It's been 2 days since I saw it.
I enjoyed it on the moment for its visual but... It's blade runner sequel... it's been 30 years, everything the movie tries to tell, have been already been told in the 30 years of SF that got inspired by the original. It's a good sequel but 30 years too late.
Random note :
- amazing visual and shot composition. Sometimes full Villeneuve, sometimes straight out of paintings (wallace interiors)
- Very disapointing by the other interiors. None felt very oragnic. From K's place, police station... Everything felt like cheap, container SF... Nothing like the original amazing, organic set.
- How did K get 2 cop cars AFTER being stripped from badge & guns, after his boss was out of the picture ?
- This movie will be a hit in japanese. Holy crap. Virtual GF calling android hooker for you ? They will go crazy about this. So much waifu
- Just like Ex Machina, the movie is way to obvious. I don't mean to be that guy saying " I saw it coming " but It's WAY to obvious, the plot is way to convenient. The movie gives you too much to think that K IS the born, to the point its too easy. There must be a twist and when it happens, well DUH, you know it was coming. So by this point, you don't care too much for two reasons : first, you know there's a girl and she HAS to have been introduced to the audience so there's only two choices, either Wallace's android or the girl in the sterile bubble. No way Wallace wasn't aware his own nexus was born so... Not much room to wiggle about eh ? Second : well K is meaningless to the bigger picture now.
- Did you see the shadow on the horse, making a unicorn, in the morning when the hooker wakes up and picks it up ?
- What was the car's brand ? I think it's localized by country. No way Peugeot got this deal internationaly haha
- I like how they matched Rachel's role to the original novel ending. It's a huge slap in the face of the fan of the original movie, especially after 30 years but yay for more accurate adaptation ?
- I actually like Jared Leto VERY MUCH. He felt like a robot preacher. The way he moved, the pacing of his words, it was very troubling, very engaging, especially the Yes No ? with Deckard with his face facing away then coming back to deckard on the rethorical No ?