ASM 2 had a lower domestic and foreign box office than any Spiderman movie, even the Spiderman films from 10-15 years ago that were made before the international box office expanded box office receipts for blockbuster movies, and the fact that 15 years of ticket inflation should mean you make a lot more money with fewer people in the seats. It is factually true that ASM2 had fewer people in the seats watching the movie than in the past. You are factually incorrect to claim that Raimi's Spiderman 2 was previously the lowest grossing. The previous lowest grossing was ASM1. The movies were on a downward trend while the box office has been expanding.
Sony already gets Peter under the current deal. There would be a new deal required to add your suggestion. The specifics regarding the existing deal have explained enough of the deal. These are public companies and they cannot mislead shareholders by keeping such specifics unknown.
Context in what I wrote and the way I wrote it, matters. I specifically mentioned that
Spiderman wasn't getting the same
Return on Investment that the previous
Trilogy was. You're over here arguing about plain Gross when the problem wasn't Gross. Newsflash: 757 Million on a 230 Million Budget is still HUGE. 708 Million on a 250 Million budget is still HUGE. The problem was the ASM movies were getting critically panned while also costing more than Raimi's trilogy and bringing in slightly less money. I said Spiderman 2 was the previous lowest grossing film in the Raimi Trilogy WHILE being the highest critically rated (aka the reason why Raimi's trilogy wasn't shitcanned the way Webb's was). So stop trying to be a know-it-all ass in your replies and pay attention.
Also, what I've pointed out multiple times that you seem to refuse to believe is that we don't know what is in the actual contract between Sony and Marvel Studios. The contract has not been released to the public and there are always aspects of contracts that nobody wants to be released. So unless you actually work at Marvel Studios or Sony and you're privy to the actual contract, stop acting as if you know the full breadth of what it covers.
What I've suggested is that there could be an here-to-fore unspoken backend of the current deal where Sony ends up with Peter and Marvel Studios get to use Miles. Because as it is now, Marvel doesn't have to pay to use Spiderman but they also don't see any profit from him directly (they can only profit off ensemble films he's in). Meanwhile they're doing all the creative heavy lifting. Does it make more sense that Marvel is doing this just to have Spidey show up profitably in a couple films or that there's more to the deal that Marvel and Sony haven't spoken of? There has been no contract extension, btw. That was Pascal blowing smoke because she's previously said that after the second Spiderman solo film, "plans are up in the air" meanwhile Holland admitted a long time ago that he's contracted for 6 films, 3 ensemble, 3 solo. So again, listening to Feige or Pascal and blindly accepting that they're telling us ALL the details of the contracts is silly. That isn't how it works. So while my theory may be wrong, it's not at all due to the reasons you're bandying about.