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Summer 2011 Anime Thread II of IKUHARA'S RETURN, Penguins, and Idols

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I hate the way people use trope like a dirty word. Shitty writing is going to be shitty regardless of whether a character or plot is original.
 
Branduil said:
I don't think that's really true, even if the analysis will tend towards the superficial for obvious reasons.

All I'm trying to say is that the discussions we're having right now amount to saying "blue is better than red becuase I like it better" and no side has the right to take any sort of high stance.
 
7Th said:
All I'm trying to say is that the discussions we're having right now amount to saying "blue is better than red becuase I like it better" and no side has the right to take any sort of high stance.

That's the point I was trying to make before, and I would have succeeded had I not made the mistake of playing the Godwin Card before it was ready. I should have placed the Godwin Card face down behind my trap card and ended my turn.
 
7Th said:
This is why the internet ruins everything. Just because something happens doesn't make it a trope/cliché.

You are boiling down characters to specific identifiable traits without taking the whole picture into account. Let's take Ringo from Penguindrum as an example. Is she a "trope" or a cliché? No, and this stupid website tries to boil down her character by listing off ten archetypes for her, neglected to take the character as a whole into account as the original work.

Where the issue with "tropes" and clichés lies is when a story is populated by those instead of characters. So when Idolm@ster has characters that show up and simply play to these archetypes in every scene they are in you wind up with characters who were designed as a list of these attributes. Not every story has a trope, unless you just consider a trope to be some broad meaningless label. To use Penguindrum as an example again, it lists Shouma as falling into the "Supreme Chef" trope. Being good at cooking isn't a trope/cliché. Like seriously, what a dumb thing.
 
I've been watching the K-On! dub and Mugi has really grown on me. The most underrated character in the show.
 
Dance In My Blood said:
This is why the internet ruins everything. Just because something happens doesn't make it a trope/cliché.

You are boiling down characters to specific identifiable traits without taking the whole picture into account. Let's take Ringo from Penguindrum as an example. Is she a "trope" or a "cliché"? No, and this stupid website tries to boil down her character by listing off ten archetypes for her, neglected to take the character as a whole into account as the original work.

Where the issue with "tropes" and clichés lies is when a story is populated by those instead of characters. So when Idolm@ster has characters that show up and simply play to these archetypes in every scene they are in you wind up with characters who were designed as a list of these attributes. Not every story has a trope, unless you just consider a trope to be some broad meaningless label. To use Penguindrum as an example again, it lists Shouma as falling into the "Supreme Chef" trope. Being good at cooking isn't a trope/cliché. Like seriously, what a dumb thing.

How so? How is Iori playing the "tsundere" archetype in every scene she is in? How is Miki playing the "lazy and privileged" archetype in every scene she is in? What archetype is Hibiki playing? What is the trope for the "hardworking poor girl that never complains about her life"? What's Chihaya's defining trope? I think that you're doing exactly what you're accusing TV Tropes and the Internet of doing.
 
Dance In My Blood said:
This is why the internet ruins everything. Just because something happens doesn't make it a trope/cliché.

You are boiling down characters to specific identifiable traits without taking the whole picture into account. Let's take Ringo from Penguindrum as an example. Is she a "trope" or a cliché? No, and this stupid website tries to boil down her character by listing off ten archetypes for her, neglected to take the character as a whole into account as the original work.

Where the issue with "tropes" and clichés lies is when a story is populated by those instead of characters. So when Idolm@ster has characters that show up and simply play to these archetypes in every scene they are in you wind up with characters who were designed as a list of these attributes. Not every story has a trope, unless you just consider a trope to be some broad meaningless label. To use Penguindrum as an example again, it lists Shouma as falling into the "Supreme Chef" trope. Being good at cooking isn't a trope/cliché. Like seriously, what a dumb thing.

No, it lists them as containing elements of these tropes as part of their characters. They're hardly end-all definitions of each of the characters.
 
survivor said:
Kaiji S2 - 22

Anyone know the name of the song that starts playing near the end when the 2 airplanes show up?
No I've been wondering about that song for a while now, they played it once or twice before a few episodes back as well.
 
7Th said:
All I'm trying to say is that the discussions we're having right now amount to saying "blue is better than red becuase I like it better" and no side has the right to take any sort of high stance.
Well, let's make it concrete then. No anime has ever done the "being a pedophile in a relationship with a child is ok" trope well. I can think of others if you want.
 
Vox-Pop said:
I've been watching the K-On! dub
oh.png
 
Branduil said:
Well, let's make it concrete then. No anime has ever done the "being a pedophile in a relationship with a child is ok" trope well. I can think of others if you want.

That's not a trope; that's not even actually found in anime!
 
Wandering Son 11:

Oh, so that was the final episode? Thought there´d be a 12th episode. Anyway. Good serious overall, though I got the feeling that it´s more enjoyable if you know the manga. Lots of pretty hefty time jumps. And the anime doesn´t really conclude anything. Since I won´t be reading the manga, could someone spoil me what happens to Nitori? Does he accept being a boy or does he go through with becoming a girl?

Now on to Denpa Onna to Seishun Otoko
 
Sennorin said:
Wandering Son 11:

Oh, so that was the final episode? Thought there´d be a 12th episode. Anyway. Good serious overall, though I got the feeling that it´s more enjoyable if you know the manga. Lots of pretty hefty time jumps. And the anime doesn´t really conclude anything. Since I won´t be reading the manga, could someone spoil me what happens to Nitori? Does he accept being a boy or does he go through with becoming a girl?

Now on to Denpa Onna to Seishun Otoko
I think the show is coming back in the Fall.
 
Branduil said:
I do now.

It means whatever you say it means, at the present time.

I'm just using TVTropes definition, which is what started this discussion in the first place.
 
7Th said:
How so? How is Iori playing the "tsundere" archetype in every scene she is in? How is Miki playing the "lazy" archetype in every scene she is in? What archetype is Hibiki playing? What is the archetype for the "hardworking poor girl that never complains"? I think that you're doing exactly what you're accusing TV Tropes and the Internet of doing.
The difference between something like Idolmaster and something well written is that everything in Idolmaster is essentially design by committee, and its completely obvious.

Iori is just some unpleasant bossy girl who is afraid to let people get close to her (so yes, she is always a tsundere). Even when scenes aren't about Miki being lazy it's always, "oh, she's not lazy, she's actually just a hard worker when she feels like it". Unless her showing up in fanservice bits counts as fleshing out her character I guess. Hibiki is always just energetic and has scenes that revolve around her taking care of something, be it a pet or a kid. She doesn't really exist outside of those roles. You also just summed up the peasant Idol in six words. Everything related to her is pretty much about how poor she is.
Jintor said:
No, it lists them as containing elements of these tropes as part of their characters. They're hardly end-all definitions of each of the characters.
In the hands of a skilled writer they aren't the end-all definitions of characters, but in a lot of anime that list is pretty much all there is to the character. We shouldn't pretend every story is just a bunch of tropes though.
 
Hey AnimuGAF, I still need advice:
Aigis said:
So, Oshiibros, should I get Ghost in the Shell Blu-ray? (the original, not the 2.0 shit)

It's currently 71% off at Amazon JP, but that's still around ~$54 with Amazon JP shipping factored in.

I really liked the movie upon a rewatch this year (like, a lot, enough to consider this purchase), but that's still a lot for a single movie. I'm not sure.
 
Dance In My Blood said:
This is why the internet ruins everything. Just because something happens doesn't make it a trope/cliché.

You are boiling down characters to specific identifiable traits without taking the whole picture into account. Let's take Ringo from Penguindrum as an example. Is she a "trope" or a cliché? No, and this stupid website tries to boil down her character by listing off ten archetypes for her, neglected to take the character as a whole into account as the original work.

Where the issue with "tropes" and clichés lies is when a story is populated by those instead of characters. So when Idolm@ster has characters that show up and simply play to these archetypes in every scene they are in you wind up with characters who were designed as a list of these attributes. Not every story has a trope, unless you just consider a trope to be some broad meaningless label. To use Penguindrum as an example again, it lists Shouma as falling into the "Supreme Chef" trope. Being good at cooking isn't a trope/cliché. Like seriously, what a dumb thing.

I don't think tropes mean what you think they mean. They're exactly that: characteristics. It's not an end-all label. Tropes are just a fancy name (or, rather, a word label) to characteristics. Some of them may encompass an entire cliché or archetype (tsundere, for instance) but they're not the end of everything.

Tropes != clichés; clichés are composed of tropes but the latter isn't true. Or, rather, cliché itself is a trope that has been done to death and becomes trite, predictable, and ultimately distracting due to it's nature.

Really, though, I can see how if you do think that tropes = clichés that everything you said is basically true. I just don't view them as the same way. They're pieces of the whole, not the whole thing.

Though, I do agree that tropes/TVTropes list of tropes are basically now-a-days kind of used as a paint by numbers thing for characters/shows/etc. rather than just the kind of fun labels they once were.
 
Dance In My Blood said:
The difference between something like Idolmaster and something well written is that everything in Idolmaster is essentially design by committee, and its completely obvious.

Well, of course. Idolm@ster is the adaptation of a videogame about characters that have existed for nearly 8 years already. That doesn't mean you aren't being reductionist with the characterization.

Dance In My Blood said:
Iori is just some unpleasant bossy girl who is afraid to let people get close to her (so yes, she is always a tsundere).

How is she afraid to let people get close to her yet happily goes to the house of her poor friend that invited her for dinner? What single tsundere-like trait did she show while helping Yayoi with her little brothers?

Dance In My Blood said:
Even when scenes aren't about Miki being lazy it's always, "oh, she's not lazy, she's actually just a hard worker when she feels like it".

What kind of point are you trying to make? They don't even mention or allude to the fact that she is lazy in episode 8, she just does what she is supposed to do and cleverly takes profit of problematic situations.

Dance In My Blood said:
Hibiki is always just energetic and has scenes that revolve around her taking care of something, be it a pet or a kid. She doesn't really exist outside of those roles.

Did you forget how she was actually challenging Makoto to a race in the beach in episode 5? How did that involve taking care of anything? Isn't competitiveness a character trait?

Dance In My Blood said:
You also just summed up the peasant Idol in six words. Everything related to her is pretty much about how poor she is.

I think her happy outlook on life is a bigger character trait than her social status.
 
Vox-Pop said:
I've been watching the K-On! dub and Mugi has really grown on me. The most underrated character in the show.
I guess this is as good a time as any to mention this. I was at the J-Pop Summit festival in San Francisco over the weekend, and in attendance was the entire K-On dub cast (courtesy of Bandai, for an early K-On Volume 3 premiere):

zKV5s.jpg


Seemed like nice enough people.

They also sang a few songs (but not actually playing instruments) in full costume and gear as well.
 
Aigis said:
Hey AnimuGAF, I still need advice:

I paid $70 for the Lord of the Rings Trilogy Extended Editions on Blu-ray. That's 3 movies, all longer than the theatrical versions, spread across 6 discs, remastered for Blu-ray, with a ridiculous 9 additional DVDs full of extra material. It's a 15-disc set.

Compare that to $54 for a single movie without any extra material on Blu-ray and I think you get the idea of which is a good value and which is a total rip-off.
 
Sennorin said:
Wandering Son 11:

Oh, so that was the final episode? Thought there´d be a 12th episode. Anyway. Good serious overall, though I got the feeling that it´s more enjoyable if you know the manga. Lots of pretty hefty time jumps. And the anime doesn´t really conclude anything. Since I won´t be reading the manga, could someone spoil me what happens to Nitori? Does he accept being a boy or does he go through with becoming a girl?

Now on to Denpa Onna to Seishun Otoko
Manga is still ongoing so there isn't a conclusion there either.
 
The amount of detail 7th is getting into regarding Idolmaster is frightening.

These characters were created as part of an otaku-bait game. I'm pretty sure nothing above "hey we need a tsundere ojousama, write that in" was put into deciding to put these characters into the game. No need to look for stuff that clearly isn't there.
 
Alright Anime-Gaf, I haven't watched much anime for the last few years and would like some recommendations. Here's a list of some stuff I've seen that I thought were great.

Honey and Clover.
Nana.
Ghost in the Shell.
Akira.
Nodame Cantible.
Gurren Laggan.
FLCL.
Berserk.
Deathnote (well, part of it at least)
PlanetES.

Any recommendations would be appreciated!
 
zeroshiki said:
The amount of detail 7th is getting into regarding Idolmaster is frightening.

These characters were created as part of an otaku-bait game. I'm pretty sure nothing above "hey we need a tsundere ojousama, write that in" was put into deciding to put these characters into the game. No need to look for stuff that clearly isn't there.

There is nothing I'm saying that is particularly outrageous. There is nothing stopping otaku-bait fluff from not being fully one-dimensional. I'm not even claiming depth, I'm just claiming reductionism on DIMB's part.
 
Aigis said:
Hey AnimuGAF, I still need advice:
Well, I got the LE Baccano BluRay set for the same price. all 16 episodes.

And I still feel like 40$ is what it should have been worth.
 
Vaporak said:
Alright Anime-Gaf, I haven't watched much anime for the last few years and would like some recommendations. Here's a list of some stuff I've seen that I thought were great.

Honey and Clover.
Nana.
Ghost in the Shell.
Akira.
Nodame Cantible.
Gurren Laggan.
FLCL.
Berserk.
Deathnote (well, part of it at least)
PlanetES.

Any recommendations would be appreciated!
Trapeze/Kuuchuu Buranko, Mononoke (2007 TV series not Ghibli movie)
 
Vaporak said:
Alright Anime-Gaf, I haven't watched much anime for the last few years and would like some recommendations. Here's a list of some stuff I've seen that I thought were great.

Eden of the East
Skip Beat
Tatami Galaxy

Three series probably up your alley. Last one strongly recommended.
 
7Th said:
There is nothing I'm saying that is particularly outrageous. There is nothing stopping otaku-bait fluff from not being fully one-dimensional. I'm not even claiming depth, I'm just claiming reductionism on DIMB's part.

But these characters are VERY VERY shallow. That's DIMB's larger point. I don't think you can argue against that. They're otaku-bait. The rest is fluff and they and their backstories exist to fulfill the stereotype when it should be the other way around.
 
7Th said:
There is nothing I'm saying that is particularly outrageous. There is nothing stopping otaku-bait fluff from not being fully one-dimensional. I'm not even claiming depth, I'm just claiming reductionism on DIMB's part.

But you do realize that you really contested almost none of his points, right?
 
Let me get something straight, what allows people to go "in depth" about the waifu-bait characters created specifically to appeal to otaku in Persona 4 but not about the waifu-bait characters created specifically to appeal to otaku in Idolm@ster?
 
7Th said:
Let me get something straight, what allows people to go "in depth" about the waifu-bait characters created specifically to appeal to otaku in Persona 4 but not about the waifu-bait characters created specifically to appeal to otaku in Idolm@ster?

Persona is a REALLY good game.
 
The Tatami Galaxy Ep. 1 ~4 min. in

Slow the fuck down! @_@
7Th said:
Let me get something straight, what allows people to go "in depth" about the waifu-bait characters created specifically to appeal to otaku in Persona 4 but not about the waifu-bait characters created specifically to appeal to otaku in Idolm@ster?
Wat
 
zeroshiki said:
Persona is a REALLY good game.

How does that make the characters specifically written to appeal to otaku tastes so that they take them as their waifus any better?

zeroshiki said:
But these characters are VERY VERY shallow. That's DIMB's larger point. I don't think you can argue against that. They're otaku-bait. The rest is fluff and they and their backstories exist to fulfill the stereotype when it should be the other way around.

That's reductionism; you're essentially saying that everything about the character other than the basic sterotype should be ignored just to prove a point.
 
If GITS had a nice box like Honneamise I would've bought it instantly.

Damn, Japan, why can't you give everything nice boxes?
 
darkside31337 said:
Skip Beat

Three series probably up your alley. Last one strongly recommended.

Never seen anyone suggest Skip Beat around here. <3 Skip Beat.

Also, I really should look into Tatami Galaxy with all the praise it seems to be getting here. I keep putting it off due to the art style (oh god don't lynch me) but it seems interesting enough.

7Th said:
How does that make the characters specifically written to appeal to otaku tastes so that they take them as their waifus any better?

my waifu is better than your waifu
 
7Th said:
Let me get something straight, what allows people to go "in depth" about the waifu-bait characters created specifically to appeal to otaku in Persona 4 but not about the waifu-bait characters created specifically to appeal to otaku in Idolm@ster?

Was anybody even claiming that the waifus of persona were any better? The debate over the two of them wouldn't be about the depth of the individual waifus, but of depth and intent of the show themselves.
 
7Th said:
How does that make the characters specifically written to appeal to otaku tastes so that they take them as their waifus any better?



That's reductionism; you're essentially saying that everything about the character other than the basic sterotype should be ignored just to prove a point.

thats not what he said at all
 
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