Jenga said:Wow, I just noticed the earring. Sounds like Ford is in a mid-life crisis.
He's had the earring for a long ass time. He usually wears it during interviews.
Jenga said:Wow, I just noticed the earring. Sounds like Ford is in a mid-life crisis.
Jenga said:Wow, I just noticed the earring. Sounds like Ford is in a mid-life crisis.
Jenga said:Wow, I just noticed the earring. Sounds like Ford is in a mid-life crisis.
For almost 20 years, Hollywood has been waiting for the next instalment in the money-spinning Indiana Jones adventure series. Indy is back this week and even an ageing Harrison Ford can still crack an impressive box office whip.
The worldwide opening on Thursday of Indiana Jones and the Kingdom of the Crystal Skull the fourth instalment in the series featuring the worlds most indestructible archeologist has been accompanied by enough controversy and intrigue to merit a film of its own.
Disagreements among producers, arguments between screen-writers and actors, and lawsuits against anyone who has dared to reveal a smidgen of plot, have combined to make the $185m (£95m) film one of the most eagerly anticipated of the year.
Directed by Steven Spielberg and produced by George Lucas (of the equally spectacular Star Wars series), the film returns to 1957 the height of the cold war for another round of heart-pounding chases through tunnels and across clifftops as a motley gang of intrepid treasure hunters span the globe in their quest for the usual nonsense.
The long delay between the new adventure and the previous instalment released in 1989 and unwisely entitled Indiana Jones and the Last Crusade has piqued Hollywoods interest.
In the internet/video game age, when most recent action blockbusters have been derived from superhero cartoons, can an ageing screen idol who hasnt had a decent hit for years reprise the wild success of his youth?
The good news for Ford fans is that Indy may be older and greyer, but theres still a spark to his repartee, and he still gets the girl in the end (the girl in question being Marion Ravenwood, played by Karen Allen, who was the love interest in the first Indiana movie, Raiders of the Lost Ark).
Whether Fords charm will be enough to earn the film the $400m it is estimated to need to recoup Paramount Pictures investment remains to be seen. However, a preview attended by The Sunday Times last week suggested that the internet gossips who have doubted the films drawing power may be proved wrong.
Jones admits early on that chasing baddies is not as easy as it used to be. In one scene he escapes from a nuclear blast by hiding inside a lead-lined refrigerator. Science and probability were never among the series strong points.
It rapidly becomes clear that since we last saw him saving the Holy Grail from the Nazis, Jones has become a sadder and more solitary character.
His gloom is broken when an unlikely pair of treasure hunters Mac, played by Britains Ray Winstone, and Mutt, played by Shia LaBeouf, a teen idol warn him that the dastardly Soviet Union is after a crystal skull that, in the finest Indy tradition, offers dangerous powers to anyone who possesses it.
Much has been made in internet chatrooms about LaBeoufs potential impact on the film, and fears that he is merely a sop to lure teen viewers. Yet LaBeouf, who made a striking impact against computerised villains in Transformers, matches Ford quip for quip and leather jacket for leather jacket.
The first Indiana Jones film in 1981 was Spielbergs homage to the Saturday morning cliff-hanger serials of the 1930s. The latest film still has a pleasingly old-fashioned feel, with several long, slow shots, plastic-like foliage, tinny sound effects and a silly python.
Cate Blanchett makes an eye-catching appearance as Irina Spalko, the spooky leader of the Russain villainry; John Hurt, the veteran British actor, lurks menacingly as a rival hunter.
The crystal skull itself was formerly the subject of obscure disagreement between Spielberg and Ford, but its now hard to see what the fuss was about. It might as well have been a brussels sprout for all the difference it makes to the plot.
The real pleasure for series fans may lie not so much in the madcap action, the carnivorous bugs and the familiar perils of quicksand, but the restored romance between Ford and Allen, and the fatherly relationship that develops between Ford and LaBeouf, who is clearly the new pretender to his whip.
Indy treats Mutt with the same sarcastic disdain that his own father, played by Sean Connery, lavished on him during the Last Crusade. You can probably guess how it all works out.
The new film has long appeared critic-proof audiences will flock to it whatever the critical verdict. Yet will it have the box-office legs to join its distinguished predecessors among the most popular films in Hollywood history ?
It is bound to triumph this weekend the Memorial Day holiday in America but the latest Narnia adventure, Prince Caspian, is waiting in the wings, and the late Heath Ledger will soon make a posthumous return to screens in the Batman film, The Dark Knight. Indy may have his work cut out to save the day for Spielberg.
Jenga said:Wow, I just noticed the earring. Sounds like Ford is in a mid-life crisis.
Solo said:66 is mid-life? Hot damn!
But but he past the crest!BenjaminBirdie said:He who drinks from the cup of Christ blah blah blah.
That's how much it'd have to make at the box office. That's accounting for the theater cut, distribution costs, etc. And I believe it's worldwide, not just N/A.Blader5489 said:Uh...did I read that review right? Indy 4 cost $400 million?
SanjuroTsubaki said:But but he past the crest!
It might not be as fun as fucking, but it's still great to have another fun movie.BenjaminBirdie said:Wheee!! A movie that is fucking fun.
Praises be.
The review said Indy 4 cost 185 million.Scullibundo said:Indy 4's budget is $125mil.
Eh, I'd say closer to 900 mill world wide.Zilch said:This'll make $700-800 million worldwide easily.
edit: that $125 million doesn't include marketing cost, does it?
That seems a bit optimistic.Cheebs said:Eh, I'd say closer to 900 mill world wide.
Cheebs said:Eh, I'd say closer to 900 mill world wide.
Crystal Skull: It's A Hit!
It's not the best movie of all time but "Indiana Jones and the Kingdom of the Crystal Skull" is a thrilling, thoroughly enjoyable romp that should please even the most devout fans of Steven Spielberg and George Lucas' franchise.
What you need to know is that Spielberg and Lucas have taken pieces of their most popular ideas and woven them together. There are major riffs on "American Graffiti," "Star Wars" and "E.T." Just dissecting all the references is half the fun.
The cast, tone and look are perfect. The first screening crowd in Cannes cheered this afternoon for Harrison Ford, Cate Blanchett and Karen Allen. Shia LaBeouf makes a very convincing Indy junior.
In fact, there is plenty to love, jam packed into these two hours starting with Ford. He may be 65 but he is still a vital virile movie star. His Indiana Jones performance should be a lesson to wannabe action stars.
Sequels featuring him will be welcome.
How completely absurd then the bad buzz created by wayward blogs and the completely bogus review in the British papers today.
But even Ford would agree that the big picture is what counts most. The team has moved "Indy" into the mid 1950s using atom bomb tests in the desert, the red scare, and cheesy alien films of the decade as crisscrossing themes. There's a nod to Spielberg's Close Encounters too.
In the end, as Lucas said in this column on Friday, you get nothing more or less than chapter four in a continuum.There are several winks at the first installment too like Allen's entrance (same as in "Raiders of the Lost Ark") and Indy's fear of snakes.
There are also lots of "parallel" chases involving various vehicles and the trading back and forth of passengers. The action never stops, and it's always richly textured with humor and wit.
So get the record books out. "Kingdom of the Crystal Skull" lives up to the Spielberg/Lucas tradition particularly in parodying the great action reels of the 50s. Bravo!
bill0527 said:Another review from a Fox News Screener at Cannes. (Edited for spoilers).
http://www.foxnews.com/story/0,2933,356527,00.html
Love To Love You Baby said:Spiegel says the reaction to Indy 4 has been very mixed:
"There was frenetic applause - before the screening started. Afterwards, the reactions of the journalists were a lot more reserved. 'Not a desaster, but certainly not a masterpiece' was the verdict of many critics."
http://www.spiegel.de/kultur/kino/0,1518,553947,00.html
I see it doing roughly around where Pirates 2 did. 400 or so million domestically and over 500 over-seas.CajoleJuice said:That seems a bit optimistic.
:lol Exactly.BenjaminBirdie said:Like the other three?
Dear lord.
Spotless Mind said::lol Exactly.
Who the fuck is expecting a masterpiece?
Spotless Mind said::lol Exactly.
Who the fuck is expecting a masterpiece?
I agree with you totally. Expecting a Raiders quality film just hasn't entered my mind for a second and that's not a bad thing.DoctorWho said:I'd say Raiders is a masterpiece of filmmaking. The other two are great films that are a lot of fun. If this is nearly as good as those I will be happy.
Jenga said:Wow, I just noticed the earring. Sounds like Ford is in a mid-life crisis.
artredis1980 said:First newspaper review is in!!!!!
from CANNES!!!
and its gooood
http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/cannes/article3953920.ece
Cheebs said:and one from the BBC, they really liked it:
http://news.bbc.co.uk/2/hi/entertainment/7407209.stm
For the hardcore Jones fans, this film was never going to live up to expectations.
One cinemagoer leaving the first press screening in Cannes said: "George Lucas, you gotta stop hurting us".
DanielPlainview said:Harrison FordCate Blanchett is so fucking hot.
You're both right!Kreuzader said:Corrected!