got a guitar, must swap pickups", but NEO0MJ had already spelled it out above several days/weeks ago.

His basic argument is that output is only needed for stage performers and that they're always loud and that low output/vintage pups give you more control and clarity.

He is wrong about the first part and maybe not wrong about 'clarity', but that's a subjective word. I happen to like low output pickups an awful lot and clarity seems like a positive adjective, so I'm onboard with it. As for control— you've got a volume pot on your guitar with an appropriate value and taper, right? You can pick softer or harder, right? Easier to believe that a higher output pickup will offer more control since you can back the volume away from clipping the pre-amp.

As I tried to subtly explain: if you want more output from the amplifier, turn it up; if it doesn't go louder, put a mic in front of it— or even better, do that anyway and the sound person will thank you.

The pickups' output affects the sound, not the volume, mostly: if you change absolutely nothing else but swap pickups, a clean amplifier that you hit harder (hotter pickups) will get louder— but you can usually compensate for that by turn one or more of its knobs down: hotter pickups, same amplifier, same volume. If an amplifier that's already clipping is hit harder, it will just break up more.

Edited to add (and fuck around with the above):

I have an old Yamaha amp that came with a starter set a friend had that he gave to me after he bought a higher quality one. [...] these things can be effected by amps and other tools so i started to doubt if that's what I want.

I would get a better amp before I got new pickups. Happiness/$ is much higher.
 

NEO0MJ

Member
Thanks for the info. I'll discuss what you guys said with him. Any place where I can read up more on this matter? Especially regarding the point on how pups interact with amps.
Hahaha, I was going to ask the same thing when the question was first asked since it seemed like the usual "I got a guitar, must swap pickups", but NEO0MJ had already spelled it out above several days/weeks ago.
It's almost 5 years old by now :p
I would get a better amp before I got new pickups. Happiness/$ is much higher.
Amps are pretty expensive though, especially where I live. Anything to look for in a good amp? I don't want something too big.
 
Any place where I can read up more on this matter? Especially regarding the point on how pups interact with amps.

Frackh already linked this a few posts above, but:
http://www.seymourduncan.com/support-pickups-101/digging-deeper


Amps are pretty expensive though, especially where I live.

Yeah, here too. But if you spend a third of the price of a new amp on pickups you are even farther from a better amp.

Pickups can make a big difference, but I think it is a good chance you'd be disappointed in new pickups through a basic practice amp. I am totally projecting my own experiences on you.

Re: what to look for: There isn't just one amp-- is there a place that sells amps near you? Take your guitar and check them out.

There are some pretty great amp simulators on computer-- e.g. Apple has a great set in GarageBand on the Mac or iOS; it doesn't list real brands but it isn't hard to figure out what they're modelling. There are other simulators that name names.
 
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