• Hey, guest user. Hope you're enjoying NeoGAF! Have you considered registering for an account? Come join us and add your take to the daily discourse.

Dunkirk |OT| You can practically see it from here...home.

RS4-

Member
When the torpedo scene on the boat is at night, and it suddenly switches to George and Peter on the civilian boat in the daytime, it is.

It's weird because you see the stories converge near the beginning, when the planes fly over the boat that is part of the rescue, so it seems like they are going on at the same time.

I don't know, I can understand why people would find the editing confusing. They might chalk that night time scene up to a continuity error or something.

David Bordwell just posted his Part 2 about the movie. The first entry was about the structure this one is more about the style and he goes a little in-depth about the crosscutting.

http://www.davidbordwell.net/blog/2017/08/09/dunkirk-part-2-the-art-film-as-event-movie/

The crosscutting is one of the issues I had with the movie when I saw it; I mentioned it (and forgot that Inception has the same thing, but it's more obvious).
 

JB1981

Member
One of the better reviews I've read on what Nolan was attempting to accomplish with this movie.


https://www.pastemagazine.com/articles/2017/07/christopher-nolans-war-on-time.html


Yet Dunkirk immerses itself in that moment in time: those losses, the sacrifices made, that overwhelming uncertainty of what’s to come. It has perspective, but also respect for the dead and compassion for the past. It’s perhaps the most emotionally aware and honest of all of Christopher Nolan’s films—it is the wisest, while on the surface barely trying, for virtue of its minimal dialogue and scant exposition, which is a welcome change of pace not just from Nolan’s recent work but large-scale films in general. The ambivalence, the equal parts tragedy and triumph with which Dunkirk resounds, is not muted, but complete. And the non-linear weaving helps achieve this. Director Andrei Tarkovsky wrote a book about his philosophy towards filmmaking, calling it Sculpting in Time; Nolan, on the other hand, doesn’t sculpt, he deconstructs. He uses filmmaking to tear time apart so he can put it back together as he wills.

A spiritual person, Tarkovsky’s films were an expression of poetic transcendence. For Nolan, a rationalist, he wants to cheat time, cheat death. His films often avoid dealing with death head-on, though they certainly depict it. What Nolan is able to convey in a more potent fashion is the weight of time and how ephemeral and weak our grasp on existence. Time is constantly running out in Nolan’s films; a ticking clock is a recurring motif for him, one that long-time collaborator Hans Zimmer aurally literalized in the scores for Interstellar and Dunkirk. Nolan revolts against temporal reality, and film is his weapon, his tool, the paradox stairs or mirror-upon-mirror of Inception. He devises and engineers filmic structures that emphasize time’s crunch while also providing a means of escape.
 

Drencrom

Member
I liked it enough, good movie to see at the cinema. Most likely won't ever watch it again though.

This is how I feel too.

It certainly was very beautifully shot and crafted, but I can't see myself watching this film again at home after knowing how the film plays out and with how the little story and few memorable characters there are (if any). It's a great cinema experience, that's it.
 

effzee

Member
As a huge Nolan fan, I hate that I only just got to see it and on a fake Imax :( but such is life with two very little kids and zero free time.

Anyway, I really really liked it but wouldn't place it at the top of my list for Nolan movies. I knew going in it was very light on character and plot development so I enjoyed it for what it was, a great survival thriller with some of the best sound and visuals for a war movie ever put to screen.
 
As a huge Nolan fan, I hate that I only just got to see it and on a fake Imax :( but such is life with two very little kids and zero free time.

Anyway, I really really liked it but wouldn't place it at the top of my list for Nolan movies. I knew going in it was very light on character and plot development so I enjoyed it for what it was, a great survival thriller with some of the best sound and visuals for a war movie ever put to screen.
After all this time, this is where I am on this one. I really, really liked it and can understand that it is technically astonishing and really well executed. But I have always enjoyed Nolan's characters and gotten very emotional at so many of his films, so with this film having less of that, I wouldn't put it near the top of my Nolan list either. I might even put it near the bottom, above Following but maybe less than Insomnia, even. Maybe around the same.
 

effzee

Member
After all this time, this is where I am on this one. I really, really liked it and can understand that it is technically astonishing and really well executed. But I have always enjoyed Nolan's characters and gotten very emotional at so many of his films, so with this film having less of that, I wouldn't put it near the top of my Nolan list either. I might even put it near the bottom, above Following but maybe less than Insomnia, even. Maybe around the same.

I haven't seen Following but I would def put it above Momento and Insomnia.

I really enjoyed it and was in awe the whole time and I see why to many critics this is his best movie ever, but I too like characters and storytelling over most directors, so I can't put it above the Batman movies, Inception, Interstellar, and def not over The Prestige.
 

Darklor01

Might need to stop sniffing glue
I really like it. I thought it was a good representation of the events. It was like one big sequence rather than a build up of characters. Well done.
 
Saw it tonight, enjoyed it for the most part but had two weird things. Theres 400k there but it felt like 25k max. It was hard to match the barren nature of what was presented visually with what was conveyed verbally. A handful of soldiers were able to walk off and get inside a boat that the Admiral can see with his naked eye, that the Germans are shooting at with no response. Bit weird.

But it was refreshing how simple it was laid out, the primal desperation of survival, the frustration in the air and damn it looked great.
 

Xirj

Member
Is AMC Lincoln Square playing it in IMAX after today? I can't really find this information. Anyone know where to look?
 
Liked it, didn't love it.

First act was great, editing/convergence was great. Did not care one whit about the beach guys' story by the end, and too many drawn out almost drownings in the third act, to the point of it being tiresome rather than gripping.

Rylance was pretty awesome.
 

Toparaman

Banned
I could barely understand any of the dialogue. If Nolan loves the theater experience so much, he should really make his movies watchable without subtitles. This dude is way too precious about his shitty sound mixes.

The non-linear narrative seemed carelessly constructed, and I felt it detracted from any forward momentum.

I did like the overall aesthetic of the film. It was cool seeing a 70mm Imax film, and I wonder whether the movie would have any impact at all if seen on a TV.
 

Number45

Member
I could barely understand any of the dialogue. If Nolan loves the theater experience so much, he should really make his movies watchable without subtitles. This dude is way too precious about his shitty sound mixes
I've seen this criticism of multiple of his films and personally never had a problem. Saw this at the BFI IMAX in London and all of the dialogue was clear and easy to make out.

Perhaps something to do with differing sound tech at different locations, because too many people have raised this for it to be isolated?
 

Stinkles

Clothed, sober, cooperative
Yup, still not liking the movie. What say you GAF, has your opinion changed, or stayed the same?

I am more and more angry about the beachfront buildings in Dunkirk near the start. The poorly dressed buildings and double glazed vinyl windows yanked me out immediately and kinda imbalanced the rest of the movie for me. From that moment on I kept looking for it.

Ironically the
]same thing
in Shyamalan's The Village
drastically improved the movie for me because the poor sets and wardrobe compound the twist.
 
Saw it a second time weeks later. First time I saw it, it was great and I enjoyed it. Seeing it a second time made it even better, think this is the best film of 2017 so far. I know it's a hackey meme on gaf to say the opposite, but what can you do? :\

One thing is that someone needs to talk to Nolan about using CGI a bit more. I love the fact that he is a director that doesn't rely on CGI, but cmon mate. Add some fucking CGI soldiers on the beach. That was my main issue with watching it a second, albeit a minor one. You could have easily added rows upon rows of soldiers making it even more chilling.

The dogfights are straight up incredible though, might be my favorite plane battles I've ever seen on cinema. Those long views where you get to see the vast ocean and sky give an incredible sense of scale. Unlike the first time, I felt a lot more for characters (despite not knowing their names lol). George, his friend and father are definitely the heart of the movie. Seeing his friend say George is fine when
he died
to the shellshocked soldier is so fucking touching, as is the newspaper story. :'( Still get the feels when
the boats show up.
Every segment, be it air, land or water, you have a very unfortunate thing happen to one major character. I also have to love the way Nolan fucks with time. Was a bit confusing first time around, but this time it was easy to follow and just made the movie so much better with it syncing perfectly. It's just a good spin instead of telling the story in a manner of which we're used to.

Can't wait for 2-3 more years until something else. Hope he makes another new IP once again. We're starved for quality new blockbuster IPs, and Nolan has consistently gave us what we wanted.
 

leng jai

Member
Finally got around to seeing it. As usual with a Nolan film, nowhere near as good as the hype suggested. It's a beautiful film for sure, but it's not consistently riveting and the sense of time passing/scale were lacking.
 
Finally saw it a second time, this time on 70mm IMAX in Lincoln Square. The scale and beauty of the images are indeed impressive, but I was actually left colder and less involved as the first viewing. That tends to happen with second viewing of Nolan films though :/
 

JB1981

Member
Finally saw it a second time, this time on 70mm IMAX in Lincoln Square. The scale and beauty of the images are indeed impressive, but I was actually left colder and less involved as the first viewing. That tends to happen with second viewing of Nolan films though :/

This wasn't my experience. Movie got better with every viewing.
 

HotHamBoy

Member

Shadybiz

Member
Finally got a chance to see it.

I liked it, didn't quite love it.

I thought that it did a very good job of accurately depicting what went on at Dunkirk. Ending spoiler:
It wasn't a victory for the Allies at all; in fact it was a solid defeat.
But I think that Nolan really captured the feeling of hopelessness, tension, and despair that a lot of those people probably felt.

It was a good survival movie, and it did a good job of telling a story from multiple perspectives.

I would have liked to maybe see just a LITTLE bit of story from the German perspective. Not sure how that would have fit in, though. Aside from the iron cross being briefly seen on the planes, and aside from the silent kid
being accused of being a German spy
, a person who didn't know anything about WW2 wouldn't even know it was the Germans that they were trying to escape from.

I do agree that the dialog was a bit muddled. I saw it with my dad; he even commented that he wants to buy the blu-ray when it comes out...not just because he liked it, but because he'll be able to watch this English movie with English subtitles.
 

DMczaf

Member
Local fan meets Nolan

DICvHtcUMAEGQJW.jpg


DICvHtcUMAA8fvr.jpg
 

sankt-Antonio

:^)--?-<
Just seen the movie, with like three other people in a big ass cinema. Was annoyingly loud at times.

While the movie contained some very nice shots I felt somewhat let down. It was "set-piece" the movie, and seeing the same sequence from a different perspective got old fast. Lack of scale was another thing, apparently 300.000 man where rescued by the time the movie hits the end, I've seen 20 private boats getting some hundred back to shore, did the citizens get back again? I don't know. the death of the boy didn't ad anything to the story or mood, it just happened and didn't seem to bother anyone (with might be the point, but why include it then)?

I liked the way Nolan was able to portray the futility in trying to escape, where one option after the other fails the man. At the same time, only two guy seem to really want to go home, the other stand silent on the coast, not in distress but in unison ... seemed strange.
Since I was on media black out (seen two trailers before), I have not read this thread yet, maybe i didn't get something and everybody in here is in love with the movie :D
 
Atonement is a superb book, probably my favourite novel. Still yet to watch the movie (although I have it) as I wanted my girlfriend to read it first before watching the movie, but I'm glad it has good impressions here. It's the first thing that brought about my interest in what happened at Dunkirk.


I loved the book.


Late to this, but (spoilers for book and movie):

I think they botched the ending/twist. What came off as confessional and deeply depressing the the book as a bit of a misfire on film, an artifact of adapting a prose trick to a movie I suppose.

I liked Dunkirk and I liked Atonement, but they're wildly different. The Dunkirk scene in Atonement is the best part of it by far. I got a much better feel for the desperation there (and it's not whitewashed).
 

weshes195

Member
I just came back from seeing it in the IMAX and while I thought it was a pretty good movie I don't get any of the praises for the music at all.

It wasthroughout the film making any of the intense scenes not that much impactful since you've been basically hearing the same music just at a lower beat the whole film. It also makes a great majority of the film hard to hear when a character speaks, which is troubling since there is not that much dialogue in the film. I didn't understand almost any of the dialogue haha

I guess this is one of the films where, while it's nice to see it visually in IMAX, it may be shouldn't be seen due to the emphasis in music. Also kind of ruined me on Hans Zimmer. I honestly don't think Nolan is too great with sound mixing with audio as also seen in interstellar.
 
I'm a big fan of Nolan, so when I heard he was making a war movie my hype level went through the roof. I think that may have been the first problem; it's always a mistake to go into a movie with high expectations.

I will say this first: the visuals and sound effects were incredible. Those wide shots of the airplanes flying over the ocean were so damn good, and the cracks and booms of the gunshots and explosions were reminders of why I love watching war movies in the theater.

However, other than that I was honestly quite underwhelmed. The plot was paper thin. I didn't give a shit about any of the characters, because there is zero backstory or character development for any of them. I was shocked, for all of the loud explosions and gunfire and sinking ships, to find myself actually getting bored while watching it. I just didn't find this movie at all emotionally affecting. I wish I was a good enough critic to explain what it was missing for me, but I can't. I just didn't find it compelling, which is insane because the Miracle of Dunkirk is a hugely compelling historical event.
 
I just came back from seeing it in the IMAX and while I thought it was a pretty good movie I don't get any of the praises for the music at all.

It wasthroughout the film making any of the intense scenes not that much impactful since you've been basically hearing the same music just at a lower beat the whole film. It also makes a great majority of the film hard to hear when a character speaks, which is troubling since there is not that much dialogue in the film. I didn't understand almost any of the dialogue haha

I guess this is one of the films where, while it's nice to see it visually in IMAX, it may be shouldn't be seen due to the emphasis in music. Also kind of ruined me on Hans Zimmer. I honestly don't think Nolan is too great with sound mixing with audio as also seen in interstellar.

I like the music in a vacuum (I still listen to the score) but it really does annoy during the film. It's trying to keep constant tension but all that does is just... remove all the tension. There's hardly ever a payoff; it just cuts to something else for more tension.
 

wbEMX

Member
I like the music in a vacuum (I still listen to the score) but it really does annoy during the film. It's trying to keep constant tension but all that does is just... remove all the tension. There's hardly ever a payoff; it just cuts to something else for more tension.

That's basically my main gripe with the OST and the movie. Saw it for the first time tonight in a 4K CinemaScope digital showing and while it probably looked much worse than IMAX Laser or 70mm it still had an amazing quality to it. The movie is a blast from a pure audiovisual perspective. I legit got goosebumps when the bomb attack in the first few minutes happened and I flinched at some of those gunshots because they were so freaking loud. Amazing stuff.

I really liked the movie, but if someone is expecting any highlight scenes they won't get them. It's basically a soberly told account of what happened there. Sure, there is fighting, but it's not really a war epic where two sides clash. Just like the Battle at Dunkirk was. Those dogfights had me on the edge of my seat, by the way. As a pure cinema experience, this was amazing. If it still holds up on Blu-ray? I don't know.
 

Afrikan

Member
Just my luck... after being out of the country for the past 2 months, I was looking forward to experiencing this movie in IMAX 70mm... like really looking forward to it.

I just got back last night... and I've been tired and sleeping all day (although i could've got up)

I fire up Fandango to see if it's still in theaters and up right there...start time 4pm. And nothing after that....nothing the next day or the day after. :/

So I missed the last day it was available in 70mm? Fuck me.

I live in the Bay Area, California. Anyone know if it was indeed the last day for 70mm?
 

aznpxdd

Member
Just saw this on the biggest IMAX screen (laser) in Asia. (came out in China today) and HOLY SHIT what an audio and visual treat.
 

MrOogieBoogie

BioShock Infinite is like playing some homeless guy's vivid imagination
This is a prime example of a one-and-done movie. I have zero desire to ever watch it again.

Cool visuals and sound effects, and some touching moments, but the editing killed it for me.
 

Driw3r

Unconfirmed Member
I've liked/loved every Nolan film so far (have seen all except Following), but unfortunately i can't say same about Dunkirk. Well, it was ok, but disappointment. Confusing timeline, didn't really get it. I have a feeling that i should have knew something about it before seeing it. Now i went blind. Nice sounds though and few great moments, but overall... Maybe should watch again to get more of it.
 
I've liked/loved every Nolan film so far (have seen all except Following), but unfortunately i can't say same about Dunkirk. Well, it was ok, but disappointment. Confusing timeline, didn't really get it. I have a feeling that i should have knew something about it before seeing it. Now i went blind. Nice sounds though and few great moments, but overall... Maybe should watch again to get more of it.

timeline is easier to understand on second watch (I struggled a bit with it on first watch)

Movie is 450M+ atm, legit has a chance to hit 500m. When was the last time a war movie hit 500m?
 

Plum

Member
Finally got around to seeing this. Not the best of circumstances; the projection didn't even fill up the entire 21:9 screen so we got black bars both on the top and on the bottom. But it didn't matter as we were still sitting near enough to the screen and the sound system was decent.

As for the film itself, maybe it's just me but I loved it precisely because it lacked a "story." I'm the kind of person who really likes films that go for a tone and atmosphere above all else, and Dunkirk really delivers on that. Knowing what random soldier #142 did before he went to war doesn't matter to me and, unlike SPR, would have only hampered the film as a whole. A 100 minute bout of pure tension is exactly what this film is to me, and I really liked it for that.

My main criticism is on the scale of things. Some CGI soldiers on the beach or boats in the distance would have improved things quite drastically, especially since most of the action scenes were very claustrophobic in scale. I never understood the timeline criticisms; maybe the "One Week" story should have been done better but I can't understand how someone could fail to understand that the three storylines were happening at different times.

So, yeah, 11/10 GOAT movie would watch every day for the rest of my life.
 

Aselith

Member
Just got around to going out to see this today and it was kind of a bummer to be honest. I love all of Nolan's other movies but this just felt like a compilation video of "war movie scenes" not even really particularly cool ones and then they tacked some unearned story beats onto the end that tried to have emotional resonance without doing the work to build them out.

It wasn't a horrible movie and it had some really nice looking plane dogfighting scenes that I appreciated but it wasn't really standout in any way either. I wouldn't have minded if it were more of a deep contemplation on war without much action. However, instead it feels like a movie that wants to have all the bombast and it doesn't do that well and it wants to be an emotionally charged movie but doesn't do that well either.

Glad it did well so Nolan can continue doing what he does but this one didn't work for me unfortunately. :(
 
Still my favorite of the year so far. But Oscar season hasn't begun yet.

Same for me but I've actually only seen 16 (out of 115 I've seen total this year) movies from this year so far and most nothing memorable but I've feeling this will end up quite high on my list when it's all said and done. Really looking forward to the 4k blu-ray and seeing how this holds up on my second viewing.

Even though it's still early I think Nolan actually has a real chance to best director Oscar this year, Dunkirk is still the highest ranked wide release in Metacritic with 94 and #3 overall and among the highest in Tomatometer with 8.7 rating. Still I'd be surprised if he ends up winning and it doesn't really matter but it's fun to speculate. Wonder if we see similar scenario as with Saving Private Ryan with Spielberg winning best director but losing best picture. (Who still even remembers Shakespeare in Love..)
 

DMczaf

Member
What's next?

shinan govani&#8207;Verified account @shinangovani Sep 11
"Spotted: Christopher Nolan holding court at One in the @HazeltonTO this morn with Benedict Cumberbatch and Jake Gyllenhaal. #tiff17"
 
Top Bottom