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Let's talk about a small scene from Raimi's Spider-Man 2...

Lothars

Member
It's not really turning on it, at least I enjoyed it and had a good time. But it's clear watching it it wasn't going to touch the first two Raimi films. They're just better films.
Only the second one is better and not by much, the first Spider-Man wasn't anything special. It's a good movie but forgettable. I think homecoming does a much better job than 1.
 

Newt

Member
AmWTuW.gif
 

blakep267

Member
the scene with the neighbor girl is the really puzzling one. at least, i always found it puzzling.
Why. She has a crush on Peter and is trying to get his attention. In a perfect world, he would've asked her out instead of MJ who is a horrible character and the object of his affection for no other reason than looks
 

blakep267

Member
I feel like a lot of Peter's characterization got cut in Homecoming. There isn't any guilt/responsibility to his character and he's not exactly suffering much on other fronts.
In homecoming, Peter seems too... normal. The situation with himnand May seems quite nice tbh. She's perfectly understanding to him and there are on growing pains. No bullies in school. Can get the girl if he actually asks her out. The only real dilemma is him trying to impress stark and learning to grow up. There's no adversity that make him who he should be from a personal standpoint.

Being poor, causing Bens death etc. those things shape why he's Spider-Man. Not just trying to impress Stark to be an Avenger.

Plus the High school scenes were super shallow and didn't go deep at all on anybody really. I mean that's what you do with Zendaya in you're movie, really
 

Jumeira

Banned
I rewatched Spiderman 2 yesterday and was reminded at how fantastic the film is, it handles the conflict and impracticality of being a super hero in a somewhat grounded world beautifully, themes of responsibility weaving though Pete & Doc Oc personal goals regardless of the perspective was executed so well, just fantastic writing, massive difference from MCU version which was pretty forgettable. Peters conflict are good displays of moral consequentialism, Raimi puts forth impressive examples of these moral dilemmas, your a Superhero but you killed you best friends father, do you tell him and lose him or do you protect him and be seem like a traitor? You save a child without your powers yet you could have save more with your powers, but then you sacrifice your right to normalcy . Do you have the right to have what you want? Do you sell pictures of Spiderman to a paper looking to vilify him and thus undo all the good work Spiderman is doing just so you, as Peter can pay your rent? Film is filled with these dilemmas and we see Peter & the audience struggle through all of this. Oh, the music is iconic, swinging through NY with Elfmans theme are some of the highest points in a comic book movie.

Aunt May 'Hero in all of us", man that chocked me up a little. I appreciate this movie more then ever - its been 8 years since i saw it last, simply blown away at how good it still is.

LOL at Toby face during the train scene though. Best Marvel film by far.
 

Pizza

Member
See, for me homecoming has the best world for Peter with the objectively worst Peter Parker. Raimi Peter was fucking great as a guy, a really good representation of the character with a grounded ongoing "parker luck" joke. I just wasn't big into doc ock or Venom at all, and the cast of important characters was pretty small.

Homecoming has a sweet story arc and excellent world full of enjoyable characters, except Peter is insufferable and gets handed the suit Peter had just built himself in the comics by his absentee tony stark dad. Also aunt may stinks as an adaptation of that character. She's great! Just idk. Peter really weighs the movie down.

I'd rather him stressfully talk to himself intead of she-Jarvis. It was cute, but meh.

I also felt like I was the only one who hated civil war for awhile. Overwhelmingly the consensus was that Holland was the GOAT spidey and homecoming handed you... that. With essentially no meaningful strife or development of the character. He had a scapegoat with tony stark for the stuff he fumbled instead of taking it personally, and by the end he just kept spidermanning.
 

jdstorm

Banned
I think people are being too harsh on Homecoming. Sure its not a great film, but its a good film. Every version of a superhero is going to be tailored for its specific generation and homecoming is for the most part a good version of Spiderman for the modern teenager.

In saying that its still worse then Rami's trillogy. Its much better then Amazing 1 and 2.
 
Not really sure how this proves anything. It's a statement with no argument.

And really? Raimi never tests Peter or Spiderman to betray his altruism? Or to consider the possibilities for abusing his powers that Peter is now gifted for personal gain. His principles are tested quite often, hell its largely made a defining trait of his origin story! Remember when he disobeyed Uncle Ben and snuck off to specifically use his powers to hustle some cash for the express intent to impress Mary Jane with a new car? I mean that is was just one example in the first 15m of film 1.

I'm pretty sure I said that the Uncle Ben conflict was Peters driving force through all three movies.

That's the problem with Raimi's Spider-Man - that's ALL he was. The other two representations had OTHER THINGS that defined them. ASM's selfishness directly put his loved ones in danger, which is a core tenet of Spider Man. Homecoming Spidey actually has a life and other aspirations and goals that he cares about, that get pushed aside as he loves being Spider-Man above all else. As someone said early in the thread, you never got the idea that Raimi Spider-Man actually liked being Spider-Man - he was always on the "power... Responsibility blah blah blah" garbage. Spider-Man's best moments have always come when his desires clash with his ethics. As I said earlier, the flaws are what made the character.

It also seems a lot of people are missing the point of Homecoming - the underlying point was
failure - Spider-Man fails throughout the movie until he learns to put his hero worship aside.
 

Azoor

Member
Sam Raimi made the best Peter Parker, I still think of Toby Maguire when I think of Spiderman. Tom Holland was great, but the movie was bogged down by the MCU stuff.
 

Sojgat

Member
So many of these brilliant little touches are often lost on people. All that's seen is Tobey's awful performance and then the rest of the daytime soap tier melodrama just goes unnoticed.

People should realize that latest spidey film short form is SMH for a reason.

C4O9qzbWQAEF5_p.jpg
 

Magwik

Banned
I'm pretty sure I said that the Uncle Ben conflict was Peters driving force through all three movies.

That's the problem with Raimi's Spider-Man - that's ALL he was. The other two representations had OTHER THINGS that defined them. ASM's selfishness directly put his loved ones in danger, which is a core tenet of Spider Man. Homecoming Spidey actually has a life and other aspirations and goals that he cares about, that get pushed aside as he loves being Spider-Man above all else. As someone said early in the thread, you never got the idea that Raimi Spider-Man actually liked being Spider-Man - he was always on the "power... Responsibility blah blah blah" garbage. Spider-Man's best moments have always come when his desires clash with his ethics. As I said earlier, the flaws are what made the character.

It also seems a lot of people are missing the point of Homecoming - the underlying point was
failure - Spider-Man fails throughout the movie until he learns to put his hero worship aside.
Let me know if I'm recalling correctly, but isn't there a moment in Homecoming where Peter just says "that shit doesn't matter I'm going to be an Avenger!"
 

- J - D -

Member
I quite like Homecoming, but as with much of the broader mcu, it doesn't indulge in slower scenes that are allowed to breathe. I mean, efficiency has always been one of the core traits of films produced by Marvel Studios, and that can often be seen in how scenes are written and composed.

More than the acting and writing in that SM2 scene, it's the quietude and mundanity that really make it work. It feels real.

Aside from, maybe, Steve and Peggy's bedside scene in The Winter Soldier or Pepper/Tony's Heart operation scene in IM1, everything in the mcu is written to maximize impact or to make character beats "punchier", to the point of being really, really obvious.
 

Jumeira

Banned
I'm pretty sure I said that the Uncle Ben conflict was Peters driving force through all three movies.

That's the problem with Raimi's Spider-Man - that's ALL he was. The other two representations had OTHER THINGS that defined them. ASM's selfishness directly put his loved ones in danger, which is a core tenet of Spider Man. Homecoming Spidey actually has a life and other aspirations and goals that he cares about, that get pushed aside as he loves being Spider-Man above all else. As someone said early in the thread, you never got the idea that Raimi Spider-Man actually liked being Spider-Man - he was always on the "power... Responsibility blah blah blah" garbage. Spider-Man's best moments have always come when his desires clash with his ethics. As I said earlier, the flaws are what made the character.

It also seems a lot of people are missing the point of Homecoming - the underlying point was
failure - Spider-Man fails throughout the movie until he learns to put his hero worship aside.

Homecoming Spiderman has the support of avengers, in a world where gods fly around with aliens coming through the sky, he wears an AI suit that does most of the thinking for him, of course he can sit back and enjoy life as his human troubles are distractions rather then life changing as seen in Raimi movies, this is why Homecoming fell short. Raimi Spiderman did love being Spidey as you can see when he's swinging around (screaming yee-haw, woo) he's enjoying himself but it's obvious so we don't focus on it too much, "there are bigger things at play" no need to indulge on the obvious. I found that more gripping then Homecoming, there's always Iron Man to save him so no struggle is really a struggle (lol he did save him with an AI Ironman). When you see that you just switch off, the stakes arnt as high and there's always a safety net.
 

blakep267

Member
That's the point. He's a 15 years old kid.
How old is 15 really

Anyway 15 isn't some super young naive age. There has been plenty of media showing young teenagers with power who also know how to be responsible given what they have. As Stark said, he doesn't deserve the suit and frankly, he shouldn't have gotten it back even at the end regardless of him defeating the Vulture. He still didn't learn anything
 

Cuburt

Member
You know what? I hope they find another director for the Homecoming sequel.

Jon Watts wasn't bad, I just didn't feel like he really put signature stamps on the film that made it stand apart, nor really made it his own in a way that made me think "this guy has to come back!" I feel it is a competent film but there are a few details I wish he was able to capture about Spider-Man/Peter and his world.

Regardless of how you feel about Raimi's take on the character, I think he had a thorough understanding for the character and a love for the character and his supporting cast that really came through. You have to acknowledge that even if you don't agree with his adaptation.

I don't think Jon Watts has the same strong vision for the character; I can see Marvel's vision but I didn't feel like seeing him through Watts lens added much to this interpretation, although I would be interested to see what he wanted to be in the film because I may be very wrong. I just want to see someone with the same passion for the character as Raimi since I think it could really elevate the MCU Spider-Man films from good to great since there already is so much I like there.

Watts did get the tension in some scenes just right, but some of the more emotional scenes or scenes that are supposed to connect 2 characters were good, but just didn't make me connect with what they were going through in a way I thought it should have.
 

KimiNewt

Scored 3/100 on an Exam
This thread and some of the stuff posted here have made me change my mind a bit about Homecoming.

I already thought that there being almost no theme of responsibility was weak, and that the character of Peter was complete except for this missing conflict of selfishness and selflessness, and the goodness which defines him.

Overall, I think if we could get an average of the two - the emotional and personal part of Raimi's film and the fun, teenage spirit and less cheese (as well as the action) of Homecoming I think we could have a very good film. My favourite Spider-Man comic was Ultimate Spider-Man and it managed to have both.

Unfortunately, Homecoming is bogged down with MCU stuff, not only the actual connection with the Avengers and Stark but the always-comedic tone and fast-paced nature of these films. I cannot recall a single time in the MCU where I felt something was really emotionally impactful (The only movie I missed was Thor 2: The Dark World) so I hope they manage to recover that in the next.
 

jdstorm

Banned
Homecommings biggest issue isn't anything to do with themes. Its biggest problem is poor producing/directing that is unsure of itself and is more interested in repeating itself and creating "Cool" or "Iconic" in the Ubisoft sense of the word scenes rather then making a functional cohesive film that understands the pace/flow of a highschool film.

Spoilers for Action sequences
Spiderman Homecomming has 6 primary action scenes that can esentially be categorized into 2 versions of the same 3 scenes. So it essentially has 3 redundant action scenes.

Introductory Action scene
The Point Break ATM Robery - Spiderman fights some street level goons and his inexperience leads to a local Deli being destroyed.

Donald Glover Cameo 1 - Spidey interrupts some smalltime thieves doing a suburban Arms deal. Small foot vs Car chase ensues.

These scenes essentially serve the same purpose which is to show a raw Spidey learning on the job and introduce the films antagonists.

We want an "Iconic moment" Action scene where Peter screws up and Iron man chews him out

Ferry Sequence - Heavily inspired by Rami's Train sequence in Spiderman 2 this is an attempt at doing a character beat hero moment on NY public transit.

Washington Monument sequence - Ned inadvertantly endangers his classmates due to Peter's stupidity. Peter swoops in and saves the day successfully, but Tony chews Peter out for his recklessness/stupidity.

Vulture Heist scene's

SMH contains 2 heist scenes where Peter interacts with the Vulture. The main issue is that there should only be one of these scenes and it should be the films final confrontation. The Road Convoy scene is too small scale to be an act 3 finale and the Plane sequence has no stakes because the audience isn't concerned about Peter falling. He's the hero and he will be in the sequels. Its also too large a scale of destruction for a "street level hero". Crashing a plane in NY isn't something that is associated with street level crime.

SMH only needs one of these scenes. It should be a souped up version of the road convoy involving multiple cars, multiple "Vulture Crew" members and a police escort.

The time spent on these redundant sequences would be better spent on character development which is mostly nonexistent outside of Ned and the occasional "Hot Aunt May" joke. Or John Hughes homage.
 

Slaythe

Member
Spider-Man 2 is an emotional ride. The performances, ost, scenes...

Rewatched it recently for the first time in years and couldn't believe how good it was.

The fact that I'm older and broke too hit home as well.

Homecoming was your jokey pop corn flick with edgy comments every 4 seconds. Not a bad movie though but yeah, not even close.
 

ugly

Member
Just watched this film thanks to this thread. Emotionally pulling and... ... Maybe the best choreographed action I've ever seen in a film. Holy crap
 

Zoso

It's been a long time, been a long time, been a long lonely lonely lonely lonely lonely time.
I agree with the OP. Loved those moments in the Raimi films. As much as I enjoyed watching Homecoming, it suffers from many of the same problems that make these MCU movies feel hollow.

Film Crit Hulk had a pretty great article about this recently.
Spider-Man & The Marvel Fatal Flaw

A few excerpts:
The problem, and this is always the problem for the recent MCU, is that movies have to rely on dramatic catharsis to tell us what they're really about. Because messaging comes not from how ideas are verbalized on screen with lip service, but how they are expressed in the action and consequence of the story, and how they shift psychologies of the characters through lessons learned (or not learned) all en route to a larger context that creates THE MEANING! of the film. That's ultimately how narratives are about what they're about. It's why we can walk out of a masterpiece like No Country For Old Men and not only say "it's about greed, death and the horrors of the world making you want to leave it behind," but also articulate the ways each scene backs up that message through the "what" that happens. Which brings us back to these later MCU movies...

They're not actually about what they say they're about.

Because here's what (almost) every single post-phase one Marvel movie is "about" on the dramatic level of the storytelling: "I'm awesome and/or right! But everyone around me is telling me to wait, be humble, or that I'm wrong! But I wanna go nuts and get ahead of myself! Oh, I got ahead of myself and there was a surprisingly mild consequence to this dangerous thing and I feel bad, so here's a brief moment of humility that doesn't actually stick. Now I'll just wait run around, not actually change, and then just do the same exact thing I was doing before to prove that I'm awesome/right/or learned some lesson I didn't actually learn... Yay, I did it! I win!"

Yes, these films have lots of things they want to be about (and what it wants to be often has valid aims) but the dramatic story level "about" of these films are often a contradictory mess. The characters talk about change, but they don't actually change their behavior (which is as useless as when real human beings do the same things). And as a result, it's why so many of these damn movies can be charming, but feel empty. It all ignores the most fundamental and important part of stories like these...What actually makes us change and grow?
But so much about the film doesn't add up. Even Peter's moment of looking at the reflection in the water and him being "nothing without the suit" was originally a comment about his character and his reckless philosophy. But instead of tapping into that, it's instead used as a rote unphilosophical mantra that allows him to be able to push the rocks up now just because he pushes real hard. It certainly feels triumphant, particularly because we just saw him be weak, but it doesn't actually make sense to the overall lesson, theme, or philosophy. So the metaphor being aimed for just falls apart. And they all keep falling apart. Going back to Vulture, the scene where he opens the door and there's our bad guy/GF's dad plays like fucking gangbusters, right? As does the subsequent scene in the car (Keaton is really fantastic). This is crisp-as-hell dramatic and works perfectly in terms of building the foundation for the bad guy/GF dad's metaphor... But when it comes to all the ensuing plot, especially for the questions of morality and how it plays into the larger relationships? It just starts getting so messy and unclear. It leaves me to make jokes like "oh, it's about that time in all our lives where you have to put your girlfriend's dad in jail and you couldn't tell her about it, because that's what high school romance is all about?" I joke, but it reminds me of how Jenny Nicholson compares these sorts of plots to Antigone "because there isn't a clear equivalence in our society for the struggles faced by the protagonist." And the culmination of our Vulture story certainly qualifies for that. Again, I'm not saying that you need to create realistic plotting (it's a movie about a mutant spider boy), but the parallel has to be clear and the intended theme must rocket through.

That's where these movies always break down.

Except when it comes to the aforementioned lack of change/I'm awesome mantra at the heart of their now uniform plotting. And this ultimately reveals my huge problem with the morality of the modern MCU: it sells "the big lie" of super-heroism, which is the illusion of growth and doing the right thing while, on a story level, not actually backing that up with anything concrete and indulging you with the belief that you are inherently awesome/right.
Similarly, I asked Twitter last week about the cavernous gulf between how I saw Sam Raimi's Spider-man 2 and the people who did not like it. The discussion mostly focused on the tangibles of the actors, the textures of cinematography, the feelings of what we liked and didn't like. But me? I kept talking about what the film is about. Because it's about the genuine cost of heroism and responsibility. It's about the way adults come together to support each other in the nobler pursuits. It's about establishing all the reasons that the world is worth fighting for (while the MCU keeps forgetting to establish why the world is worth fighting for. Perhaps they've done it so many times they think it's a given?). And in its pursuit of this theme, Sam Raimi did not make me feel empowered, he made me feel human.
It's worth reading his full article.
 

zoukka

Member
For me Homecoming was the same empty experience as other MCU movies. The characters are extreme one-liner and plot devices with no charm or humanity to be seen. The fights are technically nice, but lack any emotional impact or danger. They are like cut-scenes from video games. And the worst part was the villain, Vulture was a psychopath yet the writers kinda wanted us to care for him being all "working class hero" and showing some humanity in the end, but it was all cheap manipulation.

It was a really bad movie, but I guess another character and IP has been absorbed to the MCU where nothing stands out from the rest.

I think it's time to rewatch the Raimi movies!
 

Dalek

Member
I'm pretty sure I said that the Uncle Ben conflict was Peters driving force through all three movies.

That's the problem with Raimi's Spider-Man - that's ALL he was. The other two representations had OTHER THINGS that defined them. ASM's selfishness directly put his loved ones in danger, which is a core tenet of Spider Man. Homecoming Spidey actually has a life and other aspirations and goals that he cares about, that get pushed aside as he loves being Spider-Man above all else. As someone said early in the thread, you never got the idea that Raimi Spider-Man actually liked being Spider-Man - he was always on the "power... Responsibility blah blah blah" garbage. Spider-Man's best moments have always come when his desires clash with his ethics. As I said earlier, the flaws are what made the character.

It also seems a lot of people are missing the point of Homecoming - the underlying point was
failure - Spider-Man fails throughout the movie until he learns to put his hero worship aside.

Great post. 👏
 

Schlorgan

Member
Only the second one is better and not by much, the first Spider-Man wasn't anything special. It's a good movie but forgettable. I think homecoming does a much better job than 1.
That's why it's still the highest grossing origin movie of all time (nothing has come close until Wonder Woman).

It was just a film that resonated with people in a huge way, became ingrained in pop culture and we would not be where we are with comic movies today without it.

So nothing special.

I get if you don't like it, but saying the first Raimi movie is "nothing special" is like saying the first Donner Superman or Tim Burton Batman are "nothing special."
 
This thread is making me overthink Homecoming and now the last fight is bothering me. Imagine if he hadn't successfully navigated the plane or been unlucky with the trajectory, it would have been exactly the same situation as the boat. Peter didn't learn shit.
 
Homecoming Spiderman has the support of avengers, in a world where gods fly around with aliens coming through the sky, he wears an AI suit that does most of the thinking for him, of course he can sit back and enjoy life as his human troubles are distractions rather then life changing as seen in Raimi movies, this is why Homecoming fell short. Raimi Spiderman did love being Spidey as you can see when he's swinging around (screaming yee-haw, woo) he's enjoying himself but it's obvious so we don't focus on it too much, "there are bigger things at play" no need to indulge on the obvious. I found that more gripping then Homecoming, there's always Iron Man to save him so no struggle is really a struggle (lol he did save him with an AI Ironman). When you see that you just switch off, the stakes arnt as high and there's always a safety net.

This post tells me that the point of the movie totally flew over your head. Did you miss the last 30 minutes of the movie? Serious question.
 

Forkball

Member
It always felt to me that Raimi tricked Sony into letting him make Spider-Man, and once that made a ton of money he went full Raimi in SM2. You're not going to get a quiet cake eating scene in the MCU.

Dark Knight, Spidey 2, and Winter Soldier are the superhero trinity for me.
 
Raimi trilogy is GOAT!

It is an emotional impactful journey. I care...those films make me care. There is so much heart to them.

Whereas MCU is 'hahaha banterz...jokezzz'. Like they'll have an emotional moment and quickly make a joke out of so it loses all impact!

Wonder Woman was a recent superhero film with heart :) .
 
Raimi was totally committed to that Lee/Ditko origin story of power and responsibility and what it really means to be both a struggling kid and a superhero. And it worked just as well in the films as it did in the comics.

Seeing Peter Parker struggle with his life and responsibilities and his aunt and his girlfriend and money and a job and growing up. He wasn't just a hero automatically. He grappled with the concept of what it meant be a hero, how a person should act when given powers and how it impacts their life.

It was that fresh take on the superhero genre that basically allowed Marvel to become what it did in the 60s - and it again arguably allowed comic book movies to take off like they did in the 21st century. It strongly resonated with people in two different eras.
 
Spider-Man 2 is a much better movie, with much better dialogue.

I just feel Tom Holland's interpretation of Spider-Man fits more with the MCU. And I believe that the movie was a good introduction for him as a leading man.
 

Alo0oy

Banned
Homecoming is a great MCU film. The problem is that it has to be compared to two GOAT predecessors. That's why I'm against the "give everything to MCU" people*, if the MCU had everything, we wouldn't have gotten the first 2 Spider-Man films, X-2, Deadpool, or Logan. Those 5 movies are better than anything from the MCU (except Civil War).

* That being said, SM in the MCU is a great idea, just keep X-Men with Fox.
 
See, for me homecoming has the best world for Peter with the objectively worst Peter Parker. Raimi Peter was fucking great as a guy, a really good representation of the character with a grounded ongoing "parker luck" joke. I just wasn't big into doc ock or Venom at all, and the cast of important characters was pretty small.

Homecoming has a sweet story arc and excellent world full of enjoyable characters, except Peter is insufferable and gets handed the suit Peter had just built himself in the comics by his absentee tony stark dad. Also aunt may stinks as an adaptation of that character. She's great! Just idk. Peter really weighs the movie down.

I'd rather him stressfully talk to himself intead of she-Jarvis. It was cute, but meh.

I also felt like I was the only one who hated civil war for awhile. Overwhelmingly the consensus was that Holland was the GOAT spidey and homecoming handed you... that. With essentially no meaningful strife or development of the character. He had a scapegoat with tony stark for the stuff he fumbled instead of taking it personally, and by the end he just kept spidermanning.

Exactly. Could you imagine the goofy face Tobey would have worn after finallly connecting with his dating interest only to find out that he needs to bail on their date because her dad is a super villain who had just threatened his and his family's lives? Would have convinced me of that "Parker luck" instead I'm like, damn... Peter is so lucky to have this final battle play out, homecoming is a lame event anyway. Fuck Tom Holland, he sucks.
 

davepoobond

you can't put a price on sparks
I think they went too far in the "no origin story" department and relied too heavIly on what we already know.

There were very few scenes that showed the new Peter as an admirable person IMO, and that was the only bad part
 
I think this thread just shows how hard it is to defend Homecoming's faults. The answer always is, "Holland is a better Spider-Man". Strange.
 

teiresias

Member
SM1 and SM2 are films, whereas recent MCU is not. I haven't seen Homecoming yet, but the main problem with most of the recent MCU films is that they hang their hats on razor thin characterization, quick quips, and are plotted and filmed as if some kid is speed-reading through panels in a comic book rather than taking their time to make it through the story.

The earlier MCU doesn't suffer from this and neither does much of the better TV series offerings simply because of the format.
 

Ogodei

Member
I suppose it has more impact if you've had a background of dealing with poverty. Peter Parker's struggles in those movies always felt overwrought to me, the first movie being much better about it than the second or third. You can show that he and Aunt May are struggling to get by without having to lay it on so thick.
 

Glass Rebel

Member
This post tells me that the point of the movie totally flew over your head. Did you miss the last 30 minutes of the movie? Serious question.

People are tripping over themselves to discredit the movie because it didn't indulge in making Peter wallow in guilt for three movies straight with criticism that basically amounts to nothing more than "not my Spider-Man". It's literally what people who didn't like Raimi's movies (as much) were accused of.
 

Verano

Reads Ace as Lace. May God have mercy on their soul
This is exactly what I've I'm talking about when I say I'm disappointed with homecoming. Actual character development, actual stakes and the people all feel real instead of joke set peices. Homecoming misses what made people fall in love with the Spider-Man movies in the first place.
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