Roughly in order that I saw them. Apologies if there's any repeats, hopefully I don't contradict myself.
Twelfth Night - The Trevor Nunn version with Helena Bonham Carter. So not worth the wait, just a plain workman-like adaptation.
Hot Fuzz - Definitely liked it, there were a lot of unexpectedly poignant moments. Ending got a little absurd.
Hamlet - Every bit as visually stunning as I remembered. Is this on Blu-Ray? Might be a reason to upgrade. Not my personal favorite adaptation (it varies, but now I'm on board with Zeffirelli's period version) but always a contender. Of the major adaptations, my favorite "To be or not to be" soliloquy, but Helena Bonham Carter kicks the shit out of Kate Winslet's better-than-I-remembered Ophelia.
Wall-E - Apparently, I have no soul because I wasn't completely enamored by this. Up until they got to the Axiom, however, I was in love (minus the out-of-place Fred Willard crap.) It was the portrayal of the humans that really got to me, completely illogical (leave an apparently utopian life to go back to Earth on the basis of a single plant?) and character design that was jarringly inconsistent with the rest of the movie. Every frame of John and Mary was a frame stolen from things I cared about.
Forbidden Planet - I was pretty disappointed when I realized how dissimilar the plot was to the supposed inspiration (The Tempest.) After getting beyond that, I did like it, although the misogynistic treatment of women unfortunately dates the film
A Midnight Clear - Another re-watch of a favorite. I was really struck this time by the paternalistic treatment of Mother by the rest of the squad. I'm glad they did cut the deleted scene on the DVD, it would've killed any sympathy you're supposed to have for Mother. A wealth of great lines.
The Darjeeling Limited - Just the first watch of what I expect to be many. Not entirely sure where it fits in my ranking of the Wes Anderson films (Rushmore > Life Aquatic > Royal Tenenbaums > Bottle Rocket) quite yet.
L.A. Confidential - For such a universally beloved movie, I'm surprised I'm having as hard a time thinking of what to say about it as I am. I do remember thinking that everything wrapped up perhaps too pat and neatly, but also that it was very well done.
Indiana Jones and the Kingdom of please kill me now so I can forget this crap - This one had me until Indy was followed by Peruvian ninjas that did jack shit while he was getting the getting the crystal skull. I just got dumber for typing that sentence.
Iron Man - Aside from the typical comic book fight sequence at the end, pretty engaging and perfect fit between actor and role. I was never a big Iron Man fan, wasn't he more of an annoying goody-two-shoes in the comics? Regardless, I like the playboy portrayal. All that said, I have my reservations as to whether they'll strike lightening twice.
The Dark Knight - I haven't seen Batman Begins, and I'm not completely sold on the vision Nolan has of Batman (it's very The Dark Knight Returns-esque, which is fine for a one-off, but as the mainstream image... eh...,) but loved this movie regardless. Heath Ledger definitely deserves awards, and he didn't even need to die to deserve them. Great, inspired performance.
Monty Python's The Life of Brian - First time re-watching this in at least fifteen years, and ir didn't hold up nearly as good as I had hoped. Brian's situation devolved too quickly, it felt like it was missing a sequence of scenes in the middle, perhaps another assignment for the People's Front of Judea. I know we're all desensitized to religious bashing, but in today's climate, this was pretty damned tame for such a supposedly controversial movie.
National Treasure 2 - Ok, so sue me,
I liked the first National Treasure. Still a fun popcorn movie that delivers a ride like few others, even if it strains the suspension of disbelief even further than the first (my snooty beret-wearing alter ego would say it has good pacing.) Wilkinson's
was pretty unsatisfactory, and left the ending much more downbeat than the first film.
Sunshine - I know the third act gets a lot of criticism, but it still works for me. For the haters, I would note that the film does lay the groundwork for the "bathe yourself in sunshine = go coo-coo for coca-puffs" fairly early on. Just incredible visuals.
The Lady Vanishes - I picked up a public domain Hitchcock collection (knowing exactly what I was getting myself in for,) and this was the first on the discs. Holds up much better than I would've thought. The set-up seems to take unusually long, but does provide some misdirection as to who the main characters are. While writing this, I can't help but to compare the treatment of women between this and Forbidden Planet. This was twenty years earlier, and while there's still some stereotypical treatment, it feels much more of the time and less aggressively dismissive of women.