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Summer 2011 Anime Thread II of IKUHARA'S RETURN, Penguins, and Idols

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Bunny Drop 9

Why is this show so good? I mean that rhetorically, as in what did we do to deserve such a heartwarming and well-made family anime?

Daikichi will really regret it if he doesn't go for it.
 
cosmicblizzard said:
Gintama 153

Oh god, that is EXACTLY what I'm like while trying to sleep. Fuckin brain won't shut off. Always contemplating the meaning of the universe or something. The way Gin acted at the end was pretty much exactly how I was after seeing Paranormal Activity for the first time.

And that dog story on the radio was sad as hell... until the end :lol
I have this problem a lot. I'm always thinking of SOMETHING and that's why I don't fall asleep unless I am dead tired.
 
Jexhius said:
Okay, so, I've never really rattled off a definition of what makes something well directed, but it should be pretty clear.

Characters

Characters generally need to fit in with the kind of work that they're placed in. What is Redline? It's an action movie - so at the very least you need some semblance of character from the major players, but nothing very complicated, because of the genre we're dealing with. Redline goes down an interesting route by having a large cast made up of really exaggerated caricatures - this is a really good move when combines with the movies outstanding character designs because everyone's pretty larger than life.

Sweet JP, his mechanic, his friend, etc all those guys even have a bit of backstory fleshing them out a bit further, but not too far, because it's not essential to the movie. As for the other racers, the movie uses a fairly neat device to give them their own brief moment to shine. Which is one of the best ways to do it in a movie of this type.

Ok, yeah. That about matches up with what I had in mind. And I agree with you on the definition of 'direction'. I don't, however, agree that the direction in Redline was good, at all. The editing was sporadic--intentionally so in many areas, but it spilled into areas that didn't call for it--the camerawork in the latter half was messy and relied on the viewer to mentally 'fill in the blanks' so to speak, and really; everything about that second half fell apart, now that I think about it. It's really is a posterchild for the saying: "All style no substance."

And on the topic of characters...Just because it's an action film? Since when has that been a free pass to pump out cardboard cutouts for protagonists--as exaggerated as they may be?
 
Ro-Kyu-Bu 9
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The Girl Who Leapt Through Time

It was good, better than Summer Wars, but still not all that great.
I felt that the movie lost all momentum once it was revealed that Chiaki was from the future. My suspension of disbelief kind of broke at that moment and couldn't rebuild itself by the end of the movie. The relationship between Chiaki and Makoto wasn't developed well enough for the ending to have much impact on me. I didn't understand his last words to her or the whole deal with the painting. Also, Makoto's crying scenes were kind of awkward.
I don't think Satoko Okudera is a very good writer. I really like Mamoru Hosoda's style, but he needs to work with a better writer.
Sennorin said:
Ugh.

Watching The Girl who leapt through Time now, and the girl is a complete bitch. :/ Poor Chiaki, poor Takase-kun, poor Yuri. Please, girl, stop ruining other people´s life...
I watched the movie just so I could say, "What the hell are talking about?"
 
Miri said:
I don't, however, agree that the direction in Redline was good, at all. The editing was sporadic--intentionally so in many areas, but it spilled into areas that didn't call for it--the camerawork in the latter half was messy and relied on the viewer to mentally 'fill in the blanks' so to speak, and really; everything about that second half fell apart, now that I think about it.

Sounds like all of Bleach Hell Verse to me! Maybe you're confusing the two shows?
 
Miri said:
And on the topic of characters...Just because it's an action film? Since when has that been a free pass to pump out cardboard cutouts for protagonists--as exaggerated as they may be?
I'm not even sure what your complaint is.

Are you complaining that they have like, 0 character? Because that wouldn't be true. At all.

Or are you complaining that an action movie has action movie characters and not more fleshed out characters? Because that complaint is rather misguided. They're not being given a free pass in any particular sense.

If the characters in an action movie are annoying or get the movie focuses on particular aspects of them to the extent that it becomes boring or pointless then they have failed pretty miserably. If they're crazy over the top caricatures doing crazy over the top amazing things in a totally ridiculous movie then how is that not the perfect fit? This is what I was talking about by saying that characters have to match the movies that they are in.
 
Simoun 7:

Okay, 6 episodes was more than enough to develop several of the most important characters. It's go-time for the main storyline!

A few words about Mamiina and Yun:

Joining Chor Tempest from the Arcus Niger are these two, who normally fly together. Mamiima is notable for being a commoner, and from a poor family. She is one of the few Sibylla in this show who is not from a family with a lineage of being Sibylla. Yun is more mysterious, but she is notable for being quiet, serious, and extremely religious. She likes to sing hymns before going to sleep. The Hymn of Tempus Spatium is actually both a song composed for the show (you can hear it in it's entirety on disc 2 of the soundtrack performed by Rodoreamon's seiyuu) and also a musical theme which is woven into the show's entire soundtrack, and you hear Yun sing it during the show.

This episode has such a large number of critically important events to just the immediate storyline, but also to the entire overarching plot, that it really does represent the beginning of everything.

There is a very good reason why Plumbum Highlanders and Simulacrum Holy Landers have a very similar religious origin. You can basically think of Plumbum's "Animus" and Simulacrum's "Tempus Spatium" as the same God of entirely different derived religious traditions, in much the same way Allah, God, and Jehovah are all the same Gods from the Abrahamic tradition but were derived into Islam, Christianity, and Judaism respectively. I'm not purposely drawing parallels to those particular religions for no reason either. That comparison is absolutely intentional and purposeful.

The theme of religious warfare mainly applies to dealings between Simulcrum and Plumbum, whereas the dealings between Simulacrum and Argentum tend more towards themes of imperialism and industrialism. Whereas Simulacrum and Plumbum are clearly engaged in the sort of war that Christians and Muslims have been fighting for centuries, Simulacrum and Argentum are engaged in a war more reminiscent of a small, magic-centric, peaceful kingdom against a large imperialist empire with an industrial war machine. See any and every JRPG for more information, or Star Wars.

Episode Summary:

Chor Tempest are assigned to practice the Dandelion Ri Maajon, an old ceremonial Ri Maajon customarily used to welcome foreign guests of honor. They are doing this because the Arcus Prima is being re-routed from it's station to rendevous with diplomats from the Plumbum Highlands to negotiate a peace treaty.

Halconf (Neviril's father, and a member of the Theocracy's Grand Council) boards the Arcus Prima from the Arcus Niger, along with other council members and Mamiina and Yun. Mamiina and Yun are assigned to Chor Tempest in order to bring their Chor back to the full strength of 12 members. Halconf is under a great deal of pressure to get his daughter, the Sibylla Aurea, back in the cockpit and flying again. He is also unhappy that his daughter's Chor has had such a precipitous drop in reputation recently.

He assigns Mamiina to be Neviril's pair, entirely against her wishes. This rouses Aaeru's hackles. Mamiina tries and fails to convince Neviril to be her pair, and then confronts Aaeru in the Maaju pool. The two come to blows and have to be pulled apart, much to the dismay of everyone involved. In a fury, Halconf declares that after the peace negotiations, Chor Tempest is to be disbanded and he will send his daughter to the Spring whether she likes it not rather than have her (and his!) name be sullied any further.

The diplomatic party from Plumbum arrives at the rendevous point, and the episode ends. To be continued.
 
Unknown Soldier said:
An example of a sleeper hit is Simoun, for anyone who's following along with me. I don't even know if anybody, even i-d, is following at this point. I'm probably talking about this to nobody...
Well, anyone with a familiarity with Simoun is probably reading them.

Which must be like two people at this point.
 
Hmm... GITS BD is now 74% off at Amazon jp. It was 71% when I asked you guys if I should get it the other day, and it was 43% roughly a month a go and has been steadily going down ever since.

I wonder if I should hold out for 80-85%, lol.
 
You didn't understand
the painting's significance to Chiaki
?
Basically he just
really liked it and wanted to see it, but it was destroyed in the future.
also, the show is called THE GIRL WHO LEAPT THROUGH TIME. Did you not expect time travelling of some sort?
Now regarding
the relationship between Chiaki and Makoto
I agree it was a bit quick and forced but not wholly unbelievable.
 
ninj4junpei said:
:( I wanted to like it.
It's one of my favorite movies ever, so I'm afraid I have no choice but to defend it to the death. It's not perfect, of course, but what is?

ninj4junpei said:
I felt that the movie lost all momentum once it was revealed that Chiaki was from the future. My suspension of disbelief kind of broke at that moment and couldn't rebuild itself by the end of the movie.

I don't really see why that particular moment would break your suspension of disbelief. There were hints about it beforehand you can see if you watch it again.

The relationship between Chiaki and Makoto wasn't developed well enough for the ending to have much impact on me. I didn't understand his last words to her or the whole deal with the painting.

I thought it was very naturally developed. I mean Makoto and her relationships with the other characters is pretty much the whole movie.
I'm not sure what's not to understand?

Also, Makoto's crying scenes were kind of awkward.

Well, people don't always cry in cinematically appealing ways.
 
ninj4junpei said:
The Girl Who Leapt Through Time

It was good, better than Summer Wars, but still not all that great.
I felt that the movie lost all momentum once it was revealed that Chiaki was from the future. My suspension of disbelief kind of broke at that moment and couldn't rebuild itself by the end of the movie. The relationship between Chiaki and Makoto wasn't developed well enough for the ending to have much impact on me. I didn't understand his last words to her or the whole deal with the painting. Also, Makoto's crying scenes were kind of awkward.
I don't think Satoko Okudera is a very good writer. I really like Mamoru Hosoda's style, but he needs to work with a better writer.

I watched the movie just so I could say, "What the hell are talking about?"
The crying scenes didn't really feel awkward to me and they certainly felt appropriate. The minute long scene of her running near the end. I hate watching that bit as it felt so unneeded.
And after watching the movie about 4 or 5 times now, the ending feels more appropriate, whereas I felt it was a little absurd the first time I saw it.
 
Jexhius said:
Well, anyone with a familiarity with Simoun is probably reading them.

Which must be like two people at this point.

Well, some of those other people should probably be working on it then, shouldn't they? :|

Aigis said:
Hmm... GITS BD is now 74% off at Amazon jp. It was 71% when I asked you guys if I should get it the other day, and it was 43% roughly a month a go and has been steadily going down ever since.

I wonder if I should hold out for 80-85%, lol.

I'm guessing it will keep going down until the final disc finally sells, after which it will go out of print.

The trick is to be the guy who buys the final disc in order to the get the maximum discount! Just don't be the guy after that guy! :3
 
Unknown Soldier said:
Well, some of those other people should probably be working on it then, shouldn't they? :|

I've seen Simoun, but I honestly don't think it's as strong a show as a lot of people think it is. It's alright and all that, but whilst it's been a good few years since I saw it, I remember feeling the show had some problems in maintaining consistency of characterisation for a few cast members.
 
Branduil said:
I thought it was very naturally developed. I mean Makoto and her relationships with the other characters is pretty much the whole movie.
I'm not sure what's not to understand?
.
Theirs only three main characters, their relationships are extremely well developed, that kind of the point.
 
Jexhius said:
Theirs only three main characters, their relationships are extremely well developed, that kind of the point.
Indeed, that's one of the main things making it the superior film to Summer Wars, among others.
 
Koutetsushin Jeeg 3

Has your mech arm just been severed? Don't fret! You can still use it as a weapon! Just pick it up with your other arm and slam that bad boy into whatever pisses you off!
 
Branduil said:
Well, people don't always cry in cinematically appealing ways.

it was more cinematically appalling
why does she cry like a baby? it would have been more emotional if she kept at least a little composure
 
Uchip said:
it was more cinematically appalling
why does she cry like a baby? it would have been more emotional if she kept at least a little composure
I really can't agree with that. TGWLTT is full of little human touches that add up to making the characters very appealing and believable. Makoto's realistically awkward crying is one of those.
 
Branduil said:
I really can't agree with that. TGWLTT is full of little human touches that add up to making the characters very appealing and believable. Makoto's realistically awkward crying is one of those.

I have never seen an adult cry like that
 
DiGiKerot said:
I've seen Simoun, but I honestly don't think it's as strong a show as a lot of people think it is. It's alright and all that, but whilst it's been a good few years since I saw it, I remember feeling the show had some problems in maintaining consistency of characterisation for a few cast members.

I would be interested in seeing what you had to say. Why don't you watch it again with me?
 
Unknown Soldier said:
I'm guessing it will keep going down until the final disc finally sells, after which it will go out of print.

The trick is to be the guy who buys the final disc in order to the get the maximum discount! Just don't be the guy after that guy! :3
Probably. I actually found out that this is a reprint (with a standard BD case instead of a cool box, and the same MSRP. Bandai Visual lol) too. It probably got reprinted and sold to the few fans who missed it the first time around (or didn't because it has less collectible packaging so they just bought the previous release second hand as it was clear that the cool version wasn't getting reprinted) and nobody else, so Amazon is probably like "fuck, we gotta offload this shit. nobody is going to buy an old movie for this price unless they're megafans with deep wallets, and they likely already have it. just keep slashing the price and capture people at different pricepoints until we run out."

Makes sense.
 
Branduil said:
I really can't agree with that. TGWLTT is full of little human touches that add up to making the characters very appealing and believable. Makoto's realistically awkward crying is one of those.
As a result of all that attention is being devoted to such a small scale you get really great scenes.
cosmicblizzard said:
Koutetsushin Jeeg 3

Has your mech arm just been severed? Don't fret! You can still use it as a weapon! Just pick it up with your other arm and slam that bad boy into whatever pisses you off!
Sounds like a mecha show alright.
 
cajunator said:
This. She is a high schooler for fucks sake. Ever seen a high school girl cry? Jesus Christ it is a scene.

for fucks sake? lol
maybe they should have just had her not cry so we didnt have to hear it
 
Mawaru Penguindrum 08
Besides the fact that this show is slowly fulfilling me with (twisted thoughts) wishing I was in Tabuki's situation with Ringo, I like that Shouma finally cracked mentally against Ringo and well... probably his femur or something else when he got hit by that car.

I had read what available on the series up to this point, and after this I stopped, so everything here on out is new to me. I'm quite excited. Also the Dear Future ED Single was released and man... I love shoegrazing now.
 
First off, SAYA IS HOT. LIKE INSANELY HOT. Sexiest character ever? Holy shit I absolutely loved that semi-insane face she made when she realized she hadn't a clue what she would do if something were to happen to her "father" and she was absolutely gorgeous throughout the episode. Gotta love how brutally abnormal her thought pattern is too. Dense doesn't really apply to her imo. It's rather that she thinks on a completely different track than normal humans do.
...
 
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