This is stupid. "Theories" are stupid. Even if this was true what would it matter. These little "the plot was different than you thought!" things never actually explore what their new synopsis would mean, thematically.
That seems like a strange point considering he previously pointed out how hard it would be to believe Andy's story. Doesn't really prove it one way or another3. Andy was a rich man convicted by a jury as guilty beyond a reasonable doubt. That doesn't just happen easily, even in those days.
I'm surprised by the reactions in this thread. Surely at no point the answer is given either way in the film? So why is the idea that he did do the act so ridiculous?
The answer is clearly given when Andy literally states that he did not pull the trigger. He is guilty in her death because he was a bad husband and pushed her into the affair by not being there for her. He has paid the debt and redeemed himself, hence the title of the book and movie.
But that's Andy saying that. There's nothing else to go on.
But that's Andy saying that. There's nothing else to go on.
In the original novella, Red sets out to meet Andy, but we never find out if he ever does. The original ending of the film ended in a similarly ambiguous fashion, closing on Red riding out to meet Andy on the bus. But an unfavourable test screening caused the ending to be changed, hence why "the beach scene" was added later on...which in my opinion took a lot away from the thematic crux of Red's monologue about travelling out into the unknown in addition to the importance hope at the very end.
At least it isn't he' in a coma theory, so that's a start.
Btw. Was Andy rich? It's been a while since I saw it but I figured he was average middle class.
It's partially the fault of the convolusion found within modern films.It's becoming a bit of problem in the analysis of modern media. Perfect storm of BuzzFeed articles and shows that revolve around twists and soapy drama. People look for convoluted explanations to find some hidden Easter egg in the film or show instead of just looking at what theyre being given and what its intent is.
He seemed at least upper middle class, if not "rich" to me. Not the "get out of murder" kind of rich though.That seems like a strange point considering he previously pointed out how hard it would be to believe Andy's story. Doesn't really prove it one way or another
Btw. Was Andy rich? It's been a while since I saw it but I figured he was average middle class.
I'm surprised by the reactions in this thread. Surely at no point the answer is given either way in the film? So why is the idea that he did do the act so ridiculous?
There are two movies i can think of off the bat where discussion like this is enlightening:
1. American Psycho: did he or did he not kill 1,2 many or 0 people? Or was it a case of temporary psychosis? Is the movie about a wealthy psychopath or about a diseased society so unable to pull itself from self-centeredness that it is willing to cover up grisly murders to maintain status quo or profitability?
2. Is Smash Mouth at the end of Rat Race representative of the 4 horseman of the Apocalypse? Does it reflect a condemnation on the part of greedy people everywhere that the unholy pursuit of ill-gotten gains will lead to pain, poverty, humiliation, and suffering?
Thanks, OP. I'll be saying "An-deh DuFRANE" in my Morgan Freeman voice all damn day now.
Do people really have such a surface-level understanding of film that they don't understand that Andy didn't commit the murder by his hand, but still saw himself as guilty?
Who would be obtuse enough to believe this?
I didn't say discussing a movie is entitled. I said deciding your made up theory is true when it not only refutes the story but also goes against what King himself has said regarding the story is entitled.discussing a movie is "entitled," lol
Thanks, OP. I'll be saying "An-deh DuFRANE" in my Morgan Freeman voice all damn day now.
You're right.Do you even need more than a surface-level understanding for that? He literally says exactly this.
I just don't get what the point of the theory is anyways.Stephen King cares too much about justice and the problems of the prison system for Andy to have been actually guilty.
I never felt it was ambiguous, to me the movie makes it pretty clear that he's innocent. Only the very beginning makes you wonder whether he did it or not, but then the trial makes it known that he's not guilty. He'd have to be the stupidest criminal in the world to hide the gun but leave the bullets with his fingerprints lying there. It's far easier to assume he didn't know they were going to be murdered that night, which is why he didn't make the bullets disappear. As the judge said, it was all a pretty bad coincidence.I always felt it was ambiguous on purpose in the movie, weird that most people seem so sure he didn't do it
I'd say he did it but it doesn't matter
This theory falls apart as soon as you remember that guy in Tommy's story claiming he was the criminal. When you have someone claiming inocence and another saying he's guilty of the same crime, why would you assume both are lying? I mean, they could be, sure, but as far as I'm concerned the logical thing to do is to take them at face value, especially when both claims (and their reasons) fit together perfectly.I never really thought of it before, but now that I see this thread, its got me thinking about it.
Everyone in the prison is "innocent". "Lawyers fucked me." So who is to say some of those other inmates don't have some innocence story like Andy. If everyone is innocent, surely they have concocted a story as to why they couldn't have done it. Andy is no different. Andy telling Red he didn't do it is just him sticking to the inmate theme of everyone being innocent. If you didn't do it you need to at least have some story as to why.
Indeed. One character says "I didn't do it", another said "I did it", another told the first one "Someone told me he did it" and was willing to testify, and a warden killed the latter because of his knowledge. Even if the first two guys were lying (not like the second one had any real reason to, other than maybe wanting to brag), the third one clearly wasn't, and the warden took him seriously; so much, in fact, that he killed him in order to silence him. Andy's innocence couldn't be more obvious if the movie showed it across the screen in a huge red Comic Sans font.Do you even need more than a surface-level understanding for that? He literally says exactly this.
I just don't get what the point of the theory is anyways.
If Andy is guilty, what was King trying to tell the reader?
If we're going to be pedantic shits about this, then what the bloody hell was Darabont's point?it doesn't matter wthat king wanted to say because king did not direct the movie nor write the screenplay.
considering his opinion on the shining, king is the worst person to use in a futile attempt to argue that the source material is relevant when assessing an adaptation.
If we're going to be pedantic shits about this, then what the bloody hell was Darabont's point?
considering his opinion on the shining, king is the worst person to use in a futile attempt to argue that the source material is relevant when assessing an adaptation.
Well, Kubrick took a story very personal to King and made it into something completely different, so I don't blame him for that.
I have a better question:
If this theory is true, what is the point?