The Avengers have way more experience at the point they encounter Thanos compared to when they are against a Hydra Base
Power levels don't matter. Other-wise might as well have every hero just be Vision/Thor/Hulk powerful as a baseline.My point was more that The Avengers struggled with Loki and a bunch of generic soldiers, and a bunch of robots. The Guardians dealth with a dimension hopping eldrich abomination OFF-SCREEN in the opening of GOTG 2, while Baby Groot danced. The film practically screamed 'don't sweat it, they've got this' at us.
Avengers took longer taking down a Hydra base in comparison.
Nah man, The Guardians struggled too; I mean while Groot is dancing you see Draxx, Star Lord and Rocket getting pummeled (Gamora being the exception) by this beast.They barely beat Ronan. In all honesty, the Guardians and Avengers are alike; they beat their enemies with a dash of luck, a strategy that somehow works and at the end of the day they're happy to be alive.My point was more that The Avengers struggled with Loki and a bunch of generic soldiers, and a bunch of robots. The Guardians dealth with a dimension hopping eldrich abomination OFF-SCREEN in the opening of GOTG 2, while Baby Groot danced. The film practically screamed 'don't sweat it, they've got this' at us.
Avengers took longer taking down a Hydra base in comparison.
Ego does the things that he does because he lacks the basic empathy for mortal beings in the first place. The foundation of his entire plan is born from an inherent view that all life outside his own is lesser and not worthy of consideration. That coupled with the fact that as a Celestial he doesn't view relationships within the same paradigm as mortals, let alone on Human terms.
That is why he kills Peter's mother, not because he believes he has no choice, but because as an immortal being he believes that it is within his rights to make that choice for lesser beings. So don't mistake the honeyed words he may have told Peter about his mother as evidence for sincere affection when his actions tell us otherwise. The fact that, as you say, he could have lived with her until death, but chooses instead to give her a terminal illness rather than dealing with the hassle of a committed relationship in spite of his immortality is why he is a monster removed from humanity.
It's not a plot hole. It's choice informed from his character.
If he is so far removed from humanity why does he bother to kill quill's mother? Why does he fall in love? That's a very human thing to do. Also, if Quill is the first child with celestial powers, and Ego is so invested in his plan, he should be more cautious before telling him that he killed his fucking mom.
To put it simple: if he is so inhuman, why does he fall in love? Why does he have to kill her? And if he is in part human, why doesn't he lives with her until she dies and why he doesn't keeps the killing of the mother a secret? Either way there are inconsistencies in Ego's behaviour.
You could say, well, celestials are inconsistent, and I will be all right with that because I wasn't looking for a great solid plot, just action and laughs and it delivered. And I think that the plot is very good, only weak point for me is the killing of Peter's mother.
One question I had though was what did Mantis want to say to Drax?before Gamora interrupted them? Was it just in regards to Ego
It's a stupid movie when viewed from an audience perspective knowing how these hero/villain scenarios break down. You're correct in that there are all manner of alternative choices that Ego could have made to avoid his ultimate demise, but what I'm saying is that from what we understand of his character traits and personality it's incredibly unlikely that he would have made any decision that benefited anyone but himself.Killing the mother and telling Peter about it is a very stupid move, not unempathic, not monstruous, but stupid.
I think it was this
Was answering to ShortRaver . You should check out the tracklist of Awesome Mix Vol. 2, you can listen to examples at Amazon.comSorry, was that in response to me? Dying to know what that track was!
Iirc it was Southern LightsSorry if it's been answered, but anybody know the song or piece of music that was playing when we first catch up with Yondu? I loved whatever that was.
What are you thinking of? First thing that comes into my mind is the relationship between Peter and Gamorra, Drax about to find some peace, Grot growing up again and Nebula coming together with her sister.
Annihilus :3Yeah, all those things. The thematic of family. Letting go. Dealing with grief and other negative emotions. Really nice.
I wonder who the villain for the third installment will be? I really need to brush up on my cosmic Marvel before then.
Quite possibly, aren't the rights for him kind of fuzzy though?Annihilus :3
Killing the mother and telling Peter about it is a very stupid move, not unempathic, not monstruous, but stupid. There was no need. He could have simply removed his human form and forget about love. Or take her to his planet. It's a nice way of incorporating plot from the first movie but a little bit clumsy.
Iirc it was Southern Lights
Hopefully the gang gets a cameo in Ragnarok even if its just them in the crowd during the Colosseum fight.
That makes a lot of sense actually. Just alter this line a bit
Hah I can imagine Rocket saying that pretty well
I don't think it's explained.I came back from the bathroom when they revealed Ego was responsible for Quill's mother's cancer.
I think I missed why he did, because I was really confused to learn why he intentionally gave her cancer. Did they explain that?
It came down to Ego actually liking Meredith; he went back several times and told Peter that if he went back for a fourth time he wouldn't be able to leave her anymore. Because he needs to return to the core of his planet to keep his immortality and a means to change the universe, he thought that killing of Meredth would be the most logical thing to do to keep him focussed on his task.I came back from the bathroom when they revealed Ego was responsible for Quill's mother's cancer.
I think I missed why he did, because I was really confused to learn why he intentionally gave her cancer. Did they explain that?
Killing the mother and telling Peter about it is a very stupid move, not unempathic, not monstruous, but stupid. There was no need. He could have simply removed his human form and forget about love. Or take her to his planet. It's a nice way of incorporating plot from the first movie but a little bit clumsy.
Also, that Ego's core is a big human brain makes no fucking sense.
Anyway, I liked the movie a lot! I don't really care about that stuff. I'm in for the laughs and shit. Also loved the Yondu story.
The scene where Ego reveals he killed Starlord's mother was just brilliant. You could feel nothing but rage coming from Pratt. A very, very well-acted scene in a totally brilliant film.
I just realized that Quill can now understand what Groot is saying in the credits when he's talking with Teen Groot.
I think previously only Rocket can understand what Groot is saying.
Also, this film just make me realize that Groot in the first movie is really dead. The new Groot is more like his son rather than the old Groot surviving the first movie. That kinda sad. Because I love og groot jn the first movie.
I wonder how IW will handle that. Teen Groot seems to be Gunn's thing, and I don't trust anyone else to get that right.
I wonder how IW will handle that. Teen Groot seems to be Gunn's thing, and I don't trust anyone else to get that right.
what's the timeline supposed to be like between GotG, GotG2, and IW?
Teen Groot in the credits may simply be a way to illustrate 'hey he's growing up, here is a funny clip' which allows them to segue into grown up Groot back in time for IW?
Usually the directors of other characters are around to give some creative guidance for how those characters should behave and speak. That was the case with Jon Watts when Spider-Man was being introduced in Civil War.I wonder how IW will handle that. Teen Groot seems to be Gunn's thing, and I don't trust anyone else to get that right.
Because these characters are going to pop up in various films with different directors there is a level of collaboration that has to occur for that to work otherwise you'll run the risk of characters being tonally inconsistent (which is kind of the case with comics anyway, but I guess in live action that would be extra jarring).Speaking to Comic Book, Russo claimed that he and his brother Joe had been working closely with Homecoming director, Jon Watts, in developing the character as both an individual entity and as part of the larger MCU:
From a process standpoint, its like it is with all other Marvel directors, everybody runs into each other in the hallways, were passing off story information between each other. I dont necessarily know how much it influenced me yet because were not involved in it on a day-to-day project, a process, and weve seen as much as everybody else has seen, meaning if you were at Comic-Con and you saw the Comic-Con trailer, thats what weve seen of it.
Watched the movie on the weekend and it was a decent film but i massively preferred the first one.
I love the characters in general and Baby Groot cracked me up and Yondo was really good in this as well. Ego is probably the 1st half decent villain to appear in the MCU outside of Loki and hope he returns.
What i didn't like was the non stop forced humour, which started good then after half way through the film i barely reacted to it coz it just never stopped and you got humour at the most awkward times as well.
Drax's over the top laugh at every chance he got was dull after awhile and they never explored much of the universe, everything happened on 2 planets which was a let down as well.
Ego was good but i agree with what others have said about some of what he said didn't make sense.
There were 4 planets total (?), with three of them a single location on that planet, two of which generic in addition.We got new planets, more Ravager factions, The Sovereign, The Watchers.