Liquidsnake
Banned
What is wrong with the way these villains are being written today?
First IM3, now this.
First IM3, now this.
Okay? That's besides my point. Doesn't mean it has to be disrespectful. And Star Trek films may not have always had great females characters TWoK did, like Valeris and Carol Marcus but they were treated with respect.
Well, Star Trek is one of the last places I'd look for "strong females".
How is this shown to weigh on him or change his character in any way?
Into Darkness is about Kirk coming to terms with the fact that he is not infallible, that he can't get out of every situation completely unscathed. It was about being humbled, humiliated, and humanized.
Deconstruction: The subtitle of this movie could just have easily been The Deconstruction Of Kirk. Most of the core traits associated with Kirk and what their consequences in Real Life would probably be are examined and pulled apart. The adventurer who faces a problem on a weekly basis, solves it and promptly forgets it ever happened is suddenly brought face to face with one of those problems from a decade and a half before, and discovers the consequences of his thoughtlessness can be measured by the body count. The suave lady-killer with a girl in every port discovers that one of his conquests (and it's implied that it's the only one he ever truly loved) has resulted in a son he's never known and who hates him. His tendency to play fast and loose with the rules leads to his ship being crippled and a score of dead cadets, all of which could and should have been avoided by simply raising the shields, and his trait of finding novel solutions to intractable problems ends the life of his best friend and trusted right hand. It also shows what happens when you take the dashing, devil-may-care heroic adventurer, let him get old and put him in a desk job: a full-blown mid-life crisis.
There's nothing wrong with treating Uhura like your average movie's love interest?
I loved the new one and I love Wrath of Khan.
I loved the new one and I love Wrath of Khan.
How dare you! One must lessen the enjoyment of the other!
hows the big space ship battles in the new one?
Loved the submarine style warfare in the shows. The lack of any real spaceship duels in the 2009 one was disappointing.
Oh yeah? Watch THIS!
smaller gap
8) The Voyage Home
9) Generations
10) Insurrection
big gap
11) The Final Frontier
12) Nemesis
No way is this not in the top 5
Sulu: You did it, sir!
Kirk: I did NOTHING! Except for getting caught with my britches down. I must be going senile.
Has anyone mentioned how incredible/memorable the music was in Khan?
Yeah, we shouldn't ever worry about lazy writing, especially if the movie moves fast enough to keep us from paying too much attention to the story or dialogue.
I'd also put Best of Both Worlds, All Good Things and the Dominion War in the top tier
Wrath of Khan is still an enjoyable movie, but you have to sort of watch it the way you would a stage play. It's admittedly aged pretty horribly, but there's a lot of juicy meat behind it. It would definitely benefit from a Star Wars style touch up.
Star Trek IV and especially VI hold up a lot better. VI is still a great movie by any standard, though.
Has anyone mentioned how incredible/memorable the music was in Khan?
No way is this not in the top 5
The lack of a real one in 2013 was even more disappointing.
The vast majority of Uhura's dialogue in the film, and indeed, what she is concerned about, is her love interest. Hopefully they'll treat her better in Star Trek 3.You keep saying this and it's not really accurate. Uhura does more in "Into Darkness" than she ever did in both the Original Series AND the previous movies. Again, the most agency she ever had in the movies was the time she talked some dude into a closet in Star Trek III. The next closest bit is her pulling a knife on Mirror Universe Sulu to get him off of her.
In Star Trek 09, she has a relationship with Spock, but it is secondary to making sure she's doing her job correctly. It AFFECTS HER, yes, but in these movies the triumvirate is not Kirk/Spock/McCoy. It's Kirk/Spock/Uhura - and NOT because she's a love interest.
And Into Darkness gives her way more agency, putting her and her actions and her abilities dead center of two very tense, very important sequences. And they're again - NOT DRIVEN by her status as Spock's partner. The relationship INFORMS her character, but it does not drive it.
Into Darkness isn't a "Wrath of Khan" remake. There are elements from that movie in there, obviously (blatantly) but it's not really treading the same ground, thematically.
*internet fist bump*Star Trek VI: The Undiscovered Country is by far the best of the original movies. I love Wrath of Khan, but there's a bit of "Genesis" filler in there. Plus, The Undiscovered Country has this motherfucker:
General motherfucking Chang
The vast majority of Uhura's dialogue in the film, and indeed, what she is concerned about, is her love interest. She's been relegated to love interest. Hopefully they'll treat her better in Star Trek 3.
This movie had the balls to have the villain and hero never actually meet face to face.
Nowadays every hero and villain have to have a fist fight.
To be fair, IIRC the reason Khan and Kirk never meet in Wrath of Khan was because the movie had been greenlit before even confirming Montalban's availability, and they wound up not being able to bring him in at the same time as Shatner. Shatner had to do all his lines involving Khan with a script girl.
I posted this in the STID thread, pretty relevant here:
Khan kinda sucked.
Going over what this "dangerous man" accomplished:
- He seduced a member of the Enterprise, enabling him to seize control of the ship, but he didn't even do a very good job of it because she quickly betrayed him and enabled Kirk to get his control back. There were a number of dumb blunders on his part during his brief period of control like sending easily-overpowered lackeys to do his dirty work.
- He fights Kirk man to man, says he's five times stronger and Kirk can't hope to win, and then Kirk knocks him out about five seconds later.
- He voluntarily goes into exile, practically on good terms, doesn't try to fight back or do anything devious.
- 15 years later he is exceedingly lucky to have two Starfleet officers fall into his lap and is also lucky that he had ended up on a planet with a creature that allows him to control minds.
- He and his crew take over a starship and kill everyone on a station, so points for that I suppose.
- Kirk stupidly fails to raise his shields which is the only reason he has any trouble with Khan in the first place. Shortly after taking heavy damage, Kirk forcibly lowers Khan's shields and easily cripples him.
- Once again, Khan relies on others to do his dirty work, which fails when the bug voluntarily leaves Chekov's ear. Shouldn't he have known something like that could happen?
- He fails to realize that Kirk knows their communication is being monitored. The famous "KHAAN" yell was just false drama, Kirk knew they were getting out of there the entire time.
- Khan is very easily taunted into following Kirk into a location that makes them evenly matched, and easily dispatched shortly afterward because his superior intellect couldn't think in three dimensions.
This. I watched WoK the other day for the first time and I was thoroughly unimpressed with Khan as a villain, especially after hearing how great of a villain he was. The scene that really got me was when Kirk tricked him into buying enough time to lower the Reliant's shields. Kirk was standing there stalling and very indiscreetly giving orders to his crew while Khan stood there like an idiot asking him what was taking to so long. They praise Khan's superior intellect in the movie but it did not show itself even once.
No, you can't just say that and then handwave away all the other stuff she does/says in the movie. She's concerned about Spock. So is Kirk. The basis of her concern is not 100% relationship based, and her needs are not entirely relationship based, and her motivation is not entirely relationship based. A character is more than their dialog, and her motivations and actions in the film are pretty obviously NOT simply to serve as Spock's loyal girlfriend. She's not "relegated" to anything in these movies. She was "relegated" to answering the phone for 9/10ths of her existence as a character in the previous movies/episodes. She does way more in these two movies than she's ever done previously (fan dance), and will likely do more in the next as well. The question is whether you can watch it and let go of the overriding idea that she's being "relegated" to girlfriend status and nothing more even when the movies are explicitly showing you there's more to her as a character than there's ever been in any previous iteration.
I agree that that was a very stupid scene.
She acts as a translator when a universal translator would've done, and she beams on to a windy, high-moving vehicle in a dress to calm Spock down. Rest of the time she's complaining about her relationship problems. It's great that they made her more of a linguistics expert, which should come in handy on the five-year mission, but both come off as a little reaching to give her stuff to do.
She acts as a translator when a universal translator would've done, and she beams on to a windy, high-moving vehicle in a dress to calm Spock down. Rest of the time she's complaining about her relationship problems. It's great that they made her more of a linguistics expert, which should come in handy on the five-year mission, but both come off as a little reaching to give her stuff to do.
How about some pants?She's hot and looks great in a dress. What would you prefer that she wears?
That just support what I was saying.Yes, of course. They put her there to calm Spock down with a gun, and she missed repeatedly, hitting his adversary instead.
That just support what I was saying.
She was relegated to taking down the villain at the end of the movie?
Ok.