I will never be not impressed by older game music being played on actual instruments. Love this stuff.
I hope he moves to other games. Final Fantasy, Mega Man, and Chrono Trigger music has been done ad nauseum.
Yeah this, his Into The Thick Of It did it for me. Meridian Dance is great as well, and What The Forest Taught Me may be the first version I don't find downright annoying (I hate that track in the game, way too repetitive for a field BGM).
this new FF6 is blowing my god damn mind. i wanna hear everything as i remeber it, but...
https://www.youtube.com/watch?v=7KHKyhKGsag
edit: hes got a trumpet guy and everything. this is annoyingly impreessive
this new FF6 is blowing my god damn mind. i wanna hear everything as i remeber it, but...
https://www.youtube.com/watch?v=7KHKyhKGsag
edit: hes got a trumpet guy and everything. this is annoyingly impreessive
His take on Frog's theme too, far removed from the heroic nature of the original piece, but extremely moving: https://www.youtube.com/watch?v=BEDAHpA1pDE
this new FF6 is blowing my god damn mind. i wanna hear everything as i remeber it, but...
https://www.youtube.com/watch?v=7KHKyhKGsag
edit: hes got a trumpet guy and everything. this is annoyingly impreessive
Any cover artists going far beyond an added solo (or two), or maybe a brief phrase to vary chord progression and segue back into a refrain, are poorly advertising, as most "improvements" are basic arrangements at the least. I love Orchestral Fantasy for performance and making just the right changes almost all the time, but I'll exalt a new take on an oldie if the arrangement's clever and/or explores a personal style without sacrificing how the tune fits context.I never understood why so many cover artists and orchestras feel the need to change or "improve" the original tunes, when most of the time, all they really need is 1:1 conversions with real instruments that sound as close to the sound chips as possible. The classics don't need to be reimagined. Only to be freed from the technical limitations of the time.
Any cover artists going far beyond an added solo (or two), or maybe a brief phrase to vary chord progression and segue back into a refrain, are poorly advertising, as most "improvements" are basic arrangements at the least. I love Orchestral Fantasy for performance and making just the right changes almost all the time, but I'll exalt a new take on an oldie if the arrangement's clever and/or explores a personal style without sacrificing how the tune fits context.
As for authenticity to original sound, SNES soundtracks make this easier for cover artists since the original tracks are all samples. Some impressive work comes from those who have to work with FM-synth originals. Check out the transformation of this mid-1990s Falcom track from FM to a live/sequenced arrangement. I sometimes wonder what goes through some arrangers' heads (check early Perfect Collection albums of Falcom music for bizarre examples), but there's clear ways to pair faithfulness with modernization.
I personally want the classics to be reimagined and iterated upon, because I trust many arrangers and bands out there to play classic melodies and scores in refreshing ways. But there's something to be said for covers that just get it utterly right, like these.
This stuff is incredible, why is the viewcount so low
Some famous person needs to blast this stuff all across the internet.