They aren't going to use the original music for the remake, so it'd be nice if they got Uematsu to make new recordings/arrangements of the original soundtrack.
btw is there any update on when that re-release of the original FF VII port (the new one based on the steam version i guess, not the psone classic version) is supposed to come out on PS4?
really want to play that but there never seems to be a concrete date
WTF. Hype went down.
WTF. Hype went down.
WTF. Hype went down.
Oh yeah, good old Square banning composer names when they go freelance...
Chrono Trigger SNES:
Chrono Trigger PS1:
Well between this and the "real time battle system" this remake is turning out to be a hot mess.
What if Square Enix reached out and got OC Remix to remix it?
Bummer. He did the composition/arrangements for Advent Children -and he did an epic job in my opinion- so I was expecting him to return for the remake
Oh well, I bet others can do a great job too, like Ishimoto, or the composer who did some of the G-Bike arrangements:
https://www.youtube.com/watch?v=yyW6w-mKTQ0
So, I'm really ok if the remake sounds a bit like that heh
They're not using the same PS1 arrangements.
I'd rather the dude responsible for the original rearrange his own work with better tools and hardware.
This was going to be my joke post!
Well between this and the "real time battle system" this remake is turning out to be a hot mess.
Talk about overreacting.
Oh yeah, good old Square banning composer names when they go freelance...
Chrono Trigger SNES:
Chrono Trigger PS1:
Well between this and the "real time battle system" this remake is turning out to be a hot mess.
These are wonderful, but their arrangement of "You Can Hear the Cries of the Planet" doesn't quite capture the eeriness of the original imo.You guys should listen to Pontus Hultgren's arrangements. I've listened to a lot of re-arrangements, but his ones feel like the best ones that can still fit in the game. He keeps the essence of the originals and adds a few light touches.
Holding my Thoughts in My Heart:
https://www.youtube.com/watch?v=dzrwHrfTPJw
Bombing Mission:
https://www.youtube.com/watch?v=8Wt4EnfvfJc
Ahead on Our Way:
https://www.youtube.com/watch?v=Fh98X9FtiKU
I really want something close to his work.
I can already imagine the tears after hearing Kalm/Ahead on Our Way again for the first time. Man, I love this game and the soundtrack.
The euphoria after Midgar and the overworld for the first time was great.
IIRC they did FFX together.
No, that's not the case at all. Remakes should have the freedom to change things rather than be constrained by a slavish adherence to the original. Otherwise why make a new version at all?
Oh yeah, good old Square banning composer names when they go freelance...
Chrono Trigger SNES:
Chrono Trigger PS1:
An Ishimoto/Hamauzu tag-team for arrangement would be great. The own label for Hamauzu isn't really a big deal though, as he's still working hard on SE projects. While founding Monomusik he worked on XIII-2, LR, FFXHD, and now TWoFF. Not to mention the Final Symphony I and II concerts, the Final Symphony album, and the XIII Piano arrange album he worked on since departing the company.Smart money is on Takeharu Ishimoto, I think - he did Crisis Core, Before Crisis and Last Order in the FF7 world, in all those cases working heavily with Uematsu's themes. In this, he has a history of working with Nomura on the compilation, also. Beyond that work on FF7, he's tended to be Square's go-to guy for arrangement work - for Dissidia, for the menus etc in Theatrhythm, and so on and so forth. He's still in-house at Square, of course, and just got done with Type-0 HD and is currently doing Dissidia Arcade.
I'd place the second place outside runner as Tsuyoshi Sekito; he also has a history with FF7 having worked on Advent Children and the like alongside Uematsu, but he doesn't do as much work horse game work as Ishimoto and isn't in-house at Square.
It won't be Shimomura; I've seen people suggesting that a lot but I imagine it's deeply unlikely, since she's of a size/fame herself that taking up a job that'll primarily be arrangement rather than composition is, for lack of a better word, a bit 'below' her. She's also said in interviews in the past she finds working with the themes/work of others very difficult. Hamauzu does have the 7 experience - he did Dirge - but arguably his sound failed to fit that universe, and he would probably have to be offered a huge sack of money to do it now, as well, with his own label and all that - which I imagine is why he only returned for a few tracks each on 13-2 and LR. As far as Mizuta goes, I think he's great, but has no history with the FF7 brand and is also fairly consistently working on FF14.
I really think Ishimoto is the smart bet - and I'd be okay with that. Crisis Core had him demonstrate he has a really strong understanding and feel for the world and tone of FF7, and I think he could do a great job. His one weakness is he really likes to go for cheesy, hefty guitar too often (Type-0 suffers this as well), but Type-0 also proves that if he's given a good orchestrator he can produce some really stellar work. Indeed, he'd be my pick to score FF15, to be honest. His Crisis Core work:
I don't like Shimomura or Hamauzu for this. I'd prefer Naoshi Mizuta. He's always been extremely good, and he has that classic sound that's closest to Uematsu. I think preserving that sound should be important for something like FFVII.
Caius' Theme is the only FF villain theme which rivals OWA imo.
He'd be my pick, too. His work on XIII-2 and LR was outstanding. Caius' Theme is the only FF villain theme which rivals OWA imo.
(You can thank Miyano's orchestration for that one just as much tbqh)
He's had to hold FFXI on his shoulders alone for the past 10 years. That doesn't leave a whole lot of time to spearhead other projects I guess. The real shame is that he and Suzuki have been relegated to mobile games lately. :/I wish he'd work on something and take creative ownership of it. He's always a side composer or working on other games that aren't as well known. Seems more like a composer by committee kinda guy.
On that note, do you know what was the extent of her work on the Ni No Kuni OST?
These are wonderful, but their arrangement of "You Can Hear the Cries of the Planet" doesn't quite capture the eeriness of the original imo.
I want the same story beats, the same locations with the same layouts, the same character designs, the same music with the same instrumentation, the same gameplay, the same script. Now of course, when I put it like that, it makes a remake sound entirely pointless. But here's the key: the changes I want are entirely technical. And we can pretend all day that technical aspects don't really matter, but then I have a bridge to sell you. Graphics and sound hugely matter in a sprawling, cinematic, story-based game. FF7's ambitions outpaced the technical realities of the day. That much is clear to see.
Let's be very clear: the number one reason by far that so many people wanted a remake is that FF7 is woefully outdated technically, NOT because people want a "new take" or "new spin" on an old game. We don't want fancy, funky new arrangements of the old songs; we just want live instrumentation. We don't want new designs of Cloud and Tifa, just new character models that mirror original concept art. We don't want new locations, just the old locations fully rendered in 3D.
And I know I'm not speaking for everyone. But I do know I'm speaking for the majority of people who have been clamoring for this remake for over a decade. One day games are going to reach a point of technical sophistication where the idea of remaking them will provoke the same outrage displayed when a classic movie gets remade, rather than the joy and elation we saw at Sony's E3 conference. But until then, let's be clear exactly what it is most gamers want out of a remake. We don't want a whole new experience. We want the same experience with modern graphics and sound, and possibly a few modern conveniences.
Why would he be?
But I wasn't joking. =/This was going to be my joke post!
Although...by the time the remake is released in20182019, it would be funny to hear all of the dubstep rearrangements nearly a decade after dubstep stopped being cool.
I suppose you're ok with settling for less.
Having the same composer rearrange their own music is incredibly important, in my opinion, especially when translating it to actual orchestral recording from an old Playstation game.
Look at the rearranged score of Halo in 343's Anniversary edition, for example. It definitely lost something in the arrangement with how they handled the voices at times, as well as obscuring some of the good musical cues.
It's not hopeless obviously, but a lot can go wrong.
I already love his rearrangements that he's already done, so not really in my case.Uematsu isn't really all that great nowadays, in my opinion.
You know, he Uematsu could rearrange the music and you would probably still not like it just because it isn't one hundred percent the same or how you personally imagined it should sound.
Just a thought.
Personally speaking, i don't understand why anyone would think Uematsu would do that soundtrack, he's been away from the company for years, and hasn't worked on FF7 for like 20. He's never going back. That's like expecting Sakaguchi to just randomly come back for some reason. They are happy being independent