trejo said:Besides, everyone knows blue toys are the best.
Branduil said:I don't think that's really true, even if the analysis will tend towards the superficial for obvious reasons.
7Th said:All I'm trying to say is that the discussions we're having right now amount to saying "blue is better than red becuase I like it better" and no side has the right to take any sort of high stance.
This is why the internet ruins everything. Just because something happens doesn't make it a trope/cliché.7Th said:
Dance In My Blood said:This is why the internet ruins everything. Just because something happens doesn't make it a trope/cliché.
You are boiling down characters to specific identifiable traits without taking the whole picture into account. Let's take Ringo from Penguindrum as an example. Is she a "trope" or a "cliché"? No, and this stupid website tries to boil down her character by listing off ten archetypes for her, neglected to take the character as a whole into account as the original work.
Where the issue with "tropes" and clichés lies is when a story is populated by those instead of characters. So when Idolm@ster has characters that show up and simply play to these archetypes in every scene they are in you wind up with characters who were designed as a list of these attributes. Not every story has a trope, unless you just consider a trope to be some broad meaningless label. To use Penguindrum as an example again, it lists Shouma as falling into the "Supreme Chef" trope. Being good at cooking isn't a trope/cliché. Like seriously, what a dumb thing.
Dance In My Blood said:This is why the internet ruins everything. Just because something happens doesn't make it a trope/cliché.
You are boiling down characters to specific identifiable traits without taking the whole picture into account. Let's take Ringo from Penguindrum as an example. Is she a "trope" or a cliché? No, and this stupid website tries to boil down her character by listing off ten archetypes for her, neglected to take the character as a whole into account as the original work.
Where the issue with "tropes" and clichés lies is when a story is populated by those instead of characters. So when Idolm@ster has characters that show up and simply play to these archetypes in every scene they are in you wind up with characters who were designed as a list of these attributes. Not every story has a trope, unless you just consider a trope to be some broad meaningless label. To use Penguindrum as an example again, it lists Shouma as falling into the "Supreme Chef" trope. Being good at cooking isn't a trope/cliché. Like seriously, what a dumb thing.
No I've been wondering about that song for a while now, they played it once or twice before a few episodes back as well.survivor said:Kaiji S2 - 22
Anyone know the name of the song that starts playing near the end when the 2 airplanes show up?
Well, let's make it concrete then. No anime has ever done the "being a pedophile in a relationship with a child is ok" trope well. I can think of others if you want.7Th said:All I'm trying to say is that the discussions we're having right now amount to saying "blue is better than red becuase I like it better" and no side has the right to take any sort of high stance.
Vox-Pop said:I've been watching the K-On! dub
Branduil said:Well, let's make it concrete then. No anime has ever done the "being a pedophile in a relationship with a child is ok" trope well. I can think of others if you want.
If you say so, I have more.7Th said:That's not a trope; that's not even actually found in anime!
Good man.Vox-Pop said:I've been watching the K-On! dub and Mugi has really grown on me. The most underrated character in the show.
Branduil said:If you say so, I have more.
"White superiority" is never a good trope. Or "Japanese superiority" for that matter.
I think the show is coming back in the Fall.Sennorin said:Wandering Son 11:
Oh, so that was the final episode? Thought there´d be a 12th episode. Anyway. Good serious overall, though I got the feeling that it´s more enjoyable if you know the manga. Lots of pretty hefty time jumps. And the anime doesn´t really conclude anything. Since I won´t be reading the manga, could someone spoil me what happens to Nitori? Does he accept being a boy or does he go through with becoming a girl?
Now on to Denpa Onna to Seishun Otoko
I do now.7Th said:Do you even know what "trope" means?
Branduil said:I do now.
It means whatever you say it means, at the present time.
The difference between something like Idolmaster and something well written is that everything in Idolmaster is essentially design by committee, and its completely obvious.7Th said:How so? How is Iori playing the "tsundere" archetype in every scene she is in? How is Miki playing the "lazy" archetype in every scene she is in? What archetype is Hibiki playing? What is the archetype for the "hardworking poor girl that never complains"? I think that you're doing exactly what you're accusing TV Tropes and the Internet of doing.
In the hands of a skilled writer they aren't the end-all definitions of characters, but in a lot of anime that list is pretty much all there is to the character. We shouldn't pretend every story is just a bunch of tropes though.Jintor said:No, it lists them as containing elements of these tropes as part of their characters. They're hardly end-all definitions of each of the characters.
Aigis said:So, Oshiibros, should I get Ghost in the Shell Blu-ray? (the original, not the 2.0 shit)
It's currently 71% off at Amazon JP, but that's still around ~$54 with Amazon JP shipping factored in.
I really liked the movie upon a rewatch this year (like, a lot, enough to consider this purchase), but that's still a lot for a single movie. I'm not sure.
$54 for a movie is absurd.Aigis said:Hey AnimuGAF, I still need advice:
Dance In My Blood said:This is why the internet ruins everything. Just because something happens doesn't make it a trope/cliché.
You are boiling down characters to specific identifiable traits without taking the whole picture into account. Let's take Ringo from Penguindrum as an example. Is she a "trope" or a cliché? No, and this stupid website tries to boil down her character by listing off ten archetypes for her, neglected to take the character as a whole into account as the original work.
Where the issue with "tropes" and clichés lies is when a story is populated by those instead of characters. So when Idolm@ster has characters that show up and simply play to these archetypes in every scene they are in you wind up with characters who were designed as a list of these attributes. Not every story has a trope, unless you just consider a trope to be some broad meaningless label. To use Penguindrum as an example again, it lists Shouma as falling into the "Supreme Chef" trope. Being good at cooking isn't a trope/cliché. Like seriously, what a dumb thing.
Dance In My Blood said:The difference between something like Idolmaster and something well written is that everything in Idolmaster is essentially design by committee, and its completely obvious.
Dance In My Blood said:Iori is just some unpleasant bossy girl who is afraid to let people get close to her (so yes, she is always a tsundere).
Dance In My Blood said:Even when scenes aren't about Miki being lazy it's always, "oh, she's not lazy, she's actually just a hard worker when she feels like it".
Dance In My Blood said:Hibiki is always just energetic and has scenes that revolve around her taking care of something, be it a pet or a kid. She doesn't really exist outside of those roles.
Dance In My Blood said:You also just summed up the peasant Idol in six words. Everything related to her is pretty much about how poor she is.
I guess this is as good a time as any to mention this. I was at the J-Pop Summit festival in San Francisco over the weekend, and in attendance was the entire K-On dub cast (courtesy of Bandai, for an early K-On Volume 3 premiere):Vox-Pop said:I've been watching the K-On! dub and Mugi has really grown on me. The most underrated character in the show.
Aigis said:Hey AnimuGAF, I still need advice:
Manga is still ongoing so there isn't a conclusion there either.Sennorin said:Wandering Son 11:
Oh, so that was the final episode? Thought there´d be a 12th episode. Anyway. Good serious overall, though I got the feeling that it´s more enjoyable if you know the manga. Lots of pretty hefty time jumps. And the anime doesn´t really conclude anything. Since I won´t be reading the manga, could someone spoil me what happens to Nitori? Does he accept being a boy or does he go through with becoming a girl?
Now on to Denpa Onna to Seishun Otoko
That must feel so awkward.Articalys said:
Dresden said:That must feel so awkward.
zeroshiki said:The amount of detail 7th is getting into regarding Idolmaster is frightening.
These characters were created as part of an otaku-bait game. I'm pretty sure nothing above "hey we need a tsundere ojousama, write that in" was put into deciding to put these characters into the game. No need to look for stuff that clearly isn't there.
Well, I got the LE Baccano BluRay set for the same price. all 16 episodes.Aigis said:Hey AnimuGAF, I still need advice:
Trapeze/Kuuchuu Buranko, Mononoke (2007 TV series not Ghibli movie)Vaporak said:Alright Anime-Gaf, I haven't watched much anime for the last few years and would like some recommendations. Here's a list of some stuff I've seen that I thought were great.
Honey and Clover.
Nana.
Ghost in the Shell.
Akira.
Nodame Cantible.
Gurren Laggan.
FLCL.
Berserk.
Deathnote (well, part of it at least)
PlanetES.
Any recommendations would be appreciated!
Vaporak said:Alright Anime-Gaf, I haven't watched much anime for the last few years and would like some recommendations. Here's a list of some stuff I've seen that I thought were great.
7Th said:There is nothing I'm saying that is particularly outrageous. There is nothing stopping otaku-bait fluff from not being fully one-dimensional. I'm not even claiming depth, I'm just claiming reductionism on DIMB's part.
7Th said:There is nothing I'm saying that is particularly outrageous. There is nothing stopping otaku-bait fluff from not being fully one-dimensional. I'm not even claiming depth, I'm just claiming reductionism on DIMB's part.
7Th said:Let me get something straight, what allows people to go "in depth" about the waifu-bait characters created specifically to appeal to otaku in Persona 4 but not about the waifu-bait characters created specifically to appeal to otaku in Idolm@ster?
Wat7Th said:Let me get something straight, what allows people to go "in depth" about the waifu-bait characters created specifically to appeal to otaku in Persona 4 but not about the waifu-bait characters created specifically to appeal to otaku in Idolm@ster?
America, fuck yeah.zeroshiki said:I just paid $35 for poor people edition Redline. I can't believe some of you are paying $40 for entire LE boxsets.
zeroshiki said:Persona is a REALLY good game.
zeroshiki said:But these characters are VERY VERY shallow. That's DIMB's larger point. I don't think you can argue against that. They're otaku-bait. The rest is fluff and they and their backstories exist to fulfill the stereotype when it should be the other way around.
darkside31337 said:Skip Beat
Three series probably up your alley. Last one strongly recommended.
7Th said:How does that make the characters specifically written to appeal to otaku tastes so that they take them as their waifus any better?
7Th said:Let me get something straight, what allows people to go "in depth" about the waifu-bait characters created specifically to appeal to otaku in Persona 4 but not about the waifu-bait characters created specifically to appeal to otaku in Idolm@ster?
7Th said:How does that make the characters specifically written to appeal to otaku tastes so that they take them as their waifus any better?
That's reductionism; you're essentially saying that everything about the character other than the basic sterotype should be ignored just to prove a point.