MidnightCowboy
Member
Probably my favorite intro sequence ever.
Dope: 4/10. Nope. Tonally all over the place, worst of all just not funny. Seriously going to spend like 5 minutes on "how come white people can't say the N word?" *eyeroll* Hated the way it switched to slickly produced studio cuts whenever the live band was playing their shit songs. I was all set to make a joke about how this movie starring Lisa Faux-net but it turns out it's her daughter lol. Sweet ass soundtrack tho.
Watched Chungking Express (1994) last night. I thought it was mesmerizing. (Faye Wong <3)
Are you white?
I... don't understand what this has to do with anything but yes. (0.8% west African though)
ahhhh. this makes sense.
Right but the point is my friends and I were making this joke before you were born.
this makes even more sense as to way Dope didn't click with you.
I honesty laughed to myself when the thing that happens to Portman's "character" happens. It was one of the most forced emotional moments I've ever seen, like Malick took some advice from some Hallmark Channel producers.Song to Song (6.5/10) - Well, I suppose this is a nice "trilogy of disconnection" that Malick has produced here (with To the Wonder and Knight of Cups being the first two), a trilogy with many similarities both thematic and aesthetic. After Song to Song, however, I'm certainly relieved that this chapter of his work has concluded, as each entry has produced significantly more diminishing returns. I'd still give this a thumbs up, for all the soulful beauty Malick is still able to muster, but this is also the worst film Malick has produced to date. And I'm surprised that my chief complaint with this film, of all possible complaints, is that... it has too much plot. And so much of it is dull and shopworn, given the subject matter (love triangles, the music industry). The entire middle section with the record deal contract and everything that occurs between Cook and Faye, and BV's growing jealousy and insecurity... it almost put me to sleep. The stuff that comes after, the focus on longing and drifting and ennui, and especially the way BV and Faye confront images of themselves in their parents, family, and each other... that's the good stuff, that's what the movie needed to focus more on. There are otherwise too many characters, many of whom barely get enough screen time to make an impression, and that hurts a lot of the subplots. Some of it just feels dramatically unfocused. The entire subplot with Natalie Portman's character is a swing and a miss. I've never seen Malick whiff so hard in his career. And Cook basically disappears from the movie after that, so what gives? Not sure I feel the ending, either. I was half expecting LOVE to fly out of the screen ala Murnau's Faust (not to mention the lesbian subplot and how that figures back into the main plot, which again... yeah, not sure how I felt about that). There's just... wow, there's too much fucking plot in this thing.
This makes it sound like I hated it but of course I didn't. Pass the kool-aid, I'm always thirsty. I could really use that Radegund palate cleanser right about now, though.
Dope: 4/10. Nope. Tonally all over the place, worst of all just not funny. Seriously going to spend like 5 minutes on "how come white people can't say the N word?" *eyeroll* Hated the way it switched to slickly produced studio cuts whenever the live band was playing their shit songs. I was all set to make a joke about how this movie starring Lisa Faux-net but it turns out it's her daughter lol. Sweet ass soundtrack tho.
I only watched it to see ASAP Rocky, and to hopefully watch Tyga get his nonce ass beat.Movie got fucking wack when it veered into selling molly online. Wtf was that all about. I was expecting a black high school movie and then got that basura. And then that dollar store spike Lee monologue at the end. Bleh. Hope somebody else takes a stab at something like this though. It had a a lot of promise at the start
I really like the main guy tho he is dope in the get down.
Oh and it was great seeing kap g in here and I wanted to give it a standing ovation when they shoot tyga.
Age of Shadows - Kim Jee Woon
It's a shame that between I Saw the Devil and this there were 6 years apart (with a terrible incursion through the lowest possible garbage of american movies). It's a stylish espionage-thriller movie with some very interesting staged scenes (the opening, the train sequence, the arrest, the bolero ending) but everything in-between is a bit muddled, and frankly, lifeless. The dramatic outcome of the second part really has no point of origin. For such a long film most characters are complete aliens to me, outside of the main character (as always Song Kang-ho delivers) which makes the road between the good sequences a bit tedious.
Suicide Squad
I felt like I was watching Sucker Punch for the first half of this movie. It's less terrible in the 2nd half. DC please stop. 3/10
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I plan on watching this tomorrow. Kim Jee-Woon needs to be more prolific, I love the hell out of anything he does (well, less so The Last Stand... his South Korean output, though *kisses finger and thumb*).
My post is more critical than my enjoyment of the movie. I've been pissy lately. It's a good movie.
This is so true and it's a shame I don't have enough time to rewatch all those movies I wasn't really into the first time.I'm the same, you have to be in the right headspace or in the mood for particular movies.
Cute? Indie movie? Lol boi byeYep, Dope is shit just like Me, Earl & The Girl or whatever.
I thought I was gonna see a cute and smart indie movie(s) about teenagers and boy I was wrong.
I mean both of those are indie movies right? (I have seen neither.)Cute? Indie movie? Lol boi bye
Yep, Dope is shit just like Me, Earl & The Girl or whatever.
I thought I was gonna see a cute and smart indie movie(s) about teenagers and boy I was wrong.
Now this is an opinion I can vibe withI rewatched Sing Street. It is my Rushmore.
He went out with a bang. Not many directors do.Paprika: It seems a tad redundant to call this film the product of being inserted into the fever dream of someone else, considering that's almost precisely what happens over the course of the story, but it's hard to find a better way to describe the experience of watching this wonderful film. It could not suck any harder that this wound up being Satoshi Kon's final completed feature film, as he was clearly a one-of-a-kind genius that won't be soon replicated, but in its bittersweet way, this feels about as perfect a culmination for the themes and visual motifs that have dominated his works, and also of his prowess as a filmmaker to bring to life such complex ideas without having to stop the ebb and flow of such impossible and inexplicable objects without stumbling for even a second. This film represents the kind of fearless filmmaking that needs to be treasured and serve as a beacon of inspiration that even if it doesn't produce the next Satoshi Kon as a result, that it gets someone moving in the right direction to branch off into their own delectably distorted art.
There's a couple other Takeshi films I'm gonna try and watch before they're removed as well.
Just watched The Arrival.
Holy shit, I am still collecting pieces of my brain.
Loved the movie and I agree with the philosophy of it.
I need to watch Enemy, the trailer was intriguing enough and I just found out that it's from Villeneuve.
Btw, I didn't knew Arrival was from him, otherwise I would have watched at the theater.
Glad to know. Will check outWatched Bleed For This tonight.
Truly excellent movie.
I'm a lifelong fan of the art of pugilism but I do think it is one of those "sports" related movies where you do not have to be a fan to enjoy as the overall premise of the story itself is a universal one.
I also should add I was skeptical about this movie as from the trailers it made it seem like Miles may have been over the top with his depiction, but it turns out he did an excellent job. Definitely recommended, especially if you are a fan of boxing itself.
Do they have A Scene at the Sea?
Watch Enemy, and you'll realise there was a nod to the iconic final shot in Arrival.Watched Bleed For This tonight.
Truly excellent movie.
I'm a lifelong fan of the art of pugilism but I do think it is one of those "sports" related movies where you do not have to be a fan to enjoy as the overall premise of the story itself is a universal one.
I also should add I was skeptical about this movie as from the trailers it made it seem like Miles may have been over the top with his depiction, but it turns out he did an excellent job. Definitely recommended, especially if you are a fan of boxing itself.
Wrong, the movie is crap the whole way through.Huh. Isnt it the otherway arround? The whole beginning is pretty good with the introduction of everybody. When they go on "mission" it becomes a complete shitshow.
Grant aged a lot better than other male stars of the period, so watching them together in this film really made me wish he had taken the various roles Billy Wilder had offered him opposite Hepburn in the 1950s, which would have spared us seeing her opposite Humphrey Bogart and Gary Cooper.It's a fun thriller and damn if Hepburn just isn't looking amazing in every frame (even if the romance turns creepy considering Grant's age, but this isn't the only 60s-era Grant movie with him robbing some cradles).