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Halo 4 composers revealed

Petrichor

Member
It will be good, just not ODST good.

The ODST soundtrack was great at establishing a feeling of isolation but there wasn't anywhere near as many standout pieces as there was on the Halo 1 or Halo 2 soundtracks, imo.

There isn't anything on the ODST soundtrack that tops covenant dance, unforgotten, brothers in arms, unyielding, peril or of course the main theme, to name a few.
 

jett

D-Member
I don't understand why was there so much secrecy about these two. I guess dat hypemachine runs on anything.
 

eso76

Member
don't want to sound rude but this sounds like uninspired, generic cinematic cr...stuff right out of iStock music.
 

watership

Member
I don't understand why was there so much secrecy about these two. I guess dat hypemachine runs on anything.

I could have sworn Frankie said it was a legal/commitment/loose ends type of reason. Not so much a 'shocking reveal' thing. They even said that Neil Davidge composed the Halo 4 teaser previously.
 
I don't understand why was there so much secrecy about these two. I guess dat hypemachine runs on anything.

Especially since Frankie revealed Davidge had worked on it (well, the announcement trailer) all the way back in June. A while later we didn't hear anything about it anymore, so a lot of us just assumed he'd been replaced.
 
I could have sworn Frankie said it was a legal/commitment/loose ends type of reason. Not so much a 'shocking reveal' thing. They even said that Neil Davidge composed the Halo 4 teaser previously.

This, it was some legal issues that was with holding the reveal, if I remember correctly.
 

Thoraxes

Member
Something to look for would be their non-professional credits and portfolio. Maybe they have a LinkedIn or something detailing schools or something.
 

Blader

Member
Davidge only began working with Massive Attack in 1996, and as such wasn't involved in their laid-back, melodic early work. Instead, his first full-length project with the group was their third album, Mezzanine, which steered their sound in a markedly darker direction.

The soundtrack is in good hands.
 
Massive Attack's Mezzanine is one of the most critically acclaimed albums of the 90's. It's really, really good and according to Wikipedia:

"Most of the songs were started and co-written by Neil Davidge, but Davidge did not receive any writing credit on the record, stating in an interview with Australian magazine Audio Technology that the band already had to pay too much for the use of samples on the record to be able to afford to give him credit as well."

That he was involved with that album alone gets me excited.
 

raphier

Banned
wub wub wub in Clash of the Titans absolutely ruined the soundtrack for me. It feels like that kind of music really belongs to RTS games.
 
So...mezzanine...one of my favorite albums of all time and inception/dark knight...two films in which the scores basically MADE the films.

I like Marty but...this sounds unreal.
 

zlatko

Banned
Oh fuck yeah. I'm ready for some inception horns when Chief headshots someone in a stealth sniping mission.

Let's do this!
 

GhaleonEB

Member
I like the direction it's going in from the video; not trying to replicate Marty, but move in a whole new direction. That is a good thing.

I didn't latch onto any memorable cue or melody from the video, and though it was just all snippets I was hoping for some piece to make a stronger statement. Hopefully we get a better sample in the longer piece to be released.
 

Gilgamesh

Member
I admit... that music bored me to death. I don't feel the magic :(
I don't want to upset anyone who likes it though, my taste obviously differs. The sound of the strings is too thin, and relies too much on electronic style to fill the empty space. The music doesn't convey to me that something is happening.

Agreed. I wasn't feeling it either. I thought the part beginning at 0:50 was just terrible, like I was about to hear some dubstep breakdown or something.

The part starting around 2:15 was the only thing I halfway liked in the entire video. The rest sounded like LotR outtakes.
 

JonCha

Member
Sold.

And I never said I didn't ilk Marty's music, I just said I was getting bored. Purely orchestral isn't what I what in more Halo games, even though it's good.
 
Because of this, Marty is forever my hero. Like Halo Wars was really good, but didn't match the mainline 3+ODST Halo games. I liked his work in the previous 3 games, but there is not a "just an okay song" on the Halo 3: ODST soundtrack.

The jury is still out on Halo:CE Anniversary due to me just getting it.

{edit} I am not at all poo-pooing their efforts, but as anyone who has heard ODST's soundtrack, there is a lot of work to live up to that. Marty and Michael also had like almost a decade to perfect his sound and play with it as they will with multiple games.
 
I quite like the stuff I heard in that video. Nothing that got me all chilly like Marty's music, but I am totally content with what they are doing.
 
I didn't latch onto any memorable cue or melody from the video, and though it was just all snippets I was hoping for some piece to make a stronger statement. Hopefully we get a better sample in the longer piece to be released.
Well, there's two things here. First, Davidge's strengths probably don't lie in crafting indelible melodies, but his sound design and use of texture, especially electronic sounds and processing, destroys Marty's. Second, the Halo melodies are so ingrained in your imagination at this point, reused, reworked, developed across ten years of repeated gameplay, that it's probably hard to remember what it was like to hear them fresh -- they may have been less 'memorable' when they appeared in trailers in 2001.

And with regard to that processed electronic stuff, I kind of hope that's a big aspect of it, and less the kind of sweeping, 'epic' orchestral score that videogames have run into the ground. ODST had my favourite Halo music in part because it was tight, muted, and used new sounds and tones.
 
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