Fancy Clown
Member
Definitely watch it on a night when you're having trouble sleeping.
Dude...no
Definitely watch it on a night when you're having trouble sleeping.
in my opinion, The Last Metro is a true masterpiece, hasn't aged a day. The Soft Skin is quite dated stylistically, so I'd go for the former most definitely
Franco Nero makes it look so easy in Django, effortlessly embodying the title character with an impeccable level of swagger that few actors could manage as well. Sergio Corbucci must've known what kind of magnetism he was dealing with, opting to shoot Nero in close-up in most instances and letting the actor do the rest. No matter what he's doing, be it dragging a coffin through a muddy, nearly dead town or playing a card game, he manages to make it look so cool, all through a simple glare at the camera.
That's why it's a shame that the rest of the film is so messy in comparison, as Django feels a bit like someone rambling on and on about stuff they wanted to see in a western, rather than feeling like it was written and assembled like a normal script. Just when you think it's going to reveal some kind of grander plot, it wanders off and seems to forget about events that transpire earlier on in the film, particularly in the case of the on-again/off-again racism of a villain. Nothing makes a film feel longer than it actually is when you can tell that it's not sure of what it wants to do, and Django suffers greatly for it.
The film does have more going for it than Nero, though, which does ultimately help it come out ahead of its grievous narrative issues. Corbucci has a good eye for framing beyond pointing at Nero's visage, particularly in the more graphic moments. Luis Bacalov does a rather fine job with the score beyond the ridiculously catchy theme song, trying on a lot of hats without each track feeling too dissimilar from one another. The atmosphere is also quite thick and palpable, thanks to a more realistic setting that feels lived in and, more importantly, long abandoned by those with a bit more sense to get involved. And even though it never amounts to much more than people talking about it rather than being properly addressed, I did like how the film cared enough about the racism involved with a lot of the fighting between the US and Mexico to at least mention it. All in all, the script issues prevent it from being a true western classic, but even one stare-down from Franco Nero is enough to make me forget about them for just a little bit.
Finished watching Alien 3: Assembly Cut. Last third or so was kind of weak, and the ending was too melodramatic for the franchise and didn't really fit with the tone of the movie, but I really enjoyed it. Sue me.
The concept was awesome, the setting was awesome, it even does a brilliant job with the side characters by making them shitty prisoners who you hate except for Charles Dance untiland then they all get developed and become kind of interesting, or at least entertaining.he gets offed an hour in
I can see it being disappointing just because it's so different from Aliens and quickly establishes itself as its own thing, but given its massive production issues I'm astounded they were even able to scrape together a secondary cut this enjoyable. It's not scary at all though, and in fact the alien itself looks like complete and utter shit in everything but the tight close ups. Like bad rotoscoping or something.
So, yeah, Alien 3 isn't nearly as good as Alien or Aliens, but it lives up to it's title; third best.
On my recent rewatch of the franchise I actually enjoyed the assembly cut of 3 more than I did Aliens, which was a huge surprise. It might just be my predilection for the gothic, or that Aliens has been aped so many times since that I've gone off that brand of sci fi action while 3 really stands on its own. (Ok, the prison planet is tired now but I've forgotten all the movies that used it bar Riddick. What's the opposite of victim of your own success?) The prisoners' religious awe of the 'dragon' was a really fascinating classical take on such a modern monster, while the prison setting allowed you the claustrophobia of the spaceship in the original without retreading the same territory. The one thing we can all agree on however is how awful the cg alien looks. Really takes you out of the movie. What a shame!
That opening though.
Wonderful.
Just finished the Guest, now I'm arguing with my sister and gf about the following :
So David IS Caleb right? They were dropping some pretty obvious clues throughout the movie I don't know how you could see otherwise, but we disagree.
Just finished the Guest, now I'm arguing with my sister and gf about the following :
So David IS Caleb right? They were dropping some pretty obvious clues throughout the movie I don't know how you could see otherwise, but we disagree.
What were the obvious clues?I don't remember them hinting anything of the sort. aren't there even pictures of Caleb with David in their home? I guess if you theorize that Caleb...also underwent surgery to completely alter his appearance? But in the movie I only remember them saying that Caleb died, and David's mental programming led him to fake his death and disappear.
What We Do in the Shadows is about as funny as a film could possibly get. It makes it pretty clear early on that it isn't content with just resting on the laurels of a good idea and puts in the work, care, and effort to take it the next level. Hilarious uses (abuses?) of vampiric power get solid effects work, giving the film a level of gravity that empty spoofs can't even dream of reaching. And they're wedded to such brilliant comedic ideas, too, where the entire spectrum of being a vampire is covered, with gutbusters lurking behind every corner. A vampire mockumentary from the creators of Flight of the Conchords is an idea that is made even better by how flawlessly executed it is from beginning to end. Miss this at your own peril.
What can I say, Ratatouille is an endlessly rewatchable no flaws family film that promotes the progressive homosexual agenda. What's not to like about that?
Just finished the Guest, now I'm arguing with my sister and gf about the following :
So David IS Caleb right? They were dropping some pretty obvious clues throughout the movie I don't know how you could see otherwise, but we disagree.
Nightcrawler was certainly interesting, but it's got a metric ton of flaws; reminded me of Training Day mixed with Drive mashed with Breaking News covered by not quite indie sauce. It's certainly a bit unfocused, script is unremarkable, altho Jake Gyllenhaal is good as usual
a couple words about the soundtrack: what the hell was that? Not sure if there already was some debate about it, but if not, well, it should have; It's seriously out of place and distracting, doesn't fit the theme of the movie at all. One moment is action, one moment is romance, one moment is fast paced thrill. Movie has nothing of it. Did Howard think he was writing for some Spielberg movie? It's baffling and hilarious at times, expecially when it tries to make you feel sympathetic for Jake's character, who's just a weird looking creep with no morals whatsoever. My god what a piece of turd
It's not really a debate: JNH came out and outright said that Dan Gilroy wanted him to compose it as a kind of internal soundtrack in Lou's head. That it doesn't match up with the reality of what we're seeing is the point.
WallE is better than UP for me.Since I rewatched Ratatouille, I did a ranking of Pixar movies.
I like this list, it isn't my personal list but it's a nice one :]Since I rewatched Ratatouille, I did a ranking of Pixar movies.
Hercules (2014)
Liked it, but wish it focused more on his adventures slaying beasts than what I got.
Still entertaining though
Brave is above the Cars films. I can live with that.Since I rewatched Ratatouille, I did a ranking of Pixar movies.
Yes, everyone who likes comedy should watch this. Great execution.What We Do in the Shadows is about as funny as a film could possibly get. It makes it pretty clear early on that it isn't content with just resting on the laurels of a good idea and puts in the work, care, and effort to take it the next level. Hilarious uses (abuses?) of vampiric power get solid effects work, giving the film a level of gravity that empty spoofs can't even dream of reaching. And they're wedded to such brilliant comedic ideas, too, where the entire spectrum of being a vampire is covered, with gutbusters lurking behind every corner. A vampire mockumentary from the creators of Flight of the Conchords is an idea that is made even better by how flawlessly executed it is from beginning to end. Miss this at your own peril.
What we do in the shadows - Funny movie. On the one hand, i like that it didn't overstay its welcome, on the other hand, i feel like they didn't tap a lot of vampires (and werewolves) cliches that could've made for some good jokes.
Should they ever want to make a sequel of sort, the material is there, though.
I feel like they tackled most of them. I loved the werewolves the most, especially when the leader was like "why are you wearing those pants? You just bought those, now they're gonna be ruined"
Damn I miss the flight of the conchords cast
I feel like they tackled most of them. I loved the werewolves the most, especially when the leader was like "why are you wearing those pants? You just bought those, now they're gonna be ruined"
Damn I miss the flight of the conchords cast
Welcome! You might like Kiss Kiss, Bang Bang.4. Favorite Genre(s)?
Crime, Black Comedy, Crime-comedy etc.
Welcome! You might like Kiss Kiss, Bang Bang.
Welcome! You might like Kiss Kiss, Bang Bang.
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Get to it, you regio A fuckers > Criteron Collection 50% sale. 24 hours only.