sphinx said:sure, if you missed majora's mask, that is.
It's not at all artificial in the case of Zelda, since you could choose not to pick up the heart pieces from the very first installment. I'd say it's more of a seldom-pursued hard mode.GrotesqueBeauty said:The whole concept of having to artificially restrict yourself to get a decent challenge from a game is stupid, and indicates that the balance is off to begin with.
Doubtful. It would be extremely difficult, if not impossible, to completely re-work the controls to use dual analog and a touch screen instead of motion, and Nintendo would likely be skittish about releasing a single player game the requires the Wiimote.Jay Sosa said:im thorn..on the one side im happy it seems to be an awesome game on the other hand i now have to buy a wii for like 4 games (zelda, smg and xenoblade)
do you guys think a wii u version is already in the works?
BY2K said:SS starts with 6 hearts, but most enemies deal 1 heart of damage. That means you can take 6 hits before dying. With TP, you start with 3, most enemies deal 1/4. You can take 12 hits before dying.
Now think about it, in SS, even if you take 1 more heart, that's just one more hit you can take before dying, in TP, that would be 4 more hits.
By the end of the game:
SS: 20 hits.
TP: 80 hits. (40 for enemies that take 1/2 of a heart.)
So the key is to not get hit, I guess. Just a random though. I mean, that's already something for difficulty.
Orayn said:It's not at all artificial in the case of Zelda, since you could choose not to pick up the heart pieces from the very first installment. I'd say it's more of a seldom-pursued hard mode.
Doubtful. It would be extremely difficult, if not impossible, to completely re-work the controls, and Nintendo would likely be skittish about releasing a single player game the requires the Wiimote.
Not for me D:kunonabi said:MM had a time limit and slightly better dungeons than OoT. It was still a breeze.
Leondexter said:All true, but there's more to it than that as well. One thing that's always bugged me about Wind Waker and Twilight Princess' combat are the "prompted" combat moves. You know, the ones you can't do until the game puts up the "press A" prompt. What bothers me about it isn't just the actual hand-holding mechanic, but also the other problem it highlights - how seldom the enemies actually attack.
The randomly wandering enemies in 2D Zelda games felt far more threatening than the "are you ready? here comes an attack" combat of TP. I hope the enemies in SS actually attack. I'm expecting that they won't, that they'll just walk up and hold their hands out and wait for you to swing accordingly. Any damage would come from screw-ups on your part, not from the game trying to hurt you. I'd love to be wrong. I'm on media blackout, so if it's already been demonstrated otherwise, I haven't seen it.
Majora's Mask probably has the most balanced difficulty of the 3D games. It's not incredibly difficult on its surface, but it still manages to reward more advanced players. There are often two or more ways to accomplish something, and the more difficult of the two is typically the more expedient if you've got the chops to do it. If Skyward Sword manages to strike a similar balance I'll be glad.kunonabi said:MM had a time limit and slightly better dungeons than OoT. It was still a breeze.
That was pretty awesome. Also,Gravijah said:the only thing hard in majora's mask is the final goron roll.
Why? Three heart runs would be a highly artificial way of limiting yourself if not getting new heart containers involved some sort of glitch or complicated method, but the game puts the option right in front of you. I mean, I agree that Zelda's balance has been on the easy side for a while now, but a perfectly reasonable, accessible way of increasing it has been there the whole time.royalan said:That's a case of arguing semantics if I've ever seen one.
imthemaid said:I'm probably stating the obvious, but some of the posts here lead me to believe that I'm not.
If you're concerned about a lack of combat difficulty in a Zelda game, here's what you do: Once you've finished a temple, DON'T PICK UP THE HEART! If you find that the game is becoming too difficult for you, after the next temple, PICK UP THE HEART!
I played TP on release with 4 hearts, and I found the difficulty to be perfect for me; how odd.
GrotesqueBeauty said:The whole concept of having to artificially restrict yourself to get a decent challenge from a game is stupid, and indicates that the balance is off to begin with.
Leondexter said:All true, but there's more to it than that as well. One thing that's always bugged me about Wind Waker and Twilight Princess' combat are the "prompted" combat moves. You know, the ones you can't do until the game puts up the "press A" prompt. What bothers me about it isn't just the actual hand-holding mechanic, but also the other problem it highlights - how seldom the enemies actually attack.
The randomly wandering enemies in 2D Zelda games felt far more threatening than the "are you ready? here comes an attack" combat of TP. I hope the enemies in SS actually attack. I'm expecting that they won't, that they'll just walk up and hold their hands out and wait for you to swing accordingly. Any damage would come from screw-ups on your part, not from the game trying to hurt you. I'd love to be wrong. I'm on media blackout, so if it's already been demonstrated otherwise, I haven't seen it.
Orayn said:Why? Three heart runs would be a highly artificial way of limiting yourself if not getting new heart containers involved some sort of glitch or complicated method, but the game puts the option right in front of you. I mean, I agree that Zelda's balance has been on the easy side for a while now, but a perfectly reasonable, accessible way of increasing it has been there the whole time.
BY2K said:You had trouble in Spirit Tracks?
I guess difficulty really is relative...
royalan said:Because it goes against what the game encourages you to do. You just beat the big bad of the dungeon. You see a big ass chest appear. Chests give rewards. You WANT to open the chest. Sorry, but the vast majority of players are going to open the dang chest.
To not open the chest would require you to have already played the game, know that there's a heart in the chest, and to make the conscious decision to not open the chest because you want the game to remain challenging. Sounds pretty artificial to me.
Leondexter said:There's a lot more to it than that. See my last post, for example. Challenge isn't just the threat of losing or dieing. Every attack could be set to "instant death" and it wouldn't improve the combat much.
Forgive this old man, he tends to repeat himself from time to time. I've always thought the best balance in a Zelda game is when getting all the hearts on the main path (i.e.- after bosses) gives you enough to scrape by, a little exploring yields enough to feel ahead of the game, and if the player so desires they can scour the landscape and build up until Link is basically unstoppable. Once again, it's a risk reward system. You can progress quickly with very little if you're skilled, and therefore have less need to backtrack for non-essential items. Meanwhile, the person who likes exploring every nook and cranny feels genuinely rewarded when they find an upgrade, which is something that's missing when your baseline difficulty is hyper easy. That's what I consider balance, not making the main quest so breezy that fans of the series have to tie one arm behind their back just to level the playing field.imthemaid said:Woh, deja vu. I think we had this exact same conversation a couple of years ago in a twilight princess thread. Our perspectives on this are very different. I see it as an elegant method to finely tune difficulty as you play. One person's idea of a decent challenge is not necessarily the same as another's. I understand if you'd find a difficulty menu less artificial, but I prefer the heart method.
There aint no chests. Bosses drop those Heart pieces clean. On the overworld, most of the hearts are out in the open. The only ones you have to "worry" about are the ones given to you by NPCs. But if you pick up a heart piece or two, so what?
Off the top of my head, I can't think of any occasions where a (complete) heart piece is delivered to you in a chest, rather than left floating, unhidden, where the boss died.royalan said:Because it goes against what the game encourages you to do. You just beat the big bad of the dungeon. You see a big ass chest appear. Chests give rewards. You WANT to open the chest. Sorry, but the vast majority of players are going to open the dang chest.
To not open the chest would require you to have already played the game, know that there's a heart in the chest, and to make the conscious decision to not open the chest because you want the game to remain challenging. Sounds pretty artificial to me.
Agreed. I thought OoT was fairly balanced too. It's from WW that things went a bit off.GrotesqueBeauty said:Majora's Mask probably has the most balanced difficulty of the 3D games. It's not incredibly difficult on its surface, but it still manages to reward more advanced players. There are often two or more ways to accomplish something, and the more difficult of the two is typically the more expedient if you've got the chops to do it. If Skyward Sword manages to strike a similar balance I'll be glad.
That was pretty awesome. Also,puts up a good fight if you don't have theMajora's Wrath.fierce deity mask
TSA said:
Fuck this room. I hate you. So many runs ended here. Die.
Enemies frequently knock Link back into the lava to die. FUCK! Oh haha, I got Fairy Spell! WAIT, WHAT IS THIS WALL OF BLOCKS? DAMN IT! ARGGGGGG!
I want Zelda games to be this difficult again.
OoT was really easy as well. Even aLttP was a walk in the park compared to the first two games. I don't think it ever got very difficult until maybe the sixth dark world dungeon.Magicpaint said:Agreed. I thought OoT was fairly balanced too. It's from WW that things went a bit off.
GrotesqueBeauty said:The whole concept of having to artificially restrict yourself to get a decent challenge from a game is stupid, and indicates that the balance is off to begin with.
Orayn said:Off the top of my head, I can't think of any occasions where a (complete) heart piece is delivered to you in a chest, rather than left floating, unhidden, where the boss died.
Yoshichan said:Request time!
I need 1080p wallpaper of Zelda (not Link)! please? ;_;
Avatar quote (since I can't seem to do it). Trading in games because of font is several steps worse than my alphabetical issues.heringer said:I think you're worse than him.
Got home and Edge was waiting for me. Some quotes from the review and the Post Script:
On swordplay - 'In action, it is nothing short of revelatory...the victories are ours in a way they could never be with a standard controller.'
On Skyloft and the overworld - 'Imagine a halfway house between MM's Clock Town and WW's ocean; a community of oddballs scattered across a sky archipelago. Considerably smaller than the sea, it makes up for it in density of character.'
On the puzzles - 'How's this for a statement of intent: not a single torch-lighting number, and only one push-the-box-on-the-button incident...Where TP's gizmos gathered dust after glorious debut dungeons, SS keeps its kitbag tight and in constant circulation, with ingenious multitasking and surprise upgrades along the way.'
On the upgrade system - 'Such avenues jar with an adventure balanced for the base items. Odds don't need swinging in Link's favour...that said, the idea gains traction once the end credits have rolled.' (NG+?)
'No two hours are the same...its 35 hours - that's ignoring a wealth of trinkets - fly by in a heroic blur.'
Post Script stuff, basically looking at how Nintendo have overhauled the structure and world to make it feel denser and more lived in:
'Exploring Hyrules of old, you can wonder what exactly Link is fighting for. On the surface these are games obsessed with their lands...stepping out on to the cherished soil paints a different picture. This is virgin territory, untouched and unloved...far from a living breathing ecosystem, Hyrule is a sealed adventure playground...For such topographical waste to exist in the same universe as Nintendo's dungeons is mystifying. And if Skyward Sword is anything to go by, Nintendo feels the same way'.
'Field areas now teem with life...off-duty shop staff reveal the comically tragic lives behind their forced grins. Characters have a place and purpose in this world; can you say the same of Ocarina's perpetually giggling brothers?'
'Where previous Zelda's felt overly prepared, with everything positioned just so for the adventure to begin, dowsing let's Nintendo adjust on the fly. Come the end of the game, players will be surprised by how much they missed on previous passes.'
''Aonuma highlights the ability to go back to a dungeon you have already explored, with a new mission. This, he explains, brings you the newfound possibility of using your memory and your experience of the dungeon to help you in the challenge. Indeed, entering once-liberated grounds to clash with a new batch of squatters is one of the game's richest pleasures.'
'A few developments pull off the coup of altering playstyles entirely..the desire to cram play styles into a limited space owes a bigger debt to Mario than any previous Zelda. The plumber's 2D jaunts make an artform of transformative spaces, where a simple costume change reveals unseen expanses and a trail of red coins carves challenging dares around familiar platforms. There it feeds into Mario's guileless pursuit of joy, here it conjures something more. Only when you know a place inside out does it truly become worth fighting for.'
the one game i was looking forward to lighting a torch with with Wii MotionPlus controls and i don't get itnot a single torch-lighting number
Watch Da Birdie said:So, ONM says in regards to the dark-skin blonde character we've seen...
That she's a character from a past game? A younger Impa? Surely, being a magical Sheikah, she might have the ability to live longer than a normal human.
Nocturnowl said:how about Impaz from Twilight Princess? she may have some relation to "sky people" with her ancient sky book
Andrex said:Could be a very young Impaz. Or just a Sheikah we don't know yet.
Thanks for posting that. Sounds like Nintendo took criticism about the vast empty overworlds to heart, which is really promising to hear. The character stuff sounds great as well. I love MM, and Windfall Island was one of the high points of WW imo. Glad to hear that their influence seems to have crept into SS.Magic Mushroom said:Edge quotes. Big thank you to Majora from the RLLMUK forum.
Sweet Ganondorf's beard.Magic Mushroom said:Edge quotes
ButAndrex said:
THANK YOU BASED NINTENGOD!Magic Mushroom said:EDGE QUOTES
well you see.....EmCeeGramr said:ButImpaz is supposed to be named after the founder of Kakariko Village.
EmCeeGramr said:ButImpaz is supposed to be named after the founder of Kakariko Village.
Vire said:Dear Zelda fans,
When the reviews hit worldwide please don't be like Uncharted fans
Sincerely,
Fellow GAFer and Zelda fan.
BeauRoger said:I really think that the stone tower temple in MM is a good representation of what a zelda dungeon should be in terms of thinking and difficulty. Sure, i was like 13 at the time, but once you entered the temple and saw the whole area flip, you were filled with that forboding feeling thinking "this is gonna take a while.."
Something that was always awesome in zelda games is the elation you felt when you knew you were nearing the end of the dungeon, that anticipation. and the harder the temple, the better the feeling. Stone temple was perfect like that, and so was woodfall temple.