I caught a few of those references. It was a fun movie, and will probably be better enjoyed on repeat viewings. I am probably gonna get this on blu-ray.
8/10 movie I would say
I had a really good time with this, although it wasn't what I was expecting. I think my major complaints are the ending being way, way too down patand the mid-movie character building scenes being a bit overly long for a film with such broad caricatures as main characters. The latter isn't an insult, it's just that I think the fat could have been trimmed a bit considering how snappy and quick the character building was. All in all, a really good romp, if a little too neat.fuck me at the testimonies... come on now
I'm not head-over-heels for it like many are, but it's still a super refreshing thing to see in a theater. Hamm was incredible in it, one of my favorite characters this year.
I've never seen you be head-over-heels for anything though, you're very measured about everythingI had a really good time with this, although it wasn't what I was expecting. I think my major complaints are the ending being way, way too down patand the mid-movie character building scenes being a bit overly long for a film with such broad caricatures as main characters. The latter isn't an insult, it's just that I think the fat could have been trimmed a bit considering how snappy and quick the character building was. All in all, a really good romp, if a little too neat.fuck me at the testimonies... come on now
I'm not head-over-heels for it like many are, but it's still a super refreshing thing to see in a theater. Hamm was incredible in it, one of my favorite characters this year.
The whole film's progression is about how there are consequences for this rather than stay as escapist fantasy so that made total sense for me.what even was the point of him going to jail at the end really now I think about it.. it added nothing
I've never seen you be head-over-heels for anything though, you're very measured about everything
The whole film's progression is about how there are consequences for this rather than stay as escapist fantasy so that made total sense for me.
My interpretation was that wasn't him getting out at the end , that was his idealised dream of it happening - the dream he'll now hold onto whilst inside. It'll happen, but I don't think that was a jump cut 5 years forward.
Saw last night and really enjoyed it. For me it felt like GTA the movie in a lot of ways. Not just the driving and (surprising) amount of violence, but the use of music throughout. Top stuff.
I definitely felt GTAV vibes but to be fair, GTAV is inspired by lots of movies.
Taste is subjective, but quality isn't nearly the same thing. To be clear: I'm not trying to change anyones mind. Its cool that people have their own opinions and takes on art, and I appreciate hearing thoughts and opinions contrary to my own.
I just think its unfair to call anything so meticulously put together "bad."
What happened to JD (the Asian guy with the "Hat" tattoo)? Are we to assume that Bats killed him because he left his shotgun behind in one of the getaway cars during the second heist? And that Doc didn't really care?
how did you miss this? They showedhim in the trunk with a bullet in his head. This was not long after Baby showed up with the coffees and one seat was empty (2nd heist)
What happened to JD (the Asian guy with the "Hat" tattoo)? Are we to assume that Bats killed him because he left his shotgun behind in one of the getaway cars during the second heist? And that Doc didn't really care?
Loved it.
Something I don't like about Baby though. Not sure if it's his face, or acting. Not sure.
Thought the car chases could have been better after that 1st one too.
Some think thatbuddy killed him instead for the way he looked at his wife. Ack, I can't remember her name right now.
what even was the point of him going to jail at the end really now I think about it.. it added nothing
I don't want any spoilers, just want to know how bloody this movie can get. Asking for my wife.
I don't want any spoilers, just want to know how bloody this movie can get. Asking for my wife.
There's a couple scenes of violence but nothing overly gory in my opinion.
It is Rated R, but it's not a gorefest. It is nothing like those movies, but the violence is about on par with something like The Town or Heat.
Tickets booked for 7pm, AMC empire 25. Dolby Atmos theatre, is that why it was $25?
I remember when in Texas 2007-2008 i could go see midnight screenings at Cinemark DLB theatre for like $7
So whats up with the price hike?
Hmm not sure how I feel about this movie. It definitely felt a bit out of touch, and that I think can be attributed to Wright whose past work has been focused on England. It was overly romanticizing a period in America - an angle that I think most American screen writers and directors aren't interested in depicting any more for a host of reasons. It's played out, and it harkens back to ideals of Americana that I think only white people think about.
Which brings me to the most pressing issue I had with the film - almost every single minority character in this movie is a terrible person, a matter worsened by a smug young white protagonist at the centre of it all.
Don't get me wrong, stylistically it's exceptional. The music, the action, some of the best choreography and cinematography I've seen with a very talented cast.
Yet, the film is so hollow. It's a fun time, well until it drags on way too much.
Will it have staying power? I really don't think so. There's just not enough in the film beyond the stylistic choices employed that make it captivating.
Would love to hear how others viewed the clunky Americana fetishization.
Which brings me to the most pressing issue I had with the film - almost every single minority character in this movie is a terrible person, a matter worsened by a smug young white protagonist at the centre of it all.
This is an odd criticism for a film that has all of two non-criminal characters with more than a half dozen spoken lines. One of them is black, and the other is Baby's girlfriend.
That and the white folks were also terrible people.
That and the white folks were also terrible people.
I don't think that people are going to react well. to this but...Baby having the opportunity to go up to her apartment and likely sleep with her but declining rang super hollow and actually hurt the romance. That seemed like a completely bizarre decline and almost came off political.
I haven't thought much about it but it was definitely a little weird to me while I was watching (in regard to the Americana stuff).Hmm not sure how I feel about this movie. It definitely felt a bit out of touch, and that I think can be attributed to Wright whose past work has been focused on England. It was overly romanticizing a period in America - an angle that I think most American screen writers and directors aren't interested in depicting any more for a host of reasons. It's played out, and it harkens back to ideals of Americana that I think only white people think about.
Which brings me to the most pressing issue I had with the film - almost every single minority character in this movie is a terrible person, a matter worsened by a smug young white protagonist at the centre of it all.
Don't get me wrong, stylistically it's exceptional. The music, the action, some of the best choreography and cinematography I've seen with a very talented cast.
Yet, the film is so hollow. It's a fun time, well until it drags on way too much.
Will it have staying power? I really don't think so. There's just not enough in the film beyond the stylistic choices employed that make it captivating.
Would love to hear how others viewed the clunky Americana fetishization.
I think my major complaints are the ending being way, way too down patfuck me at the testimonies... come on now
Baby having the opportunity to go up to her apartment and likely sleep with her but declining rang super hollow and actually hurt the romance. That seemed like a completely bizarre decline and almost came off political.
Its also really weird how none of his British movies have minorities but he throws in some tokens in his American movies. Cynical. Like actually doesn't care about it at all, but understands in America people won't accept the racist only white nature of his movies, but he can get away with it in Britain since no one cares there, so he does.
There are plenty of young people who like older stuff. Beyond which, the movie is highly stylized; there's nothing particularly British about that.The movie is really steeped in old Americana, which is getting a bit old. I guess you can tell its made by a white British guy since it doesn't seem to nod to youth culture at all.
Just listening to the same music that people have been putting in movies for decades up decades like no new good music or fashion has come out since then.
to atone for the fact that he was basically blackmailed into making up his past mistake? Crime doesn't pay and all that, even though he really didn't want any part of it? Honestly that framework is the weakest part of the movie overall, I don't mind a happy ending I think it fits the town well, but the way it was executed was a little bit too convenient. Also I presume his stepfather has long since passed away, which is pretty depressing.
That's a huge amount of weight to place on a handful of fantasy shots done in retro 50s movie style.Hmm not sure how I feel about this movie. It definitely felt a bit out of touch, and that I think can be attributed to Wright whose past work has been focused on England. It was overly romanticizing a period in America - an angle that I think most American screen writers and directors aren't interested in depicting any more for a host of reasons. It's played out, and it harkens back to ideals of Americana that I think only white people think about.
My interpretation was that wasn't him getting out at the end , that was his idealised dream of it happening - the dream he'll now hold onto whilst inside. It'll happen, but I don't think that was a jump cut 5 years forward.
Looks like somebody ain't #wokeWhat the fuck am I reading?
to atone for the fact that he was basically blackmailed into making up his past mistake? Crime doesn't pay and all that, even though he really didn't want any part of it? Honestly that framework is the weakest part of the movie overall, I don't mind a happy ending I think it fits the town well, but the way it was executed was a little bit too convenient. Also I presume his stepfather has long since passed away, which is pretty depressing.
i just can't imagine edgar Wright would be concerned with inserting some trite "crime doesn't pay" message in a movie as over the top as this .. I think he was doing his Wild at Heart homage but placed at the end of the movie it feels clunky
He and the girl are making their getaway at the end but he gives himself up to go to jail .. gets released and they continue on as before.. feels pointless.. whole ending just dragged
That and the white folks were also terrible people.
I don't think that people are going to react well. to this but...Baby having the opportunity to go up to her apartment and likely sleep with her but declining rang super hollow and actually hurt the romance. That seemed like a completely bizarre decline and almost came off political.