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Gods of Egypt director has meltdown on Facebook, critics are "deranged idiots"

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The trailers was absolute shit and totally turned me off from seeing the movie. It looked like a green screen CGI fest. It looked like a bad video game, no weight....no real cinematography involved. Just a lot of noise and stimulation. That's what the trailer made it look like.
 

Cronox

Banned
Can't speak to this movie as I haven't seen it, and Proyas taking his emotions to Facebook is a modern faux-pas, but Dark City is still a great movie and ya'll attempting to write him off entirely are doing yourselves a disservice.
 

Cipherr

Member
He's right you know.

Most of the people commenting in the thread or twitter haven't even watched the film and are just regurgitating what the revierews have said or thier own bias just from watching the trailers.

Except he is LITERALLY ranting about film reviewers that actually DID watch the film? So... no, he isn't right. They watched his film and didn't like it. Get over it.
 

The Beard

Member
Bruh, you made a shitty movie that cost $140 million, own it.

Couldn't even make it look good/exciting in the trailers. It looked like a straight to DVD sequel to 'The Mummy' franchise, and it cost $140 million!
 

S-Wind

Member
As someone of Asian descent, I would be OK with every movie with a White-washed cast getting blindly and overwhelmingly trashed by reviewers.

Maybe then Hollywood will FINALLY learn to STOP WHITE-WASHING!!!
 
Anybody else see it? It's not terrible.
The "whitewash" complaints shouldn't matter because there's nothing historical about this movie. It's pure fantasy with flying gods and weird monsters with an egyptian theme, but it might as well take place on an alien planet.

I'm not saying it's great, but don't let edgy comments deter you if you want to see an over-the-top action fantasy popcorn flick. It's cheesy fun that succeeded in holding my attention throughout. It's definitely no Lord of the Rings but it's a helluva lot better than Jupiter Rising. I can give it a 5 out of 10 wait for the rental score.

But once a movie becomes a whipping boy on the internet there no stopping the criticism. Especially by those who never see it.
Sure, but art exists in the current world context. Whitewashing the hell out of this just highlights how out of touch every part of this would be, and I don't blame everyone for looking at the trailer or still images and not being able to relate to this at all. Reminded me of Mortal Kombat in its style, a movie from 1995.
 

mckmas8808

Mckmaster uses MasterCard to buy Slave drives
As others have said he has some points but to go full rage does him no favours.

film critics by and large do pick out particular films for a proper OTT roasting, seems this film was the unlucky 'winner' this time round.

Then what happens is people finally watch it a few months later when it's on Netflix or Amazon and say, "you know, the film was a lot better than the critics said".

Rinse and repeat.

What are these movies that "critics" all get around the camp fire to decided to roast? Sometimes a product or piece of media is just that bad.
 

jett

D-Member
Proyas, you dun goofed. It's amazing Gods of Egypt is the movie he decided to die on his sword for. I understand being passionate and emotional for something you worked on for a long time, but just take a step back mang.
 

Shaanyboi

Banned
He's right you know.

Most of the people commenting in the thread or twitter haven't even watched the film and are just regurgitating what the revierews have said or thier own bias just from watching the trailers.
Yeah, I'm pissed a movie about Egypt doesn't seem to have a single Egyptian or brown person in general, and has the main gods played by Gérard fucking Butler and some other white dude from Game of Thrones.

Sorry my bias is showing.
 

Clear

CliffyB's Cock Holster
Sorry, but I think artists are entitled to push back at their critics. Criticising stuff is easy, people do it every day on this site and the truth of the matter is that there isn't an awful lot of difference qualitatively between many "professional" reviews and those of amateurs/fans on message boards.

Honestly, I really wonder why anyone gives a shit what these people say. Let alone defend them when one of their subjects retorts.
 

Parch

Member
This is the type of film that is going to completely disappear and then a year from now people will see it on netflix or cable and say...
"Hey, that was some pretty good cheesy fun. Why did this completely flop?"
 
Exodus flops, Gods of Egypt flops.

I think this sends a PRETTY CLEAR message to Hollywood that maybe you should get a diverse cast if you're gonna have a movie about Egyptians!
 
Sorry, but I think artists are entitled to push back at their critics. Criticising stuff is easy, people do it every day on this site and the truth of the matter is that there isn't an awful lot of difference qualitatively between many "professional" reviews and those of amateurs/fans on message boards.

No doubt, but I find his approach in this instance to be in incredibly poor form. He comes off as a child and isn't really making any legitimate arguments, especially toward the critic that liked the movie that never made any rude remarks toward Proyas.
 
It's a shame, because he really has made some great movies. I saw the trailer for this thing and it just looked awful, couldn't believe when I saw it was Proyas.
 

mckmas8808

Mckmaster uses MasterCard to buy Slave drives
The Thing and Starship Troopers come to mind.

It happens.

But Starship Troopers got a 63% on Rotten Tomatoes (out of 59 reviews) and The Thing got a 80% on Rotten Tomatoes (out of 50 seperate reviews).

The both reviewed ok to great. Not sure what you mean.
 
I haven't watched the movie, but the trailers I've seen looked like total trash! I mean, it looked like it had K-Mart level special effects and soap opera TV acting. Amongst the worst trailers I've ever watched! So while I get that maybe the critics were a little too harsh in some ways, I don't think the poor reviews were a reflection of heard mentality amongst critics. It just looks like a horrible movie.
 
But Starship Troopers got a 63% on Rotten Tomatoes (out of 59 reviews) and The Thing got a 80% on Rotten Tomatoes (out of 50 seperate reviews).

The both reviewed ok to great. Not sure what you mean.

Those numbers don't accurately reflect critical consensus upon release. Both were widely panned and underwent critical reassessment as the years passed.
 

Shaanyboi

Banned
This is the type of film that is going to completely disappear and then a year from now people will see it on netflix or cable and say...
"Hey, that was some pretty good cheesy fun. Why did this completely flop?"
This is a movie I'll see listed on Netflix, laugh while going "oh right, this fucking thing. I remember that director's hissy-fit and the gross racial politics with the casting." I'll then skip to the next movie and continue to not give a fuck about Gods of Egypt beyond that.

Because what I described is this movie's legacy. A temper tantrum and a gross reminder of how behind Hollywood still is in-regards to representing people of colour.
 
But Starship Troopers got a 63% on Rotten Tomatoes (out of 59 reviews) and The Thing got a 80% on Rotten Tomatoes (out of 50 seperate reviews).

The both reviewed ok to great. Not sure what you mean.

Rotten Tomatoes launched in 1998, and thus does not reflect the initial reception of any movie from before 1998.
 

Purkake4

Banned
wtf is that?!
A weird movie.
Immortel_%28ad_vitam%29_movie_poster.jpeg
 
Sorry, but I think artists are entitled to push back at their critics. Criticising stuff is easy, people do it every day on this site and the truth of the matter is that there isn't an awful lot of difference qualitatively between many "professional" reviews and those of amateurs/fans on message boards.

Honestly, I really wonder why anyone gives a shit what these people say. Let alone defend them when one of their subjects retorts.

Sure but have a better reason to do so besides "I'm upset that people didn't like my movie"
Because that's all this really is.
 
I don't think diversity would make me dislike this film less. And I am a major fan of NCW (Jamie Lannister).

The thing is; The film didn't look good. It looked uninspired with a ton of fake looking CGI, like the Clash of the Titans.

The acting didn't look good; Sort of like Alexander.


It looked like a half-baked epic. With a bad sub romantic plot and in a trailer that spoiled the predictable story. I've not seen the movie but watching the trailer you can taste how boring it's going to be.
There is going to be a grand score, boring random steady cams, CGI backgrounds, a couple of calculated one-liners.
Within 10 minutes the ordinary world collapses and things turn to shit, and before the hero fails, learns his morale lesson, and eventually learns, all within the quadric circular heroes journey, there is nothing left but contempt.
Watch Hateful Eight. You do not know how that movie is going to play out. There is just no fucking way you see what is coming.



Epics are hard. Ridley Scott revived the genre with Gladiator. A genre that had been dead since Cleopatra and Spartacus. That never happens. And against all odds, in post Troy, post Alexander, he manages to make a different, but important film in Kingdom of Heaven: Directors Cut.

But even his Exodus was a failure. Immortals was a failure. Clash of the Titans was a failure. Of course, NOTHING is worse than Robin Hood.


Point is.. Epic Swords'n Sandal films are hard.
 

The Beard

Member
Exodus flops, Gods of Egypt flops.

I think this sends a PRETTY CLEAR message to Hollywood that maybe you should get a diverse cast if you're gonna have a movie about Egyptians!

Do you really think these movies wouldn't have been flops if they had a more diverse cast?

I don't think so. They'd still be shitty movies regardless.

I don't think diversity would make me dislike this film less. And I am a major fan of NCW (Jamie Lannister).

The thing is; The film didn't look good. It looked uninspired with a ton of fake looking CGI, like the Clash of the Titans.

The acting didn't look good; Sort of like Alexander.


It looked like a half-baked epic. With a bad sub romantic plot and in a trailer that spoiled the predictable story. I've not seen the movie but watching the trailer you can taste how boring it's going to be.
There is going to be a grand score, boring random steady cams, CGI backgrounds, a couple of calculated one-liners.
Within 10 minutes the ordinary world collapses and things turn to shit, and before the hero fails, learns his morale lesson, and eventually learns, all within the quadric circular heroes journey, there is nothing left but contempt.
Watch Hateful Eight. You do not know how that movie is going to play out. There is just no fucking way you see what is coming.



Epics are hard. Ridley Scott revived the genre with Gladiator. A genre that had been dead since Cleopatra and Spartacus. That never happens. And against all odds, in post Troy, post Alexander, he manages to make a different, but important film in Kingdom of Heaven: Directors Cut.

But even his Exodus was a failure. Immortals was a failure. Clash of the Titans was a failure. Of course, NOTHING is worse than Robin Hood.


Point is.. Epic Swords'n Sandal films are hard.

Clash of the Titans wasn't a failure though. It did surprisingly well.
 

stufte

Member
Exodus flops, Gods of Egypt flops.

I think this sends a PRETTY CLEAR message to Hollywood that maybe you should get a diverse cast if you're gonna have a movie about Egyptians!

I think they're probably just shitty movies, and that shittiness has nothing to do with the color of the actors skin.
 
I thought they back filled reviews from old newspaper articles and magazines pre 1998. Thanks for the info.

There are magazines and newspapers that no longer exist and never had their articles archived online. RT doesn't have tv or radio reviews from that era, either. Also, some critics sneakily adjust their reviews or re-review a work years later. The fact is there are examples of films that "everyone" knew were bad upon release that have somehow ended up as classics. Conversely, there are terrible movies that started out as instant classics.
 
Although I'm Black, I didn't really get into the whitewashing thing. However, nothing about the trailer screamed "Watch this movie at some point in the last 10-15 years of life (If you're lucky) you have left on this planet"

Guy should be mad at the marketing and special effects people for his movie flopping.
 
As someone of Asian descent, I would be OK with every movie with a White-washed cast getting blindly and overwhelmingly trashed by reviewers.

Maybe then Hollywood will FINALLY learn to STOP WHITE-WASHING!!!

For some reason Edge of Tomorrow flopped but I saw few complaints of whitewashing with it.
 

Shaanyboi

Banned
For some reason Edge of Tomorrow flopped but I saw few complaints of whitewashing with it.
Because the adaptation isn't explicitly reliant on being Japan. No different than The Departed being an American version of Infernal Affairs.

When your Gods of Egypt are a bunch of white dudes, your Egyptians are white dudes, yeah, that's whitewashing.
 

Fbh

Member
Sorry, but I think artists are entitled to push back at their critics. Criticising stuff is easy, people do it every day on this site and the truth of the matter is that there isn't an awful lot of difference qualitatively between many "professional" reviews and those of amateurs/fans on message boards.

Honestly, I really wonder why anyone gives a shit what these people say. Let alone defend them when one of their subjects retorts.
It's fine to push back at critics. But there are better ways of doing it than basically saying "they are all stupid and my movie is great".

It's the same for critics. It's fine to state your opinion on a movie if you present valid arguments ("The acting was poor and the action poorly coreographed and with too much CG"). But you won't be taken very seriously if your review is "lol, this movie sucked"

Exodus flops, Gods of Egypt flops.

I think this sends a PRETTY CLEAR message to Hollywood that maybe you should get a diverse cast if you're gonna have a movie about Egyptians!

I'm all for more diversity in movies but the message won't be sent until we see movies that are actually good flopping.
White washing was an issue with both of these movies.... but it was also far from the only one
 
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