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Netflix Death Note Trailer. Release August 25th.
- Thread starter BY2K
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Particularly with a black actor as L (Keith Stanfield, who, after seeing him in Atlanta, I'm really excited for). I deeply, deeply, wish they're going for this angle. But chances are slim, I guess.
Even if they don't go in on this hypothetical angle for the film it doesn't make casting a black actor in the role of L any less potent a creative decision given the obvious implications introduced into the subtext via the contrast between Light and L. If they are at least concious of that from casting alone it might be a sign of the thought being given to this adaptation.
Its true.
My only gripe with it is that they made all his outfits black instead of L's traditional white. I feel like the show is doubling down on black vs. White in its symbolism. But with white now representing Light and black representing L. We get it he's a black guy now, but the whole thing about the two is that they represented yin and yang. Not black and white.
That's what's kindling my hope right now. As well as being made outside of the stale Hollywood system.
lightskintwin
Banned
Is it really?
ldcommando
Banned
Where can you watch that?
Light is falling and grabbing a girl, probably Misa or whatever they've renamed her to. They're being illuminated by light source above, probably a helicopter. So if he's being chased by the authorities, as it showed in the scene preceding this, this must be a pivotal scene.
In the first Japanese live action film, Light
kills his girlfriend
So maybe in this one, they take it one step further and he creates an even more ridiculous scheme where he causes the Ferris wheel to collapse (maybe he controls people to tamper with it) in order to kill Misa, being the only other Death Note holder he knows, in order to frame her as Kira. This would allow it to end showing how depraved Light can be and setting up a very different sequel where everyone is convinced of Light's innocence except for L.
That's my analysis.
lightskintwin
Banned
Probably would've required a much bigger budget, but, yeah, I've always envisioned an American adaptation taking place in NY with L confronting Kira for the first time on all the screens in Times Square .
UnemployedVillain
Member
Japanese Light would have let her fall
assuming Rem didn't threaten him into trying to save her
Keihart
Member
Comic's Light would grab her hand just to smirk while letting her go.
UnemployedVillain
Member
This was actually an alternate possibility of what he'd do that crossed my mind lol
I'd bet on both of these happening, the point would be for him to manufacture surviving a tragedy for sympathy and to throw off the scent.
sixteen-bit
Member
I trust the execs at Netflix more than I do most major studios, tbh
SuperStiltzkin
Member
Lakeith Stanfield getting that work.
ElBoxyBrown
Banned
Light Turner is not a good name. They should have gone with a new name instead of trying to callback to the source.
lightskintwin
Banned
My point was this production was already setup at a Hollywood studio (Warner Brothers) first, with most things already set like script, director, and most of the actors cast, all Netflix did was swoop in and buy it off Warner Brothers when they had cold feet in going further and simply allowed them to make their film as it was going to be made instead of the theaters but for their digital distributions site.
Really no different from how other productions of films have been.
Most of Netflix "Original" Films are films that are usually independently made, and Netflix just goes to film festivals and bids the highest to get them and brands their name afterwards on them.
lightskintwin
Banned
Also I didn't see anybody post this picture that Netflix released of the film.
Wingard tweeted the pic above, and he also said this:
@AdamWingard Atticus Ross and Leopold Ross are performing the score for Death Note.
https://twitter.com/AdamWingard/status/844672104926625792
Fuck yes.
@AdamWingard Atticus Ross and Leopold Ross are performing the score for Death Note.
https://twitter.com/AdamWingard/status/844672104926625792
Fuck yes.
cj_iwakura
Member
Was the writer of You're Next and The Guest involved?
The irony being that Lights done a race change as well, if we're to be puritans.
His last name should've been Godwin.
lightskintwin
Banned
No, the most recent draft of the screenplay was written by Jeremy Slater.
cj_iwakura
Member
Not a good look... but we'll see. It feels like Barrett and Wingard are the ideal team.
Also I didn't see anybody post this picture that Netflix released of the film.
Man they're gonna try to make L into some edgy hacker prototype aren't they
Galactic Specter
Member
Man they're gonna try to make L into some edgy hacker prototype aren't they
That's what it looks like.
Is a dude in a long sleeve shirt and jeans all that hard?
lightskintwin
Banned
You have the Japanese Live Action film actually set in Japan for that.
jack_package_200
Banned
Man they're gonna try to make L into some edgy hacker prototype aren't they
edgy hacker? My dude he's just hiding all of his features, is that not incredibly obvious?
AuthenticM
Member
yes
MegaManTrigger
Banned
This is something I think was lost in adapting this to the way they're going now. It's funny to keep aspects of Japanese stuff in it without taking context into consideration. It's like they don't know kira means killer in Japanese, so when you see the name in the trailer, most are going to default to "hah Kira what a girl name." It's the same problem that GitS faces, where they want a clear Asian setting and yet they're making deliberate choices that go against what you'd expect of the setting. It's incredibly jarring in both cases.
I think the issue is that writers/creative teams don't realize that If they want to adapt to a different setting or time, nothing is really stopping them from doing so. Netflix's Death note could've used a different name to symbolize Light's persona.
I can understand where the person is coming from. There's a certain hacker show that has a hooded character dressed in all-black (Mr. Robot).
Now I'm gonna be disappointed if this doesn't end up being her name.
cj_iwakura
Member
shinra-bansho
Member
It looks off because Light is supposed to be attractive.
It does, but it's another example of whitewashing a foreign property. I think it's more acceptable when they go all the way like this compared to GitS where they seem to be trying to have their cake and eat it too, but it still would've been nice to have an Asian guy.
lightskintwin
Banned
It's not whitewashing. Quit using that term for licenses legally bought and adapted for that regions audience.
At the end of the day, you have a role that was originally Asian and is no more. Strictly speaking, changing the setting and identities of the characters is not whitewashing* though.
*Especially if one of the characters is black.
lightskintwin
Banned
I think some of ya'll are conflating the lack of Asian American representation in American media with American Adaptations of foreign properties.
Also the original role was Japanese, not some homogeneous Asian, and it's important to point that out because if you want to go that route, then Japanese Americans make less than 1 percent of the American population.
Not really. It is simply a missed opportunity, not a necessity.
I am arguing in favor of Asian American representation in general, not of an enforced 1:1 casting (regarding ethnicity).
lightskintwin
Banned
I am in favor of Asian American representation, but that doesn't mean Asian Americans are automatically entitled to be cast in popular Japanese Anime/Manga licenses bought by Hollywood studios to be adapted for a worldwide audience.
The harsh reality is a Hollywood studio/production buying the rights to a Japanese property only for them to adapt it to America and cast Asian people kinda defeats the whole purpose of them buying the rights in the first place.
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