Even the Dorne plotline of GoT has generally better acting than you'll find in anime. And again, still a way larger sense of tension during fight scenes even when everyone makes it out alive. Hell even when the nudity is gratuitous it serves a larger point and feels less out of place than underage schoolgirl panty shots.Heh. GoT the show is pretty anime. Not the good kind. There is bad acting, bad writing, bad handling of sexual themes and general stupidity for everyone!
Yeah, "branding problem".
This guy has bad taste and the attention span of a gnat.
the first few posts shitting on the author for not liking cowboy bebop is a pretty accurate microcosm of anime fandom
Its hilarious that you're both wrong and comparing one of te most lauded and expensive series on tv with some nameless otakubait.Even the Dorne plotline of GoT has generally better acting than you'll find in anime. And again, still a way larger sense of tension during fight scenes even when everyone makes it out alive. Hell even when the nudity is gratuitous it serves a larger point and feels less out of place than underage schoolgirl panty shots.
Christ, why are these threads so predictable? So since I also didnt stick with cowboy bebop (for whatever reason), then I have bad taste as well? You certainly wouldnt be the first to tell me that in this thread, but Id say that might be kind of an issue. All the bad taste and trash rhetoric doesnt particularly help the cause of the online anime community.
Like stumps post earlier though, its kind of indicative of a wider issue and both content and community.
See above. Although to be fair, there have been a few very good posts from people who clearly enjoy the medium but can also realize that critique of it it possible.
The thing about being in a fandom is that if you want to get new people into it, you have to learn how to sell it. Something that I think anime fans have trouble with is selling people on it.
During this thread I've counted at least thirty different recommendations from a dozen different posters, with little agreement among any of them, something also documented in the OP article. Worse, several other posters have basically said that you should just sit around watching a dozen different shows until you "find something you like," as if grown adults have hundreds of hours to waste on a medium they've already told you they aren't hugely interested in. What if I walked into a Best Buy, told the salesperson that I don't know much about TVs and asked for a recommendation, and his response was "Dude, there are thousands of different types of TVs, just buy and return them until you find one you like"? I'd turn around and walk out.
If a time traveller from the 1800s appeared today and wanted to try one of them newfangled video games, a GAF recommendation thread would be similarly dense and incomprehensible, so instead we'd just recommend that they visit Metacritic's top games of all time and try a couple. There exists, as far as I can tell, no widely agreed-upon authoritative body like the Academy Awards or Rotten Tomatoes or Metacritic to help an anime newcomer find something they might like.
(Further complicating the matter is the difficulty of actually legally getting anime in the United States, but that's a whole other can of worms)
So if I'm someone who has a passing interest in watching an anime, but not enough free time or interest to devote hundreds of hours to watching every random thing that someone on GAF suggests I might like, what am I supposed to do?
The thing about being in a fandom is that if you want to get new people into it, you have to learn how to sell it. Something that I think anime fans have trouble with is selling people on it.
During this thread I've counted at least thirty different recommendations from a dozen different posters, with little agreement among any of them, something also documented in the OP article. Worse, several other posters have basically said that you should just sit around watching a dozen different shows until you "find something you like," as if grown adults have hundreds of hours to waste on a medium they've already told you they aren't hugely interested in. What if I walked into a Best Buy, told the salesperson that I don't know much about TVs and asked for a recommendation, and his response was "Dude, there are thousands of different types of TVs, just buy and return them until you find one you like"? I'd turn around and walk out.
If a time traveller from the 1800s appeared today and wanted to try one of them newfangled video games, a GAF recommendation thread would be similarly dense and incomprehensible, so instead we'd just recommend that they visit Metacritic's top games of all time and try a couple. There exists, as far as I can tell, no widely agreed-upon authoritative body like the Academy Awards or Rotten Tomatoes or Metacritic to help an anime newcomer find something they might like.
(Further complicating the matter is the difficulty of actually legally getting anime in the United States, but that's a whole other can of worms)
So if I'm someone who has a passing interest in watching an anime, but not enough free time or interest to devote hundreds of hours to watching every random thing that someone on GAF suggests I might like, what am I supposed to do?
The thing about being in a fandom is that if you want to get new people into it, you have to learn how to sell it. Something that I think anime fans have trouble with is selling people on it.
During this thread I've counted at least thirty different recommendations from a dozen different posters, with little agreement among any of them, something also documented in the OP article. Worse, several other posters have basically said that you should just sit around watching a dozen different shows until you "find something you like," as if grown adults have hundreds of hours to waste on a medium they've already told you they aren't hugely interested in.
It feels like most of it is made for some young imbeciles with a horrible melodrama aesthetic that you find in only the worst Asian movies.
I am not sure exactly why, but the dialogue is frequently atrocious. I think its something to do with the cultural differences in language, or perhaps merely poor translations, but I don't think so. Commonly the dialogue is just super fucking formal speak, like Death Note. or its odd in some other way.
who the fuck acts or relates to any of those kids?
If you could find me anime with acting as good as GoT be my guest. Crazy thing is that out of all the top tier shows GoT is almost on the lower tier of the acting scale. That's how straight up ridiculous tv production has gotten in recent times. And just to bounce off what others are saying, there's not a metric mountain of caveats I have to tip toe around whenever I recommend a show compared to recommending an anime.Its hilarious that you're both wrong and comparing one of te most lauded and expensive series on tv with some nameless otakubait.
Basically you are comparing 'best' western tv to worst of anime and failing to be convincing. Lol
A lot of the writing isn't based on any sort of representation of reality so the conversations don't sound like human beings trying to have a conversation.If something is good you don't have trouble selling it. You certainly don't need to sift through dozens of shows to find one that you might enjoy.
There's obviously something wrong with anime for it to be such a condemned and disregarded genre. It is aimed at young Japanese boys. It feels like most of it is made for some young imbeciles with a horrible melodrama aesthetic that you find in only the worst Asian movies.
I am not sure exactly why, but the dialogue is frequently atrocious. I think its something to do with the cultural differences in language, or perhaps merely poor translations, but I don't think so. Commonly the dialogue is just super fucking formal speak, like Death Note. or its odd in some other way. The dialogue in Death Note is unacceptably bad.
Satoshi Kon wins.
(i.e; Re:Creators, a show that was not good but something very different or Monogatari, a series whose closest non-French comparison would be something like David Lynch's work).
I remember a time when GoT was considered something you wouldnt watch with your parents. Times do change. I still wouldnt personally, while my mom will actually take us to see the new Yonebayashi film. Just shows how dumb this comparison is. And honestly, I rarely notice bad acting in anime as long as they use professional voice actors. Unless you are talking about English dubs. Because most of what I've heard is bad.If you could find me anime with acting as good as GoT be my guest. Crazy thing is that out of all the top tier shows GoT is almost on the lower tier of the acting scale. That's how straight up ridiculous tv production has gotten in recent times. And just to bounce off what others are saying, there's not a metric mountain of caveats I have to tip toe around whenever I recommend a show compared to recommending an anime.
A lot of the writing isn't based on any sort of representation of reality so the conversations don't sound like human beings trying to have a conversation.
I mean you absolutely can watch it with your parents. Hell it's like one of the only things I talk to my stepfather about whenever I get the chance. And yea the general anime acting "style" with the overly melodramatic acting and lack of general naturalism with bad scripts is certainly pretty noticeable.I remember a time when GoT was considered something you wouldnt watch with your parents. Times do change. I still wouldnt personally, while my mom will actually take us to see the new Yonebayashi film. Just shows how dumb this comparison is. And honestly, I rarely notice bad acting in anime as long as they use professional voice actors. Unless you are talking about English dubs. Because most of what I've heard is bad.
I like Showa Genroku Rakugo Shinjuu as much as the next guy, but this is the kind of stuff that helps create the perception problem at the heart of the OP article.
It's nice that you try to sell Monogatari as some avant-garde Lynchian art piece, but most people are going to try it out, get to the minute-and-a-half long shot of a high school girl's panties in the opening scene, and check the fuck out right there. Or maybe they'll stick around for the part where the protagonist sexually assaults an elementary school girl (it's okay, she's a ghost), or they'll drop it where I did, when a middle-school girl bears her tits at the screen. And they'll be like, okay, anime is for degenerate weirdos, and who can blame them? Why should the viewer have to make excuses for what they watch when there's a massive ocean of fantastic media out there?
I have my fair share of shows I like that I can recommend other people without qualifiers. And there's usually enough good anime being made that you can watch a small handful of shows each year without feeling icky about it. But I totally get why most people don't bother. Acting like they're unreasonable about some of this stuff makes you seem really out of touch.
I mean you absolutely can watch it with your parents. Hell it's like one of the only things I talk to my stepfather about whenever I get the chance. And yea the general anime acting "style" with the overly melodramatic acting and lack of general naturalism with bad scripts is certainly pretty noticeable.
Another thing, as an addendum to my earlier post, is that on the rare occasion you do learn about an anime that is unanimously acclaimed with critics, anime fans start insisting it's overrated and take a shit all over it, because they're desperate to preserve the niche status of their hobby while simultaneously wondering why it's not popular.
This sounds familiar but I can't think of any recent example.
None at all but a LOT of people on GAF who do can vouch for the idea that anime is certainly not very if at all representative of conversations you'd hear in Japan. Even with a language barrier there's a lot of common nuances among good actors regardless of language. Like I don't need to understand German to say that Pandora's Box is a great film.How much Japanese do you speak? Because otherwise you are getting your script filtered into another language by who knows. Certainly not a screenwriter of any sort. Does that effect the end-user perception of what the script is? The knowledge of "Well, this might be better in the natural language", probably doesn't but if we are trying to make an objective comparison of quality it seems relevant.
So kind of like Disney and most animation in general?I mean you absolutely can watch it with your parents. Hell it's like one of the only things I talk to my stepfather about whenever I get the chance. And yea the general anime acting "style" with the overly melodramatic acting and lack of general naturalism with bad scripts is certainly pretty noticeable.
Interesting that something you cant confirm bothers you so much.None at all but a LOT of people on GAF who do can vouch for the idea that anime is certainly not very if at all representative of conversations you'd hear in Japan.
I mean you absolutely can watch it with your parents. Hell it's like one of the only things I talk to my stepfather about whenever I get the chance. And yea the general anime acting "style" with the overly melodramatic acting and lack of general naturalism with bad scripts is certainly pretty noticeable.
None at all but a LOT of people on GAF who do can vouch for the idea that anime is certainly not very if at all representative of conversations you'd hear in Japan.
Like I don't need to understand German to say that Pandora's Box is a great film.
None at all but a LOT of people on GAF who do can vouch for the idea that anime is certainly not very if at all representative of conversations you'd hear in Japan. Even with a language barrier there's a lot of common nuances among good actors regardless of language. Like I don't need to understand German to say that Pandora's Box is a great film.
I sincerely hope you aren't trying to bring one of the classic, silent films into a discussion about cross-language media.
Do you watch Disney's animated films? Because Disney specifically puts as many relatable nuances in their acting, scripts, and animation as possible. To the point that they literally break the time period that their films are set in by making the characters talk like 21st century young adults instead of using old English or speaking in a language other than English. The same applies for a lot of western animation.So kind of like Disney and most animation in general? Its a cartoon. Cartoons aiming at realism will use a more realistic style.
Mmm true it is a silent film at that.I sincerely hope you aren't trying to bring one of the classic, silent films into a discussion about cross-language media.
Read the edit.Interesting that something you cant confirm bothers you so much.
I don't think naturalism is the only acceptable form of acting at all. Stylized acting can absolutely be fantastic. Hell film in general started with as theater inspired stylized acting that in a lot of cases still holds up today. Hell I can even enjoy Japanese films if the acting is actually good. Like Rashomon is a great film that is in no way heart by the stylization.If you think naturalism is the only acceptable form of acting, then Japanese media in general will probably not appeal to you.
It's the fact that anime, (gotta love the quantity thing...) is more miss than hit when it comes to the melodrama, and seemingly acting in general.Japanese live-action film and TV tends to be even less naturalistic than anime, ironically enough, as can be vividly seen by comparing live-action and animated adaptations of the same material, such as with Erased and The Great Passage. If you're going to be a fan of anime in general, you're going to need a tolerance for and ideally an enjoyment of melodrama to some degree. Personally, I feel like there can be good and bad melodrama just as there can be good and bad naturalism. When you've got a master of melodrama such as Osamu Dezaki at the helm, with a show such as Oniisama e, it can be very thrilling to watch.
Also a lot of those Ghibli films.That said, there are anime out there which aim at highly naturalistic acting, such as In This Corner of the World, Mushishi or Tsuki ga Kirei.
He hates anime and uses a bunch of flimsy ill-researched arguments to try and make it objective.
Dogtooth is a film about a family who is forced by their father to live at home away from society. The father brings home a security guard from his company for his son to have sex with, which leads the sheltered siblings into an incestual spiral of innocent depravity. It won multiple awards including Un Certain Regard section at Cannes 2009. It is icky but it is still doing something unique and is regarded as such.
But aside from any argument of that nature - which I don't really think is relevant to most people - I was never recommending Monogatari. We were discussing diversity in the medium, not what shows I think people should watch. I'm not selling Monogatari; I am saying what it is. The director himself has talked numerous times over his influences. In terms of diversity, I don't think anything in American media comes close. Given the numerous posts of actual suggestions labeled as such, I imagine that no one is going to be trawling my post looking for recommendations I am not giving. Far be it from me to have to cater to an unfortunate habit of people not to be able to combine the quote box and post into a single, cohesive thought.
Sean O'Neal said:[A few tropes] have come to define it, especially for outsiders like me. Spiky-haired characters with illogical bodies yelling at each other about magic totems or weird animals. Skimpily dressed schoolgirls who alternate between displaying chipper, flushed-cheeked innocence and furiously shooting lasers from their hands. Somebody straps into a big robot or is revealed to be the ancient spirit of something or other or simply balloons to enormous size, then they begin rampaging through the city until theyre vanquished by more lasers and yelling, and everything wraps up with an incongruously silly pop song.
Again I never said that ALL dialogue or acting has to be naturalistic, both BBT and HIMYM are satirical and a lot of that is down to the acting and scripts being ridiculous.And neither is the dialogue in the Big Bang Theory or How I Met Your Mother. Japanese happens to have an absurd amount of variation in formality which is left at the door in anime. This is usually what people refer to when they are talking about it being a poor representation of the language. Along with the voice pitch and tonality generally being... like an anime.
Remember I'm talking specifically in the context of anime on television, not the films in which there is a lot of good work. Although to bounce off what someone else said above, a large thing seemingly holding anime in general back is that it's beholden to appealing to a niche fandom.And that is a space where there is room for improvement. But there is a slowly growing trend of more natural, drama-esque voice acting in the industry that will hopefully gain a foothold. Not to mention many anime films don't have this issue. Or most of the issues that plague the television space in Japan, for that matter.
Read above what I said about how stylized acting or even melodrama isn't inherently bad. It can be quite good. But like I said, anime tends to miss the mark more often than hit the mark when it comes to nailing "believable" melodrama or stylized acting.While I certainly get the preference towards natural-sounding conversations, your line of argument is akin to claiming that films are inherently better than theatre because nobody in stageplay actually talks like real people. It's just the general nature and draw of the medium, and not always true, anyway.
I hate a lot of things about anime, there's stuff I like, but to say I hate ALL anime would be an exaggeration.He hates anime
Anime fans were super into Your Name when it came out, I think like most fandoms anime fans get really excited when a movie or series gets mainstream success or critical acclaim. Of course there are also the edgy snobs that hate when that happens because it means anime can reach beyond the usual niche fanbase which threatens them.Having heard so much about Your Name, I recently decided to watch it, but before doing so I mentioned the movie to some anime snobs I know and they all had the same reaction: it's overrated garbage and I should actually watch [insert list of a dozen different random anime films].
Thankfully, I decided to ignore their judgment and watch Your Name anyway, and I loved it. So all I learned from this debacle is that I can't trust these people to give me a good recommendation.
Anime fans were super into Your Name when it came out, I think like most fandoms anime fans get really excited when a movie or series gets mainstream success or critical acclaim. Of course there are also the edgy snobs that hate when that happens because it means anime can reach beyond the usual niche fanbase which threatens them.
watch live action Japanese dramas instead
Remember I'm talking specifically in the context of anime on television, not the films in which there is a lot of good work. Although to bounce off what someone else said above, a large thing seemingly holding anime in general back is that it's beholden to appealing to a niche fandom.
Oh, that's because Shinkai is like the Marvel of anime films. All his films are cut out from the same template using the same framing, same art direction, same editing, same themes and same characters.Having heard so much about Your Name, I recently decided to watch it, but before doing so I mentioned the movie to some anime snobs I know and they all had the same reaction: it's overrated garbage and I should actually watch [insert list of a dozen different random anime films].
Thankfully, I decided to ignore their judgment and watch Your Name anyway, and I loved it. So all I learned from this debacle is that I can't trust these people to give me a good recommendation.
Yea like someone else said, you can do a lot to spend your time watching other better media without the caveats and without the whole "the good stuff is incredibly few and far between compared to the west." If the standards of the creators are getting better and they make better shows, then you'd be hard pressed to want to dig through a lot of derivative shit to find the good stuff, when even streaming services like Netflix are straight up producing great shows at a very rapid rate. It's asking too much of the viewer.Yes. Between posting and making dinner, it occurred to me that the whole argument - while constructive - can ultimately be boiled down to to Kipling's, "Four-fifths of everybody's work must be bad. But the remnant is worth the trouble for its own sake." Japan has been home to some of the greatest director's of all time. Kurosawa and Ozu are frequently cited as influences on some of the best that cinema has to offer. You can catch a glimmer of that in the occasional anime series, but not if you try and hold the entire medium to a standard that is far above what we hold most other mass media to. Unfortunately, I have to go eat a bowl of chili and then go see the new Bladerunner for the second time.
thematic themes
Yea like someone else said, you can do a lot to spend your time watching other better media without the caveats and without the whole "the good stuff is incredibly few and far between compared to the west." If the standards of the creators are getting better and they make better shows, then you'd be hard pressed to want to dig through a lot of derivative shit to find the good stuff, when even streaming services like Netflix are straight up producing great shows at a very rapid rate. It's asking too much of the viewer.
I check my phone for two seconds for this abomination.
this dude made it two episodes into Bebop and decided it was boring
what horrible fucking taste