Shao Kahn Brewing a Stew
Banned
ReturnOfTheRAT said:You see, Magneto's theme is perfect.
What's theme/track is in the first trailer? I like that more...
ReturnOfTheRAT said:You see, Magneto's theme is perfect.
Expendable. said:Footage Preview from Empire Big Screen - http://www.empireonline.com/news/story.asp?NID=31756
It's a straight ripoff of this though, the way it builds up and everything:Blader5489 said:Is that Magneto's theme from First Class?
edit - ha, yep
http://www.youtube.com/watch?v=D8JcNiBrrcg&feature=related
Totakeke said:Hyped.
Is there some kind of tracker for movies you're interested in and it'll notify you close to the release date?
Expendable. said:More impressions from The Playlist - http://blogs.indiewire.com/theplayl...tage_from_tinker_tailor_soldier_spy_is_flat-o
Just keep following my 10 Films To See each month
You could sign up for Fandango alerts and get notifications when tickets are available. I can't think of anything else.
CaptYamato said:Having Oldman's name in the center like that ruins the posters.
CaptYamato said:Having Oldman's name in the center like that ruins the posters.
Expendable. said:
shagg_187 said:What's theme/track is in the first trailer? I like that more...
Expendable. said:pushed back to Dec. 9th....dayyyyyumm
At least that is more promising for awards play.
Cool, I can watch it after finals.Expendable. said:pushed back to Dec. 9th....dayyyyyumm
At least that is more promising for awards play.
That sucksExpendable. said:pushed back to Dec. 9th....dayyyyyumm
At least that is more promising for awards play.
I think that is his best book, but they are all pretty damn good.Timbuktu said:Somehow i missed all news about this movie until the trailer came on in front my screening of Rise of the Planet of the Apes; that was one of the best experience in cinema for me this year. And it's out so soon.
I just hope it gets the marketing it deserves, not sure i've seen enough in London when it's out in a couple of weeks (or is that pushed back too?) Pretty happy i've haven't read the book or seen the BBC series yet, The Spy who came in from the cold was pretty awesome.
Swedish director Tomas Alfredson, hot off the impressive child-vampire thriller Let The Right One In, makes an ideal candidate to handle Tinkers chilly, melancholic intrigue and serve up a dispassionate portrait of miserable, paranoid spies. Gary Oldman too is an actor with the finely calibrated talent to wipe memories of Alec Guinness iconic performance as George Smiley, the nondescript intelligence analyst whose sad, drab exterior masks a fluent, animated intellect. Pile on a helping of stellar British thesps with career heat to burn (Colin Firth, Tom Hardy, Benedict Cumberbatch, Ciaran Hinds, Mark Strong and Toby Jones) and this makes for compelling adult entertainment.
Alfredsons approach to Le Carres tale is diligent, honourable, astute, a carefully executed whodunit that captures the stark drabness of early 70s Cold War Britain (the hair, suits and skin pallor all marvellously dreary), contains a clutch of nail-biting sequences and features a razor-sharp turn from Oldman as the doleful spy brought in from the cold to unmask whichever one of his former colleagues is leaking secrets to the Russians. Besides Oldman, its Hardy who makes the biggest impression, bringing a touch of humanity to this barrel of cold public-school fish as Ricky Tarr, the anxious working-class operative with vital information. Cumberbatch, too, has great fun as Smileys trusted inside man.
Nimbly navigating the labyrinthine source novel by John Le Carré, Alfredson eases us through a run-down 70s London, all the way to a municipal MI6 bunker, out by the train yards. This, it transpires, is the Circus, a warren of narrow corridors and smoke-filled offices, patrolled by jumpy, ulcerous men with loose flesh and thinning hair, peering into the shadows in search of a spy. Theres a mole at the top of the Circus, a deep-penetration agent leaking secrets to the Soviets. Control (John Hurt) has narrowed the hunt to five likely suspects. Now all that remains is for diffident George Smiley (Gary Oldman), working off the books and under the radar, to steal in and identify the culprit.
Oldman gives a deliciously delicate, shaded performance, flitting in and out of the wings like some darting grey lizard. We have the sense that Smiley has seen too much and done too much, and that a lifetimes experience has bled him of colour. His eyes are tired, his collar too tight, his necktie a noose. Yet still he keeps coming, quietly infiltrating a first-rate supporting cast that includes Mark Strong, Kathy Burke and Colin Firth. Away in Istanbul, Tom Hardy raises the roof as Ricki Tarr, the tales bullish rogue element, while Benedict Cumberbatch is mesmerising as the well-groomed gentleman conspirator coming slowly apart at the seams.
Weve never seen Oldman like this before, and hes simply stunning: his soliloquy about his only meeting with his counterpart, the Soviet super-spy Karla, is so engrossing you forget to breathe. Alec Guinness immortalised Smiley in the 1970s TV version of this story, yet Oldman is easily his equal.
Theres a terrific extended set-piece scene involving Smileys young colleague Peter Guillam (Benedict Cumberbatch) who must smuggle archived files from the Circus undetected. Its funny, seductive and suspenseful all at once.
Much of the credit for all this must go to director Tomas Alfredson (Let the Right One In). He captures scenes with silky fluidity, dispatching his cameras into nooks, crannies and improbable angles, finding a visual equivalent to the storys hunt for complex solutions. Alfredson is Swedish, which may account for his detachment in viewing the films setting as another country with three layers of foreignness the recent past, Britain, and the machinations within the Circus.
This is a British and European success story. It comes from Working Title, our leading production company and is financed not by Hollywood but Europes StudioCanal. Its key behind-the-camera talents (including Alfredson and Alberto Iglesias, composer of the cool, sometimes jazzy score, with its hints of melancholy and menace) are all from this continent.
The best compliment to pay Tinker, Tailor, Soldier, Spy is to affirm that it does what every great film can do: it makes your heart pound, gets your pulses racing and sends your brain cells into overdrive.
If I wouldn't know the premise, I'd think Gary Oldman has 4 personalities in this movie. terrible posters.Expendable. said:
Acid08 said:Benedict Cumberbatch is one hell of a name.
This. It'll benefit from a second viewing I think, at home, not in the horrible stuffy non-AC screening room 9 of my local cinema. Fantastic cast and wonderfully set up to boot. A strong contender for my favourite movie this yearHenke said:I saw this last night and only upon entering this thread did I realise that the Let The Right One In guy is involved. It all makes sense now, visually I found the film stunning in that way that's hard to pinpoint exactly. The movie is fantastic by the way, go and see it.
Your Excellency said:I watched this film. I concentrated, and I'm good at understanding films which don't give you everything on a plate.
I had no idea what the hell was going on during pretty much anything after the first 45 minutes.
If you haven't read the book or seen the tv show, do one of those first (both are highly acclaimed) as I imagine they do far more to improve your understanding of what's going on and the characters. The film is like an attachment to those.