Dreams-Visions said:lol? desert heat + skin = ...pale skin as a natural adaptation?
not sure if serious?
I've been following this thread a lot and this I don't understand to an extent. If a movie character is based off a already visualized character, whether it be described in books or on cartoon or video game, I think the movie adaptation should stay as close to that as possible.Kinyou said:Well, in the Kane & Lynch movie will Lynch (white) be played by Jamie Foxx. So is that movie now blackwashed?
I say give the role to the best actor and not the one with the right skin color.
JdFoX187 said:I've been following this thread a lot and this I don't understand to an extent. If a movie character is based off a already visualized character, whether it be described in books or on cartoon or video game, I think the movie adaptation should stay as close to that as possible.
If the character is black, it should be played by an person of dark skin color. If the character is Asian, it should be played by an Asian. It's as simple as that. I absolutely hated the fact Jim West was black in Wild Wild West. It didn't go along with the time of the movie whatsoever and changed the character completely. It just seems like common sense to take an adaptation of another medium and make the characters as close to their inspirations as possible.
Dreams-Visions said:lol? desert heat + skin = ...pale skin as a natural adaptation?
not sure if serious?
Kinyou said:Well, in the Kane & Lynch movie will Lynch (white) be played by Jamie Foxx. So is that movie now blackwashed?
I say give the role to the best actor and not the one with the right skin color.
I can buy that as a reason, its just y'know, it comes off as weird, when you don't hear a reason as to why and then you see this change. So thanks for the info.Zoe said:If you believe the interview with Shyamalan (which some people don't apparently), he was constantly changing up the races of the nations based upon who was in the top running. Water was going to be the hardest because they had to hire a pair of actors that worked as siblings.
For those who don't want to bother reading it, the final decisions were:
Water - Russian/European
Fire - Mediterranean
Earth - Asian
Air - mixed-race
joke post?justjohn said:Probably one of the main reasons I don't bother with Hollywood movies these days. I see no point in giving my money to watch Corey and Becky romp around in their perfect white world where no minorities exist.
Hollywood studios have made it pretty clear In the last few years that they're not interested in the minorities money or their talent so it's only fair I respond accordingly.
You can laugh all you want but this huge.....elrechazao said:joke post?
:lol
EmCeeGramr said:http://i48.tinypic.com/t9idzq.png
quadriplegicjon said:The Indian director purposefully made Indians villains because he hates Indians. Damn that self hating racist!
quadriplegicjon said:The Indian director purposefully made Indians villains because he hates Indians. Damn that self hating racist!
JDSN said::lol I still cant believe I have been called a closet racist in a thread were people think Persia is a desert and the indian guy from Lost should have been the prince.
EmCeeGramr said:
Zzoram said:A picture is worth a thousand words.
He'll do whatever sells.quadriplegicjon said:The Indian director purposefully made Indians villains because he hates Indians. Damn that self hating racist!
Fuck yo couch.Puddles said:It's a shit anime anyway.
JDSN said::lol I still cant believe I have been called a closet racist in a thread were people think Persia is a desert and the indian guy from Lost should have been the prince.
Kinyou said:Well, in the Kane & Lynch movie will Lynch (white) be played by Jamie Foxx. So is that movie now blackwashed?
Why? I don't particularly think they need to follow it. WWW is pretty much PoP. It's not really trying to be serious, it's just a big dumb action flick. I mean sure they could cast someone else, but not take Will Smith? The hottest new actor at the time? No different really than Jake for PoP. I think those roles are more open.JdFoX187 said:I've been following this thread a lot and this I don't understand to an extent. If a movie character is based off a already visualized character, whether it be described in books or on cartoon or video game, I think the movie adaptation should stay as close to that as possible.
If the character is black, it should be played by an person of dark skin color. If the character is Asian, it should be played by an Asian. It's as simple as that. I absolutely hated the fact Jim West was black in Wild Wild West. It didn't go along with the time of the movie whatsoever and changed the character completely. It just seems like common sense to take an adaptation of another medium and make the characters as close to their inspirations as possible.
So? He still has a say in casting.harSon said:He doesn't put up the funding for the movie
quadriplegicjon said:So? He still has a say in casting.
EmCeeGramr said:
Presumably? :lolJexhius said:Presumably. But he also wants to make some monies.
Damnnn.
quadriplegicjon said:The Indian director purposefully made Indians villains because he hates Indians. Damn that self hating racist!
Jexhius said:But he did makes the cast white.
someone with a preconcived notion that the actors won't look right says the actors don't look rightharSon said:Just got back from the film, gave a short review of it in the other thread. Just wanted to say that the casting was more ridiculous than I had previously thought. Not only were Jake Gyllenhaal and Gemma Arterton dreadful in their roles, but they simply did not look the part, especially the latter. It was going to take a lot more than a mere tan to blend them within the universe, unfortunately, that seemed to be the extent of their efforts to become their respected characters.
shintoki said:Why? I don't particularly think they need to follow it. WWW is pretty much PoP. It's not really trying to be serious, it's just a big dumb action flick. I mean sure they could cast someone else, but not take Will Smith? The hottest new actor at the time? No different really than Jake for PoP. I think those roles are more open.
quadriplegicjon said:From imdb's top cast listing: http://www.imdb.com/title/tt0938283/
I dunno.. seems pretty mixed to me.
Jexhius said:But still, why was it necessary
Salazar said:It's a leap and an implicit accusation to say that it was necessary.
You don't even belong in this discussion, if this is all you have. You likely don't even like anime anyway, so why you don't go get the fuck out of this thread.Puddles said:It's a shit anime anyway.
quadriplegicjon said:Presumably? :lol
Btw, can someone do a similar picture for the whole cast of the movie? I'm curious, I've never seen the cartoon, and I have no idea how large the cast is
Jexhius said:If it wasn't necessary, why was it done? Nothing happens without a good cause.
I should hope that it was an explicit accusation.
If you read the article posted earlier in this thread, M Night said, that he picked whoever he thought was best for the role (for the main characters) ignoring race and then shaped the ethnicity of the nations/etc (Fire Nation, Water Tribe(s), Earth Nation, Air Nomad's) around those he had picked.Jexhius said:Fair enough, 'white-er' would be a far fairer phrase.
But still, why was it necessary to cast white actors in these roles at all? Surely there would be plenty of other 'non-white' young actors to play these roles.
When we were casting, I was like, "I don't care who walks through my door, whoever is best for the part. I'm going to figure it out like a chessgame." Ideally we separate the nations ethnically ideally. I didn't know how or what it was going to be. And it was so fluid.
Jexhius said:Fair enough, 'white-er' would be a far fairer phrase.
But still, why was it necessary to cast white actors in these roles at all? Surely there would be plenty of other 'non-white' young actors to play these roles.
Plywood said:If you read the article posted earlier in this thread, M Night said, that he picked whoever he thought was best for the role (for the main characters) ignoring race and then shaped the ethnicity of the nations/etc (Fire Nation, Water Tribe(s), Earth Nation, Air Nomad's) around those he had picked.
And just to quote the article: http://io9.com/5504967/shyamalan-addresses-airbenders-race-controversy-and-answers-your-questions
Plywood said:If you read the article posted earlier in this thread, M Night said, that he picked whoever he thought was best for the role (for the main characters) ignoring race and then shaped the ethnicity of the nations/etc (Fire Nation, Water Tribe(s), Earth Nation, Air Nomad's) around those he had picked.
And just to quote the article: http://io9.com/5504967/shyamalan-addresses-airbenders-race-controversy-and-answers-your-questions
On top of that, they didnt even do a lot of the casting for supporting roles until after all the controversy. Also, they had originally cast Zuko as some young pretty boy white dude, which would've by extension made his entire family white too, which is basically the entire cast.Zzoram said:How many "non-white" actors that were in the movie isn't the main problem. It's the fact that they recasted all the main good guys to be white when they clearly weren't in the TV show, and made villains darker skinned than they were in the TV show. National (and therefore racial) tensions were a big part of the TV series and the casting they did was most certainly white-washing.
harSon said:Just got back from the film, gave a short review of it in the other thread. Just wanted to say that the casting was more ridiculous than I had previously thought. Not only were Jake Gyllenhaal and Gemma Arterton dreadful in their roles, but they simply did not look the part, especially the latter. It was going to take a lot more than a mere tan to blend them within the universe, unfortunately, that seemed to be the extent of their efforts to become their respected characters.
Edit: And for some further reading regarding the topic of the thread, here is a piece written by Ursula K. Le Guin, author of the Earthsea series, and her thoughts on the miniseries adaptation of it: http://slate.com/id/2111107/
Ursula K. Le Guin said:On Tuesday night, the Sci Fi Channel aired its final installment of Legend of Earthsea, the miniseries basedloosely, as it turns outon my Earthsea books. The books, A Wizard of Earthsea and The Tombs of Atuan, which were published more than 30 years ago, are about two young people finding out what their power, their freedom, and their responsibilities are. I don't know what the film is about. It's full of scenes from the story, arranged differently, in an entirely different plot, so that they make no sense. My protagonist is Ged, a boy with red-brown skin. In the film, he's a petulant white kid. Readers who've been wondering why I "let them change the story" may find some answers here.
When I sold the rights to Earthsea a few years ago, my contract gave me the standard status of "consultant"which means whatever the producers want it to mean, almost always little or nothing. My agency could not improve this clause. But the purchasers talked as though they genuinely meant to respect the books and to ask for my input when planning the film. They said they had already secured Philippa Boyens (who co-wrote the scripts for The Lord of the Rings) as principal script writer. The script was, to me, all-important, so Boyens' presence was the key factor in my decision to sell this group the option to the film rights.
Months went by. By the time the producers got backing from the Sci Fi Channel for a miniseriesand another producer, Robert Halmi Sr., had come aboardthey had lost Boyens. That was a blow. But I had just seen Halmi's miniseries DreamKeeper, which had a stunning Native American cast, and I hoped that Halmi might include some of those great actors in Earthsea.
At this point, things began to move very fast. Early on, the filmmakers contacted me in a friendly fashion, and I responded in kind; I asked if they'd like to have a list of name pronunciations; and I said that although I knew that a film must differ greatly from a book, I hoped they were making no unnecessary changes in the plot or to the charactersa dangerous thing to do, since the books have been known to millions of people for decades. They replied that the TV audience is much larger, and entirely different, and would be unlikely to care about changes to the books' story and characters.
They then sent me several versions of the scriptand told me that shooting had already begun. I had been cut out of the process. And just as quickly, race, which had been a crucial element, had been cut out of my stories. In the miniseries, Danny Glover is the only man of color among the main characters (although there are a few others among the spear-carriers). A far cry from the Earthsea I envisioned. When I looked over the script, I realized the producers had no understanding of what the books are about and no interest in finding out. All they intended was to use the name Earthsea, and some of the scenes from the books, in a generic McMagic movie with a meaningless plot based on sex and violence.
Most of the characters in my fantasy and far-future science fiction books are not white. They're mixed; they're rainbow. In my first big science fiction novel, The Left Hand of Darkness, the only person from Earth is a black man, and everybody else in the book is Inuit (or Tibetan) brown. In the two fantasy novels the miniseries is "based on," everybody is brown or copper-red or black, except the Kargish people in the East and their descendants in the Archipelago, who are white, with fair or dark hair. The central character Tenar, a Karg, is a white brunette. Ged, an Archipelagan, is red-brown. His friend, Vetch, is black. In the miniseries, Tenar is played by Smallville's Kristin Kreuk, the only person in the miniseries who looks at all Asian. Ged and Vetch are white.
My color scheme was conscious and deliberate from the start. I didn't see why everybody in science fiction had to be a honky named Bob or Joe or Bill. I didn't see why everybody in heroic fantasy had to be white (and why all the leading women had "violet eyes"). It didn't even make sense. Whites are a minority on Earth nowwhy wouldn't they still be either a minority, or just swallowed up in the larger colored gene pool, in the future?
The fantasy tradition I was writing in came from Northern Europe, which is why it was about white people. I'm white, but not European. My people could be any color I liked, and I like red and brown and black. I was a little wily about my color scheme. I figured some white kids (the books were published for "young adults") might not identify straight off with a brown kid, so I kind of eased the information about skin color in by degreeshoping that the reader would get "into Ged's skin" and only then discover it wasn't a white one.
I was never questioned about this by any editor. No objection was ever raised. I think this is greatly to the credit of my first editors at Parnassus and Atheneum, who bought the books before they had a reputation to carry them.
But I had endless trouble with cover art. Not on the great cover of the first editiona strong, red-brown profile of Gedor with Margaret Chodos Irvine's four fine paintings on the Atheneum hardcover set, but all too often. The first British Wizard was this pallid, droopy, lily-like guyI screamed at sight of him.
Gradually I got a little more clout, a little more say-so about covers. And very, very, very gradually publishers may be beginning to lose their blind fear of putting a nonwhite face on the cover of a book. "Hurts sales, hurts sales" is the mantra. Yeah, so? On my books, Ged with a white face is a lie, a betrayala betrayal of the book, and of the potential reader.
I think it is possible that some readers never even notice what color the people in the story are. Don't notice, don't care. Whites of course have the privilege of not caring, of being "colorblind." Nobody else does.
I have heard, not often, but very memorably, from readers of color who told me that the Earthsea books were the only books in the genre that they felt included inand how much this meant to them, particularly as adolescents, when they'd found nothing to read in fantasy and science fiction except the adventures of white people in white worlds. Those letters have been a tremendous reward and true joy to me.
So far no reader of color has told me I ought to butt out, or that I got the ethnicity wrong. When they do, I'll listen. As an anthropologist's daughter, I am intensely conscious of the risk of cultural or ethnic imperialisma white writer speaking for nonwhite people, co-opting their voice, an act of extreme arrogance. In a totally invented fantasy world, or in a far-future science fiction setting, in the rainbow world we can imagine, this risk is mitigated. That's the beauty of science fiction and fantasyfreedom of invention.
But with all freedom comes responsibility. Which is something these filmmakers seem not to understand.
*Shrugs shoulders*Jexhius said:Yeah, that sounds like some bull-shit, frankly.
Wow, good excuse indeed. :|The Storyteller said:Except...look at the casting calls. The guy is clearly backpedalling and trying to use that as an excuse, even one of the producers admits it was a mistake and that they didn't even try to look for actors of the appropriate ethnicity (they could've been in contact with a multitude of asian american film casting groups).
Shyamalan's reasoning is completely at fault because their ethnicity was an important part of the cartoon, taking that away undermines the hybrid of asian cultures the show was clearly portraying.
On top of that, they didnt even do a lot of the casting for supporting roles until after all the controversy. Also, they had originally cast Zuko as some young pretty boy white dude, which would've by extension made his entire family white too, which is basically the entire cast.
KnightM7 said:Im pretty sure the fire nation were based on the Chinese.
It seems that you would be content with ignoring the Inuit, just as long as youre not ignoring whites or asians right?