• Hey, guest user. Hope you're enjoying NeoGAF! Have you considered registering for an account? Come join us and add your take to the daily discourse.

The Criterion Collection in 2012/13: Why haven't they released *insert title here*?

Great. Where in the hell is Life Aquatic blu-ray though? Ugh.
Probably going to receive a DF upgrade sometime around Grand Budapest Hotel's release—maybe Moonrise Kingdom, too.

Criterion first and foremost is about providing the best video transfer possible—the supplements, their whole film-school-on-a-disc philosophy, comes second. There've been times when they've leaned towards supplements or towards lower-budget releases with excellent production, but this is the formula. I think their biggest restriction in terms of lineup and what gets priority is the video rights market in the US, which is far more studio-oriented than it ought to be. Whenever Masters of Cinema or Arrow announces some awesome release that people would expect from Criterion, it's important to investigate if it's even possible for Criterion to get the title and follow through on a special-edition budget. Movies like Thief are way too expensive for the company to devote lots of time producing extras; of course, it's become roughly possible in recent years for Criterion to license them at all.
 
What are you doing in a Criterion thread, then? That's their bread and butter on top of the films themselves - documentaries, interviews, and even sometimes discs include a bonus film from the director.

Because I like movies. All that other shit is superfluous in the grand scheme of things.
 

inm8num2

Member
Because I like movies. All that other shit is superfluous in the grand scheme of things.

No, not really. I won't bother explaining that many film enthusiasts (or even casual fans) enjoy BTS stuff because that notion seems outside your grasp

The good news is that your opinion isn't a universal one. :)
 
Criterion supplements are great for learning about technical details, but a lot of the analytic work can be found online coming from a massive array of great critical film writers. The best case scenario's when Criterion or MoC commissions all-new essays and videos that reveal something truly new about a film, and that's not the case very often (David Kalat's supposed to be retired, too!).
 

Anastasia

Member
I buy Criterion for superior video transfers, first and foremost, and to support the company's mission statement. I really like supplements, but to me that's not the main concern when it comes to these releases. A good transfer does way more for me and my enjoyment of the film.
 

inm8num2

Member
Nobody said transfers aren't the most important thing. But Criterion does a great job putting together supplemental features. It's quite possible to enjoy the film and the bonus content together. When someone's passionate about a movie and wants to dig deeper into it, that's where supplements come into play.

Criterion's track record mostly speaks for itself. Great transfers plus great bonus features, albeit with a few hiccups like Earrings of Madame De... or Children of Paradise which had poor transfers (I think they outsourced those ones through a French company, IIRC from other forums).
 

HoJu

Member
I wonder if the release of Fantastic Mr. Fox is a signal that Criterion will release more animated films.
I mean, I doubt it, because they have a contract with Anderson or something, but a boy can dream. a boy can dream.

also I really want a compilation of important short animated films. I want Hedgehog in the Fog on my shelf and to be with me forever.
 

obin_gam

Member
Shush now, we all know what must be the next animated Criterion...

25531011_.jpg
 

codhand

Member
Fantastic Mr. Fox is quite possibly Wes Anderson's best film. I liked Rushmore a lot when it came out, mustve seen it 10 times, but his other films are too kitchsy for me. and so is FMF, but it works for me because it's animated.
 

bowery

Member
cant wait for the day paul thomas anderson has a contract for criterion to release his films, think he has an equal standing to wes anderson if not higher for making great films in this generation

also i finally watched bottle rocket and its easily my favorite wes
 
So Becker and Kim Hendrickson just finished a talk at some museum in Ohio—some tidbits spilled on the stream:

•New prints of Napoleon are in the works, featuring new, unseen material; CC's very interested.
•More Jan Troell's on the way: Here's Your Life is scheduled, and they're looking to license The Emigrants and The New Land from Warner (who they've got a deal with now—they say they've talked over The Devils!).
•Art Theatre Guild is out of the question due to split ownership (the ultimate problem for these productions), but the Oshima films are coming (no doubt through a deal with Sozosha)—not to fear, the company's going to put them out some day...
•Red River is coming, both versions too (probably a companion to the MoC release), and so are the Cronenbergs.
•Bicycle Thieves is currently knee-deep in a 4k restoration and scan, meaning that CC's gonna get started on an upgrade soon; they spoke highly of Andrei Rublev, which itself is undergoing such a process, so that's exciting.
•They're doing another animation release, not saying what or when; the main reason for avoiding such films in the past has been great work and dedication from other publishers (Zeitgeist and the Quays being their example).
•No talk about the vaseline scans they got from Gaumont for Children of Paradise and The Earrings of Madame de...

Sidney/Hard Eight's been in the running for a release for a while now, so either the rights are a bother or PTA's out of town.
 
I tweeted to them about World Cinema Foundation titles on Hulu, to no avail. A Brighter Summer Day's been restored by WCF, so it's coming down to rights, demand, and scheduling.
 
Nobody said transfers aren't the most important thing. But Criterion does a great job putting together supplemental features. It's quite possible to enjoy the film and the bonus content together. When someone's passionate about a movie and wants to dig deeper into it, that's where supplements come into play.

I own many Criterions and I appreciate their efforts when it comes with supplements and extras (same with MoC or any other publisher really) but what matters the most is the movie. Give me a good restoration/transfer, 1080p/24, no DNR, no cropping, lossless sound, good subtitles and I'll gladly give up any supplement and commentary track. You can usually find those elsewhere if needed. Printed material on the other hand...

Anyway you can't usually trade things this way so I'll gladly take the whole package when it's there.


•No talk about the vaseline scans they got from Gaumont for Children of Paradise and The Earrings of Madame de...


Gaumont's own BR for Madame de... has been postponed (in september shortly prior to the release date) and all masters and discs manufactured have been destroyed (which was quite a ballsy move). Eclair labs are doing a new restoration and the new master should be out sometime before the end of first quarter 2014.

For Children of Paradise, scan was done by L'Immagine Ritrovata and restoration by Eclair, it's a Pathe release though not Gaumont. And I reckon we are fucked for now...
 
Nah, just saying Becker and Kim didn't even get around to their thoughts on the Pathé fiasco and shoddy stuff Gaumont got rid of. I know they're smart about not banging their friends' goods, but that doesn't mean they get to slack off and keep the crap for years to come.
 
Masters of Cinema Q1 2014:

XaXYWsU.jpg


Computer Chess DF

aXJtuA0.jpg


Hands Over the City DF

QXB6ux6.jpg


Nashville Blu

mDAilAs.jpg


Fellini's Roma Blu

sOtHDld.jpg


Serpico Blu

0okt6B0.jpg


Wake in Fright DF

tlgwUEQ.jpg


Wings (Wellman) DF (!)

QpigfAV.jpg


White Dog Blu

Kind of a middling slate, but everything's gonna be top-quality.
 
Hands Over the City and Nashville are already on CC; Wings I'll apologize for, but Wake in Fright's been around too. Not commenting on the films themselves, just the releases (slate just feels like a retread of what others have put out).

No region-free releases here, unfortunately. MoC at least gets to put out stuff CC could rarely acquire in Region 1, so this must be the price we pay.
 
Yeah just got my copy of the US BR of Wings today. Dammit.

Fuller, Nashville and Wake in Fright are great news. I wonder if Fellini's Roma will feature the "lost" scenes.

I don't think many of you people will be interested but MoC is doing a Black friday deal of sorts:

Finally: It's Black Friday at our Eureka webstore. Every day this week we shall be reducing two MoC blu-rays, starting today at 11.30am UK time with SILENT RUNNING, REPO MAN & THE LOST WEEKEND for just £6.99!!!

That includes shipping.
 

cj_iwakura

Member
Still need to see Blue, but the dang NC-17 makes it almost impossible to find in a theater.

How explicit is the content? Maybe I shouldn't even see it in theaters.
 

mattiewheels

And then the LORD David Bowie saith to his Son, Jonny Depp: 'Go, and spread my image amongst the cosmos. For every living thing is in anguish and only the LIGHT shall give them reprieve.'
Midnight Cowboy's probably my favorite movie, a CC bluray would be fantastic.
 

BearChair

Member
Is there anything in terms of licensing or cost preventing an Ikiru blu ray. I keep hoping it gets announced and every month I'm disappointed.
 
Is there anything in terms of licensing or cost preventing an Ikiru blu ray. I keep hoping it gets announced and every month I'm disappointed.
Priorities: stuff like It's A Mad, Mad, Mad, Mad World is apparently more important. But the real reason is probably that elements for Ikiru haven't held up well over time, no matter how thorough Criterion is.
 

BearChair

Member
is fat girl any good?

It's not a bad movie, but the content is certainly challenging. I don't know how much you already know about the movie, so I don't want to spoil it, but the ending comes out of nowhere. And is pretty shocking. It's an intriguing movie, but I can't really imagine owning it and watching it more than once.

I would rent it first, before buying, but that is my general rule anyway
 

bowery

Member
It's not a bad movie, but the content is certainly challenging. I don't know how much you already know about the movie, so I don't want to spoil it, but the ending comes out of nowhere. And is pretty shocking. It's an intriguing movie, but I can't really imagine owning it and watching it more than once.

I would rent it first, before buying, but that is my general rule anyway

thank you
 

omgkitty

Member
Can't decide what I want to do. I just got paid and I was planning on buying:

Cassavetes set
Frances Ha
Tokyo Story
City Lights

I was looking though, and for the same price I can get the Zatoichi set. Any thoughts? I'm sure I'll eventually end up getting everything at some point, but can't decide on right now. I haven't seen any of the Zatoichi films, and of the ones I listed, I've only seen Frances Ha.
 

Cosmic Bus

pristine morning snow
Why would you buy something as enormous as the Zatoichi box without having seen any of them? Pony up a few bucks for Hulu Plus and watch a few from the series over the next couple of weeks; if you like them, then get the set next time it's on sale -- which is practically four times a year now, let's be real.

The Cassavetes box is one of the most essential things anyone has ever released, though. Buy that.
 

EYEL1NER

Member
Any impressions on the Zatoichi set? Or is it too soon for anyone to have gotten theirs? I mean, I can't imagine it being a garbage set, this is Criterion we are talking about. But there always is a slim chance that something got screwed up or butchered somewhere along the line.

Mine is shipping to an APO, so it will take longer than anyone else's to get to them, but the warehouse it shipped from is in Jersey it looks like (tracking shows it departed from the city that hands everything over to the mil guys), so it shouldn't take that long to get here. I am so eager to watch them though... the only Zatoichi movies I have watched in recent memory was the first one and the Takeshi movie (which I didn't like). I think it has been probably three years since I watched the final Katsu film. So I might see if I can get an extra day off work and blow through a bunch of them.
 

mattiewheels

And then the LORD David Bowie saith to his Son, Jonny Depp: 'Go, and spread my image amongst the cosmos. For every living thing is in anguish and only the LIGHT shall give them reprieve.'
Can't decide what I want to do. I just got paid and I was planning on buying:

Cassavetes set
Frances Ha
Tokyo Story
City Lights

I was looking though, and for the same price I can get the Zatoichi set. Any thoughts? I'm sure I'll eventually end up getting everything at some point, but can't decide on right now. I haven't seen any of the Zatoichi films, and of the ones I listed, I've only seen Frances Ha.
You should think about getting a month of Hulu Plus, I think it has all the Cassavetes set and Tokyo Story, and maybe City Lights but not sure. Anyway, $8 to see most of that list.
 
When is Criterion releasing Béla Tarr's stuff the Facet's releases are trash
Any good label could and should get ahold of Satantango and the rest.

You should think about getting a month of Hulu Plus, I think it has all the Cassavetes set and Tokyo Story, and maybe City Lights but not sure. Anyway, $8 to see most of that list.
Everything but Shadows.

It's funny: the Cassavetes set was my first big Criterion purchase...on DVD. Putting it on Blu is great, but I wish I had better foresight (if at all possible).
 

omgkitty

Member
Ended up getting the Cassavetes set. In case anyone was wondering, the 30% off Black Friday coupon from Barnes and Noble that doesn't work on the website for Criterion films, will work on them in store. Got the box set for $48, which is close to $20 off what it would be even with the sale. This means it will also work on the Zatoichi set.

I used to have Hulu Plus but finally cancelled it a month ago because I realized I'd had it for like 2 years now and only ever watched maybe 4 or 5 films on it.
 
Yeah, I love how they try to stop us from using the coupons. Gonna go get either Naked Lunch or Life is Sweet on Sunday for $14 with this.

I already miss the Hulu+ channel's 100 Days of Summer, since Criterion put up so many new titles during that period.
 

Cosmic Bus

pristine morning snow
hah, I was literally about to post that deal. It's an pretty fantastic set; I used to have that and the Ford at Fox one but got rid of both to help pay for my move to Seattle. :\
 
Top Bottom