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cory64

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This year marks the 30th year of Madonna singles. While the queen has fallen off some in the past decade, her legacy remains undeniable.
Here I present what I deem to be her twenty finest efforts (it shouldn't be hard to figure out what eras of hers I prefer). I'm ranking just the music here, not the videos.

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20. Beautiful Stranger [1999]
This breezy, uptempo number was for the soundtrack to the second Austin Powers movie. Incorporating some 60s elements to tie into the film, it's groovy without being overly cheesy, and she taps into some of the energy she used on "Ray of Light."

19. Nothing Really Matters [1999]
Another cut from the ROL era, this song utilizes a hypnotic house beat to accent Madonna's then-new spirituality. It does so without being overly plodding or on-the-nose. Very light and carefree.

18. Take A Bow [1994]
14 years before Rihanna made (copied) an even more passive-aggressive version of this, Madonna created a more captivating and sensual ballad, the closing track to 1994's Bedtime Stories. It's a rather mature take on a conflict in a relationship, and it's easy to see (for the time period) why this was her longest-running #1 hit.

17. Sorry [2006]
The second single from 2005's Confessions on a Dancefloor continues not only the dance-fueled insomnia of "Hung Up," but also its lyrical bitterness. While that song focused on a relationship that was definitely over, this one is a bit more insecure, going for darker rather than triumphant tone.

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16. Rain [1993]
The fifth single from 1992's Erotica, "Rain" is a rather metaphorical song (hint: rain = love). It's a very vivid simile that doesn't come off nearly as trite as it should. But what really sets this off though, is the smart dose of electronic flair in the production.

15. Miles Away [2008]
One of the only tolerable singles she's released since the Confessions era, this sounds like a lost FutureSex/LoveSounds track, but it also really fits Madonna's post-1998 sound rather well, and might be her only successful experiment with modern hip-hop.

14. Deeper and Deeper [1992]
The second single from Erotica, this is steeped in early 90s dance tropes, but like the content of the song, the music just seems to compel you forward. It also never settles into one exact groove for too long, keeping your attention in check for the entire length of the track.

13. Music [2000]
Possibly the catchiest bassline in Madonna's catalogue, this, the title track of her 2000 album, seems to give her presence a backseat to the beat at first glance, but it's really just a necessary adjustment to make the song work. And work it does, the synth hits contained throughout seem to have the power to stop time still for half a second at a time.

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12. Express Yourself [1989]
Baby you were born this way. And you're fucking awesome.

11. The Power of Good-Bye [1999]
Living up to its name, this might be one of the most powerful tracks on Ray of Light. Also has some truly excellent production, subtle in all the right places. There just seems to be a bit more gravity to this track than most of her ballads, and it's exceptionally mature and intelligent.

10. Hung Up [2005]
After the commercially disastrous and critically mixed American Life, Madonna went back to her roots: uncompromised dance music. And it paid off, "Hung Up" is one of her catchiest and attention-demanding songs, and it provided her the smash single she needed to return to the public's good graces. A triumphant breakup song assisted by a killer ABBA sample, this could be the one late-period Madonna track that outlasts them all.

9. Bedtime Story [1995]
This song was cowritten the flawless Icelandic queen herself, Björk, and it's a clear indicator of where both Björk and Madonna would go with their next albums. It's ethereal, hypnotic, and utterly beautiful. Unfortunately, it failed to reach the top 40 in the US.

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8. Like A Prayer [1989]
The biggest-feeling pop song of all time, and it just keeps getting bigger as the song progresses. It is absolutely undeniable in ways that few songs could ever hope to be; no mortal can resist succumbing to its power. It's probably not about black Jesus. At least not in that way.

7. Erotica [1992]
Right around the time that this single came out, Madonna put out a book titled "Sex." Of course she did. It featured Vanilla Ice posing with her while she was naked. Of course it did. Anyway, this track is similar to the earlier "Justify My Love," but it is far more commanding. This song is about fucking, not making love. With requisite vocalizations. It was one of the riskiest lead singles ever released, but thankfully it was a hit (thanks to the controversy) and sparked some discussion about sex in the media.

6. Vogue [1990]
Borrowing from drag ball culture (which is fucking fabulous and fascinating, please watch Paris is Burning on Netflix before you die), Madonna made a song that made everyone feel included in the dancing, without forcing anything. All backed by a sultry beat. Altogether one of the classiest dance singles ever released.

5. Ray of Light [1998]
A breath of fresh air. A five-minute trip into happy feelings and carthasis, dripping with acid synths and slick guitar licks, this was arguably the smartest of all of Madonna's reinventions, returning her to the status of the relevant superstar with "that new sound."

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4. Secret [1994]
What initially appears as a stripped-down guitar track reveals itself to a hip, seductive, vulnerable song. It constantly evolves with some lovely melodic progression and continuously leads you on with its suspense. And delicious bass throughout.

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3. Human Nature [1995]
"Oops, I didn't know I couldn't talk about sex." This is pretty directly a response to the Erotica/"Sex" era, and offers the queen at her most honest. Unapologetic, if you will. All over a west coast rap beat. Possibly grating, but "did [she] say something wrong?" No, she did not.

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2. Justify My Love [1990]
A prelude to her next two albums, this track compels, rather than commands, sensuality. Accompanied by a very NSFW video, it remains one of the most unusual #1 hits in US history. But it's Madonna at her uncompromised sexiest. It's easy to get lost in this track, with its early trip-hop inspirations and whispers from seemingly all over. Hardly radio-friendly even over 20 years later, this song's success may be Madonna's biggest triumph.

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1. Frozen [1998]
Hauntingly beautiful, this is Madonna's purest expression of love. Absolutely gorgeous instrumentals only help to highlight the selfless compassion exuded by the lyrics. There is very little I can say about this track because I truly believe it speaks for itself.

Honorable mentions
 
Greatness. <3

Vogue is still tops for me, with Frozen, Hung Up, and Like a Prayer not too far behind.

ediT: Ugh, Human Nature as well. She has too many good songs.
 

Majmun

Member
cory64 *.*

80's & 90's Madonna is the best. I lost interest after Music. She should go back to her more sophisticated sound. Leave the poppy tracks (and wardrobe) to the rest.

The Bedtime Stories Madonna looks and sound so much more mature than the current one.
 
I actually love that part of Madonna's shtick this era has been mocking the media's preoccupation with her age. The cheerleader outfits, the titty flashing, the Gaga shading, the morose Like a Virgin performances...it's all obviously calculated but at the same time more believable than some of her political statements, I think.
 

Mumei

Member
What a fantastic post, cory. I haven't listened to nearly as much Madonna as I should (not even a single album!), but I have heard and love 13, 12, 11 (Thanks, Pho <3), 10, 8, 7, 6, 5, 3, 2, and 1.

Frozen and Like A Prayer are definitely my personal favorites, though.
 
okay fine, "high school sporting event themed costume."

It's a Majorette costume.

Just as Cheerleading used to be the domain of men ages 20-50 until WWII, Majorettes aren't necessarily associated with teenaged girls.

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And yes, the lack of Live To Tell is puzzling.
 
Why isn't Give Me All Your Luvin' on that flop list?

Kidding aside, very good list. I'm glad Secret and Perfect Stranger made it. Those are sometimes forgotten but are some of her best. But Into The Groove and Live To Tell are missing, those are quintessential Madonna songs. Miles Away has no business being there. And Like a Prayer should be #1 but good nonetheless.
 

Artemisia

Banned
but waiT

how did I miss this

New Fiona Apple track - Dull Tool. It's from the soundtrack of that This is 40 movie.

http://youtu.be/Z7nekCeeRyg

You, You don’t kiss when you kiss,
You don’t fuck when you fuck
You don’t say what you mean, you don’t talk not enough


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Koodo

Banned
By the way, I must express my complete agreement with Human Nature.

It is one of my favorite songs ever, and possibly the best FUCK YOU anthem in history.
 

Artemisia

Banned
but waiT

KE$HA'S 'DIE YOUNG' PLUMMETS from Charts After Newtown Massacre

Ke$ha's new hit "Die Young" has fallen on deaf ears ... after radio stations around the country yanked the song from their rotation after the Newtown tragedy ... TMZ has learned.

"Die Young" clocked in at #3 on the radio playlists on Friday (the day of the shooting) ... reaching 167 million listeners nationwide, this according to Mediabase, a company that tracks radio airplay.

By Saturday , the day after the shooting ... airplay dropped by 3 million listeners ... a sign that stations were slowly pulling the song off the air.

By Monday ... "Die Young" took a huge hit on the radio ... dropping down to 148 million listeners ... a 19 million drop from what had been a pretty steady rotation before the shooting.

One music expert tells us ... a drop of this magnitude is extremely rare. The last time a song plummeted this quickly is when the Dixie Chicks were banned from country radio ... after insulting President Bush.

We reached out to Ke$ha for comment -- so far , no word back.

What a terrible coincidence.
 

Mau ®

Member
1. RIHANNA – Diamonds: 189.469 (+ 1.363)
RIHANNA – Pour It Up: 5.218
RIHANNA – Loveeeeeee Song f/Future: 3.084

holy shit urban is stanning rih so hard *.*

Pour it up should be an urban-only single tbh *.*
 

DMeisterJ

Banned
1. RIHANNA – Diamonds: 189.469 (+ 1.363)
RIHANNA – Pour It Up: 5.218
RIHANNA – Loveeeeeee Song f/Future: 3.084

holy shit urban is stanning rih so hard *.*

Pour it up should be an urban-only single tbh *.*

1. RIHANNA - Diamonds: 189.469 (+ 1.363)
2. BRUNO MARS - Locked Out Of Heaven: 188.345 (+ 0.926)

Everyone is stanning Rih. Look at her not trying to give up that #1 spot to Bruno. What kind of longevity?

"Stay" should be the second single tho.
 

Mau ®

Member
"Stay" should be the second single tho.

According to Def Jam France it is the next WW single but they've playing a lot of random songs in the US too.

I think Stay has an adds date for Jan 7th, no? Pretty sure its the single but they might want to see if they can keep Rih on urban airwaves too.

EDIT: Maybe they should remove Mikky Ekko and add Drake on Stay instead *.* *.* *.*
 

DMeisterJ

Banned
According to Def Jam France it is the next WW single but they've playing a lot of random songs in the US too.

I think Stay has an adds date for Jan 7th, no? Pretty sure its the single but they might want to see if they can keep Rih on urban airwaves too.

EDIT: Maybe they should remove Mikky Ekko and add Drake on Stay instead *.* *.* *.*

They should do that *.*

Either way, it's set to smash, since "Diamonds" can't stay and block every song from the top. It has to start falling soon.

I'm amazed that Def Jam isn't rushing the second single out so quickly, like YDO :rip:
 

Bladenic

Member
They should do that *.*

Either way, it's set to smash, since "Diamonds" can't stay and block every song from the top. It has to start falling soon.

I'm amazed that Def Jam isn't rushing the second single out so quickly, like YDO :rip:

You Da One probably would have been a bigger hit if not for WFL still slaying so hard. On the other hand her label was probably trying to replicate Only Girl/What's My Name.
 

Mau ®

Member
On the other hand her label was probably trying to replicate Only Girl/What's My Name.

I think that too.

But WMN was crossover and YDO wasnt imo. I dont know hew thought YDO had urban appeal at all lol.

They shouldve released TTT instead of YDO imo. That had urban appeal and its a much better song.
 

Majmun

Member
Dat Rihallah reign *.*

I wonder if they'll include Mikki Hewko in the final single/video.

I don't think I've seen them perform the song together...
 

Artemisia

Banned
Popjustice baffles me.

They try to make a point about being some site that cares about music and doesn't have time for mindless criticism of pop music based on meaningless things like authenticity, and lyricism. Then they go and criticize songs on their lists for the shallowest of reasons.

some exampleS

About Something New:
This could have been in the Top 5, but the lyrics just aren’t good enough and the “ah ah” bit at 1:01 is just lazy spacefilling.

About Troublemaker:
A great song, but there are problems. 1) “There must be poison in those fingertips of yours, ‘cos I keep coming back again for more.” For a start ‘coming back again’ is a tautology. Secondly, if there was poison in her fingertips you’d probably avoid coming back (‘again’) for more.

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DMeisterJ

Banned
lol, that's the only place Rihta will ever place above Rih. Let's see Rihta place above Rih on the Hot 100 or Hot 200 or sales, or touring, or anything that has actual meaning.

Oh.

The pressed at Rihanna can remain pressed. bye.
 

Mau ®

Member
I see B-Pressed using Rihta Whora as a receipt to press the #Navy kiiii

As if we pay Rihta any attention beyond her constant attempts at being a Rih knockoff.

#RihannaTaughtHer
 

Bladenic

Member
I remember when some people in this community thought (and perhaps still do Trigger...) that Carly was going to be anything but a one hit no album sales wonder. The stupidity.
 
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